Search results for 'de la'
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da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting
£47.40Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More -
Roberson Series 43B Hog Bristle Round
Starting at: £5.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More -
Arches Aquarelle Block 300 gsm
Starting at: £26.80
Mould-made, 100% cotton. Gelatine tub sized, neutral pH. Glued 4 edges, 20 sheets per block. available in Hot Pressed (HP), Cold Pressed (NOT) and Rough. Learn More -
Yellow Ochre Pigment
Starting at: £4.00
PY43
Yellow Ochre is a natural earth pigment that has been in use since prehistoric times. It is derived from iron-rich clay deposits that are present all over the world; our Yellow Ochre comes from the hilly regions around Verona, Italy. As a pigment, it is semi-opaque, extremely lightfast, and stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Yellow Ochre is similar in composition to Raw Sienna, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this compositional difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity B
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Komasuki 6mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
da Vinci Series 428 Red Sable Watercolour brush, round
Starting at: £21.00
ARTISSIMO -Made from pure Kolinsky red sable hair - Embedded in transparent plastic quills - Wire-bound with care on naturally lacquered handles - For wash and watercolour painting on large areas - Pure Kolinsky Red Sable hair - French style Learn More -
Cornelissen Pigment Colour Chart
£40.00Cornelissen Pigment Colour Chart. 85 pigment samples displayed in a 6 page 300 gsm A4 booklet, including 'permanence' and 'colour index' references. Colour swatches have been made using a casein binder. Learn More -
Cornelissen Series 2 Kolinsky Sable
Starting at: £35.80
Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Flat. Learn More -
Roberson Artists' Oil Colour 120 ml
Starting at: £23.00
Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.
Available in 40ml and 225ml tubes
Zinc White and Titanium White only available in this intermediate size of 120ml
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Roberson Retouching Varnish
Starting at: £8.20
Damar resin/white spirit. Rectifies dull areas caused by sinking of paint. Also helps adhesion of succeeding layer. Finish between matt and satin. Unable to send overseas. Learn More -
Easy Grip Crible Point Sharp No 93
£15.76Easy Grip Crible Point Sharp #93 A traditional crible point for creating indentations in the plate. 120mm length dot. -Heavy duty tool with tapered shaft ending in a small dot -Tempered steel Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More -
Fabriano Artistico Paper Extra White
Starting at: £46.10
A mould-made, acid-free 100% cotton watercolour paper with 2 deckle edges. Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop. Learn More -
Hahnemuhle Etching Paper
Starting at: £4.55
300GSM, 53cm x 78cm, Mould Made, Natural White Shade, Alpha Cellulose, Acid Free, Soft Sized, Watermarked, 3 Deckle Edges, Textured Surface, 25 Sheets. Learn More -
Pre-Lim Metal Burnisher
Starting at: £9.85
A gently abrasive paste for non-scratch cleaning of metals and many sensitive fine-art surfaces. Learn More -
Daler Rowney Ivory Artist's Sketchbooks
Starting at: £13.25
The Daler-Rowney Ivory Artists' Sketchbooks with their smooth creamy coloured lighter weight paper and micro-perforated pages remain ever popular sketchbooks for those who sketch with graphite pencils, charcoal or ink & pen technique. Ivory Sketchbooks are available in hardback and softback. - High-quality smooth texture cartridge paper. - 90gsm. Available in sketchbooks. - Ivory colour. - FSC® (FSC-C111372) certified paper. - Microperforated pages. - Ideal for graphite pencils, charcoal or pen & ink technique. Learn More -
Indigo Blue Genuine Pigment
Starting at: £8.00
NB1
Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.
Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.
Toxicity: B
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Japanese Gold 14,3ct
Starting at: £48.00
Highest quality 14,3ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
da Vinci Series 488 Spin Synthetic
Starting at: £11.10
Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More -
CHROMATOPIA: An Illustrated History of Colour
£18.95Reverse Cover Text: Did you know that the Egyptians created the first synthetic colour; or that the noblest purple comes from a predatory sea snail? Throughout history, artist pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and serendipity, Chromatopia reveals the origin stories of over 50 of history's most extraordinary pigments. Spanning the ancient world to modern leaps in technology, this book for the artist, the history buff, the science lover an the design fanatic. "David has spent the entire life up to his elbows in this subject - he covers colour with beauty, depth and understanding. Anyone who has ever wondered about the origins of mummy brown, Tyrian purple or how manure makes the purest white need look no further." Narayan Khandejar, Director of the Straus Center for Conservation and Technical Studies, Harvard Art Museums
Please note, the book is now only available in a paperback format.
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Cornelissen Historical Inks, Green Hawthorn Ink 30ml
£6.50A rich, soft green, this ink is made from organic Hawthorn berries, collected in Cambridgeshire. Inspired by the Green Hawthorn Ink used in medieval manuscripts and formulated according to a 19th century recipe. The ink is not fully lightfast, due to the presence of organic ingredients.
Not suitable for fountain pens. Learn More -
Roberson Matt Medium
Starting at: £13.50
Roberson's Matt Medium creates a dead-flat finish when mixed with oil colour. It aids the flow and increases the artist's control of oil paint, allowing for smooth application flat brush marks with low edges. It can be mixed with oil paint in any ratio. Learn More -
ArtGraf Watercolour Graphite Small
£10.50 As low as: £8.20ArtGraf Watercolour Graphite Small 20g allows for interesting and very expressive mark making offering an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones Learn More -
Winsor & Newton Drawing Inks
Starting at: £4.80
The Winsor & Newton Drawing Inks can be intermixed and diluted with distilled water. Not lightfast (except Black and White). All colours are transparent and water resistant once dry (except Gold & Silver). Learn More -
Winsor & Newton Art Painting Medium
Starting at: £9.20
From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing.
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Roberson Series 41B Hog Bristle Bright
Starting at: £5.10
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More -
Rohrer & Klingner Lithographic Inks
Starting at: £17.10
Liquid lithographic ink and solid (tushe) lithographic ink are highly resistant against acids and can be used to draw on stone, aluminium and zinc plates. Uses a highly dispersed pigment that is compounded from shellac, wax and soap. While the liquid ink is suited for complete covering, the tushe ink is excellent for halftones and transitions. * Please note that the Litho Tusche now comes in a cylindrical shape, rather than the rectangular stick photographed. Learn More -
Seccotine 30 ml
£8.50Refined liquid fish glue for use as a size for gilding on paper. It can also be used as a glue for paper and as a binder in gesso for raised illumination. Seccotine is made from the skin of the Atlantic deep sea cod fish. It remains flexible after drying.
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Mars Yellow Pigment
Starting at: £4.50
PY42
Mars Yellow is an artificial mineral pigment, a synthetic iron oxide. Mars colours in general replace many natural earth colours to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil, creating a strong, flexible paint film.
Toxicity: B
Limeproof
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Gold Leaf Starter Packs
Starting at: £14.50
Gold leaf starter packs - 5 leaf booklets of genuine gold leaf available in 22 ct Yellow gold and 23 3/4 ct Warm gold Learn More -
Komasuki 1.5mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More


