Search results for: 'de la a'

Japanese Gold 14,3ct

Starting at: £48.00

Highest quality 14,3ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More

Cadmium Brown Pigment

Starting at: £10.00

PR108

Cadmium Brown is a shade of Cadmium Red, a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

Larger quantities are available by request.

Limeproof

Toxicity: C

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Leather Watercolour Case

Starting at: £45.40

This Watercolour Case is designed to hold a standard tin of 12 half-pans. All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please see below to order this in red, green or tan brown, or ring our office to enquire about additional colours that we may have available. Learn More

Japanese Gold 22,66ct

Starting at: £55.00

Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More

Calligraphy Cartridge Pad A3

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£17.50

Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More

Sankaku-toh 4.5mm (V Shape)

£36.00

The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Japanese Gold 23,44ct

Starting at: £60.00

Highest quality 23,44ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More

Cadmium Vermilion Pigment

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Starting at: £7.50

PR108

Cadmium Red is a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film. This shade has been formulated to imitate the bright hue of vermilion.

Larger quantities are available by request.

Limeproof

Toxicity: C

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Daniel Smith Watercolour Ground Transparent 4oz

£10.30

Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Carnauba Wax Grey

Starting at: £8.40

Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More

Mars Violet Pigment

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Starting at: £4.50

PR101

Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.

Toxicity: B

Limeproof

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Sankaku-toh 1.5mm (V Shape)

£36.00

The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Hardback Book of Drawing Paper

£25.00

This landscape book contains 48 sheets of 200 gsm Fabriano Accademia drawing paper. White, smooth surfaced, acid free paper in a hardbacked cover featuring a 19th-Century design advocating drawing as "a necessary part of the education of all". Sheet size 19cm x 24cm (7.5 x 9.5in). Learn More

Omega Series 1031 Spalter Varnish

Starting at: £19.40

Lily bristle brush for dragging or varnish walls and large surfaces. 100% pure hog bristles. Learn More

Raw Umber Pigment

Starting at: £4.00

PBr7

Raw Umber is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.

Toxicity: B

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Cranfield (Spectrum) Linseed Oil Paste

Starting at: £24.65

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From the Cranfield website:

An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

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da Vinci Series 5522 COLINEO Watercolour brush, round

Starting at: £5.30

Composed of different lengths of straight and wavy synthetic fibres, with extra fine tips. Precise point, high elasticity and colour absorption with a silver metal ferrule Handle made of water-resistant, hi-tech multicolour laminated wood. Ideal for watercolour painting. Very similar to Kolinsky Red Sable hair brushes. Learn More

Daniel Smith Watercolour Ground Buff Titanium 4oz

£10.30

Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Caput Mortuum Pigment

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Starting at: £4.50

Caput Mortuum is a transparent, lightfast pigment that is stable in all media. Colours described as Caput Mortuum can vary greatly; our pigment is a soft purple-brown, made from a mixture of natural iron oxides. It is believed that Caput Mortuum has its roots in ancient Egypt, when colour was derived from remains that had been embalmed in asphaltum.

Toxicity B

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Gamblin Oil Colours 150ml

Starting at: £27.20

* Only available online.* Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Daniel Smith 238 Try it dot Card

£25.80

Daniel Smith "Try It" Dot Cards are a great way to sample this wonderful new range. Each colour dot has been placed on to a "Try It" Card which is actually watercolour paper. You can then wet each colour dot and use the card as a sort of palette. You'll be amazed just how far one dot of colour goes. You can even revisit a colour at a later date by re-wetting it. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Gamboge Pipe Pieces

Starting at: £22.00

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Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.

Pipe Gamboge is available while stocks last. Larger quantities are available by request.

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Raw Sienna Pigment

Starting at: £4.00

PBr7

Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

Toxicity: B

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da Vinci Series 5598 CASANEO Watercolour brush, round

Starting at: £6.60

CASANEO water colour brush round - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished handles - For watercolour, reverse glass and silk painting, design, graphic and retouching - Extraordinary elasticity and extremely high colour absorption capacity - Particularly suitable for watercolour and fluid acrylic colour Learn More

da Vinci Series 488 Spin Synthetic

Starting at: £11.10

Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More

da Vinci Series 428 Red Sable Watercolour brush, round

Starting at: £21.00

ARTISSIMO -Made from pure Kolinsky red sable hair - Embedded in transparent plastic quills - Wire-bound with care on naturally lacquered handles - For wash and watercolour painting on large areas - Pure Kolinsky Red Sable hair - French style Learn More

STAEDTLER Mars Lumograph Pencil Set of 12 in Tin Box

£21.95

This tin of STAEDTLER Mars Lumograph pencils holds a collection of premium-quality pencils that are perfect for writing, drawing and sketching on paper and on matt drafting film. The pencils have a special lead formulation that produces great results with a metallic lustre in a wide variety of grey tones.

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da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

£47.40

Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More

da Vinci Series 422 COLINEO Watercolour brush, fan brush

Starting at: £9.60

COLINEO Fan brush - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption. - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More

Michael Harding Non Absorbent Acrylic Primer - Clear Transparent

Starting at: £21.20

Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More

Search results for 'de la a'