Search results for 'de la'
-
Yellow Ochre Pigment
Starting at: £4.00
PY43
Yellow Ochre is a natural earth pigment that has been in use since prehistoric times. It is derived from iron-rich clay deposits that are present all over the world; our Yellow Ochre comes from the hilly regions around Verona, Italy. As a pigment, it is semi-opaque, extremely lightfast, and stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Yellow Ochre is similar in composition to Raw Sienna, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this compositional difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity B
Learn More -
Sankaku-toh 6mm (V Shape)
£36.00The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Roberson Metallic Oil Sticks
Starting at: £16.40
Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More -
Cornelissen Pigment Colour Chart
£40.00Cornelissen Pigment Colour Chart. 85 pigment samples displayed in a 6 page 300 gsm A4 booklet, including 'permanence' and 'colour index' references. Colour swatches have been made using a casein binder. Learn More -
Cornelissen Series 1 Kolinsky Sable Watercolour Brush
Starting at: £11.10
Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More -
Cinnabar Pigment
Starting at: £16.00
PR106
Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes.
Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe. Toxicity D.
Larger sizes available on request.
Learn More -
Cobalt Green Light Pigment
Starting at: £8.70
PG19
Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.
Toxicity: B
Please note, unfortunately we are not able to send this product outside the UK.
Learn More -
Unison 8 Light Assorted Pastels
£45.60The Unison Light 8 set, specially selected by Unison Colour. This small set contains the essential Light colours from their large range of pastels. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.
Learn More -
Prussian Blue Pigment
Starting at: £5.20
PB27
Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.
It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.
Toxicity: B
Learn More -
Japanese Gold 23ct
Starting at: £55.00
Highest quality 23ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Dragon's Blood Pieces
Starting at: £25.40
Dragon's Blood is a natural, resin, mentioned by Pliny in his Natural History. It has a weak tinting strength, and its rich red colour can be fugitive in direct sunlight. It is fully soluble in alcohol, and can be used to add a warm, transparent tone to spirit varnishes. Also available in powdered form.
Learn More -
-
da Vinci Series 488 Spin Synthetic
Starting at: £11.10
Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More -
Fredrix Inkjet Canvas Pack
Starting at: £16.90
Call to Order
340GSM, A4, 10 Sheets, Poly-Cotton Blend. Learn More -
Aisuki 1.5mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
da Vinci Series 428 Red Sable Watercolour brush, round
Starting at: £21.00
ARTISSIMO -Made from pure Kolinsky red sable hair - Embedded in transparent plastic quills - Wire-bound with care on naturally lacquered handles - For wash and watercolour painting on large areas - Pure Kolinsky Red Sable hair - French style Learn More -
Chrome Yellow Orange Pigment
Starting at: £14.00
Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
Learn More -
Schmincke Norma Blue 35ml
Starting at: £8.15
Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More -
Cornelissen Historical Inks, Green Hawthorn Ink 30ml
£6.50A rich, soft green, this ink is made from organic Hawthorn berries, collected in Cambridgeshire. Inspired by the Green Hawthorn Ink used in medieval manuscripts and formulated according to a 19th century recipe. The ink is not fully lightfast, due to the presence of organic ingredients.
Not suitable for fountain pens. Learn More -
Shell Gold Watercolour 1/4 pan Silver
£27.00Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More -
Stencil Strip 500ml
£10.00Stencil strip, this is a concentrated organic emulsifying stripper that is made using natural mineral salts. It quickly removes all stencil emulsions and capillary films. Can be diluted up to 1:10 with water. Always wear gloves and avoid contact with eyes. Learn More -
Schmincke Drying Accelerator for Oils
Starting at: £8.20
From the Schmincke website:
Jelly-like medium for accelerating the drying of oil colours. Preserves consistency and degree of gloss. Dosage: 10% to 30% maximum. Contains: Siccative, stand oil, resin solution, mineral spirit.
Learn More -
Egyptian Blue Pigment
Starting at: £5.90
Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More -
Easy Grip Crible Point Sharp No 93
£15.76Easy Grip Crible Point Sharp #93 A traditional crible point for creating indentations in the plate. 120mm length dot. -Heavy duty tool with tapered shaft ending in a small dot -Tempered steel Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More -
Marble Dust
Starting at: £4.70
Imparts textue when added to acrylic mediums and primers. Used in lime mortar. Meets paint pigment specificitions in its fine form. Mesh size: Course (Irregular granules), Medium (16) and Fine (100). Learn More -
da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting
£47.40Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More -
da Vinci Series 422 COLINEO Watercolour brush, fan brush
Starting at: £9.60
COLINEO Fan brush - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption. - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More -
Colophony
Starting at: £7.30
Colophony is a by-product of the distillation of turpentine. It is soluble in most solvents, but considered an adulterant in varnishes and paints, as it forms a weak surface that is prone to darkening and cracking. It is, however, a key ingredient in wax-based etching grounds, imparting hardness, and can be used in powdered form (rosin) to make aquatints. Learn More -
Schmincke Liquid Frisket
Starting at: £5.40
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More -
Carnauba Wax Yellow
Starting at: £6.50
Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
Shopping Options
- Category
-
- Pigments Gums & Resins (123)
- Oils & Acrylics (91)
- Canvas & Supports (10)
- Watercolour Gouache & Egg Tempera (44)
- Pastels (27)
- Drawing & Calligraphy (110)
- Gilding & Restoration Materials (53)
- Printmaking (77)
- Brushes (36)
- Paper (34)
- Studio & Books (60)
- Specialist Decorating (7)
- Gift Vouchers (1)
- Price
-
- £0.00 - £999.99 (587)
- £2,000.00 - £2,999.99 (1)
- £3,000.00 and above (2)
- Manufacturer
-
- Arches Aquarelle (3)
- ArtGraf (5)
- Automatic Pens (3)
- Bockingford (3)
- Brause (3)
- Canson (3)
- Charbonnel (5)
- Cornelissen (206)
- Cranfield (2)
- Creta (3)
- Da Vinci (12)
- Daler-Rowney (9)
- Daniel Smith (6)
- Daylight (1)
- e+m (12)
- Faber-Castell (6)
- Fabriano (7)
- Gamblin (14)
- Gillot (1)
- Golden (7)
- Hahnemuhle (3)
- Khadi (1)
- Kölner (4)
- Korns (1)
- Lascaux (14)
- Lefranc et Bourgeois (2)
- Leonardt (1)
- Liquitex (6)
- London Pigment (13)
- Maimeri (1)
- Michael Harding (12)
- Milliput (1)
- Mitchell (2)
- Omega (8)
- Pelikan (2)
- Pentel (1)
- Pfeil (4)
- Raphael (1)
- Rembrandt (1)
- Renaissance Workshop Materials (1)
- Roberson (46)
- Rohrer and Klingner (16)
- Saunders Waterford (3)
- Schmincke (48)
- Sinopia (1)
- Spectrum (2)
- Stabilo (4)
- Staedtler (7)
- Unison (5)
- Winsor&Newton (14)
- Factis (1)
- Swann Morton (4)
- Sennelier (9)
You have no items in your shopping basket.
- Search Brands
-