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  1. Charbonnel Blacks

    Charbonnel Blacks

    Starting at: £18.60

    Charbonnel Blacks Learn More
  2. Cornelissen 85 Antique Gold Leaf 23 3/4

    Cornelissen 85 Antique Gold Leaf 23 3/4

    Starting at: £78.50

    Antique Gold Leaf 23 3/4 ct, Extra Thick. 85 x 85 mm. Book of 25 leaves. Coverage per book is 0.18 m2 (1.97 sq. feet) Learn More
  3. Roberson Acrylic Gloss Medium

    Roberson Acrylic Gloss Medium

    Starting at: £11.20

    (Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More
  4. Kölner Permacoll, Red

    Permacoll

    Starting at: £9.10

    Permacoll size dries within 15 to 30 minutes, and metal leaf can be applied hours or even days later. This product is designed to achieve decorative metallic finishes on surfaces that are not exposed to weather or excessive wear. It has more adhesive strength than Instacoll and is therefore particularly well suited for gilding with imitation metal leaf. The final surface is not burnishable. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More
  5. Burnt Sienna Pigment

    Burnt Sienna Pigment

    Starting at: £4.00

    PBr7

    Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders. 

    Toxicity B

    Learn More
  6. Daler-Rowney Artists' Oil Colour

    Daler-Rowney Artists' Oil Colour

    Starting at: £10.15

    The distinctive buttery consistency of Daler-Rowney Artists' Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time. Learn More
  7. Parchment Clippings

    Parchment Clippings

    Starting at: £9.90

    Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More
  8. Gamblin Etching Inks 300ml

    Gamblin Etching Inks 300ml

    Starting at: £20.90

    Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Learn More
  9. Schmincke Mussini Oil Medium 2

    Schmincke Mussini Oil Medium 2

    Starting at: £9.45

    Slows drying time. Learn More
  10. Carnauba Wax Yellow

    Carnauba Wax Yellow

    Starting at: £6.50

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  11. Komasuki 6mm (U Shape)

    Komasuki 6mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  12. Indigo Blue Genuine Pigment

    Indigo Blue Genuine Pigment

    Starting at: £8.00

    NB1

    Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.

    Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.

    Toxicity: B

    Learn More
  13. Schmincke Aqua-Bronze

    Schmincke Aqua-Bronze

    Starting at: £10.90

    Formerly Tro Col, Schmincke Aqua-Bronze is a range of metallic gouache in dry powder form. Mix with distilled water. May also be mixed with acrylic mediums to give a rich colour. Light resistant, but not resistant to humidity. Learn More
  14. Schmincke Horadam 12 Whole Pans

    Schmincke Horadam 12 Whole Pans

    Starting at: £90.80

    Call to Order

    Schmincke Horadam 12 Whole Pans. Learn More
  15. Somerset Enhanced Inkjet Paper

    Somerset Enhanced Inkjet Paper

    Starting at: £52.80

    225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More
  16. Omega Series 203 Pointed Hog Sash

    Omega Series 203 Pointed Hog Sash

    Starting at: £8.70

    Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More
  17. Winsor & Newton Cold Pressed Linseed Oil

    Winsor & Newton Cold Pressed Linseed Oil

    Starting at: £9.20

    From the Winsor & Newton website: A slightly yellow oil, which is extracted without the use of heat dries slightly quicker than refined linseed oil. Improves flow. Increases gloss & transparency. Reduces consistency and brushstrokes. Ideal for grinding pigments. Learn More
  18. ArtGraf Water Soluble Pencil

    ArtGraf Water Soluble Pencil

    Starting at: £1.30

    Water-soluble graphite pencils in two soft grades - 2B and 6B. Learn More
  19. Roberson Damar Varnish 5 lb Cut

    Roberson Damar Varnish 5 lb Cut

    Starting at: £9.00

    Roberson Damar Varnish 5 lb Cut. Unable to send overseas. Learn More
  20. Arches Aquarelle Block 300 gsm

    Arches Aquarelle Block 300 gsm

    Starting at: £26.80

    Mould-made, 100% cotton. Gelatine tub sized, neutral pH. Glued 4 edges, 20 sheets per block. available in Hot Pressed (HP), Cold Pressed (NOT) and Rough. Learn More
  21. Cornelissen Silverpoint Pencil

    Cornelissen Silverpoint Pencil

    £22.95

    The Cornelissen Silverpoint Pencil is comprised of a wooden handle sheathing a 50 mm length of silver. Diameter of the silver point is 1.6 mm. Overall length is 175 mm. The silver point can be sharpened or rounded like a lead pencil. Learn More
  22. Small, 15ml Pigment sizes

    Small, 15ml Pigment sizes

    Starting at: £4.00

    15 ml pots of pure pigment Learn More
  23. Lyons Diamond Drypoint Needle

    Lyons Diamond Drypoint Needle

    £29.00

    Wooden-handled industrial diamond-tipped drypoint needle/scriber used for adding extra fine detail. Total length: 14 cm. Learn More
  24. Roberson Safflower Oil

    Roberson Safflower Oil

    Starting at: £7.70

    Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.

    Learn More
  25. Daler Calligraphy Pad

    Daler Calligraphy Pad

    Starting at: £14.15

    Daler-Rowney Calligraphy Paper is a high-quality parchment-style paper. The paperweight is 90gsm. It is suitable for calligraphy, pen and ink work, and certificate writing. Learn More
  26. Michael Harding Artists' Oil Colour 40 ml

    Michael Harding Artists' Oil Colour 40 ml

    Starting at: £9.20

    Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 86 rich, intense colours which have a stiff and viscous texture. We have high stock levels on all Series numbers including 5,6 & 7 in larger sizes. Learn More
  27. Aluminium Ready Stretched Screen

    Aluminium Ready Stretched Screen

    Starting at: £39.00

    Pre-stretched aluminium screens. Our screens use the highest quality monofilament polyester mesh and are available in 43T (for fabric), 90T (for paper) and 120T (for finest detail on paper). The mesh appears in different colours, white is for fabric and yellow is for the higher mesh counts, the colour this makes registering with stencils underneath the screen easier. The screen is made of quality aluminium with a profile of 20mm x 30mm x 1.2mm thick. Learn More
  28. Fabriano Artistico Paper Traditional

    Fabriano Artistico Paper Traditional

    Starting at: £46.10

    Gelatine free. A mould-made, acid-free 100% cotton watercolour paper with 2 deckle edges.

    Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop.

    Learn More
  29. Cornelissen Historical Inks, Brazilwood

    Cornelissen Historical Inks, Brazilwood

    £6.50

    The highest quality ink ever found on illuminated manuscripts from medieval Britain. The muted peachy red of this ink is achieved by simmering brazilwood chunks in vinegar. Add a tiny drop of Oak Gall Ink to produce wonderfully bright violets. 

    Not suitable for fountain pens. Learn More
  30. da Vinci Series 498 Casaneo Synthetic Watercolour brush, round

    da Vinci Series 498 Casaneo Synthetic Watercolour brush, round

    Starting at: £15.00

    CASANEO Wash brush - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Manufactured in plastic quills - Bound on black lacquered handles - Ideal for watercolour painting and liquid acrylic colours - Extremely high colour absorbing capacity - Extraordinary elasticity Learn More

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