Search results for 'DE'
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Faber-Castell Albrecht Durer Watercolour Pencils
Starting at: £2.60
120 lightfast colours with high covering power. Soft and water-soluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Learn More -
Gum Arabic
Starting at: £4.25
Gum Arabic is a resoluble binding agent, commonly used in the preparation of watercolours, but also useful as an adhesive, a size, and in the production of soft pastels. It is a natural product, harvested from the Acacia tree between October and May. The highest grade of Gum Arabic comes from the Kordofan region of Sudan. It is exceptionally pale and pure and therefore particularly suited to watercolour painting, while Nigerian Gum Arabic (while stocks last) is better suited to stone lithography and other printmaking techniques. Please see the Formulas & Recipes section on our homepage for a recipe to make your own watercolour paints using Gum Arabic (currently under construction). Learn More -
London Pigment, Watercolour Paint Making Set
£35.00This watercolour paint making set includes a 30ml glass vial of gum Arabic crystals and another of Hampstead Orange, a pigment rich in iron oxide. A pamphlet detailing a a watercolour recipe and an introduction to London pigment is also included. The perfect gift for artists getting into making their own art materials or those interested in handmade British earth colours. The pigment itself has a fine to medium grain size and has been washed, levigated and ground to create a stable high quality artist’s pigment.
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Empty Watercolour box for 24 half pans
£14.00This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.2 x 7 x 2cm Learn More -
Daniel Smith Watercolour Ground Transparent 4oz
£10.30Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Roberson Acrylic Gesso Primer White
Starting at: £21.40
Fast drying, flexible and non yellowing white ground for oil, acrylic and tempera. Gives a matt, absorbent surface which may be sanded smooth once dry. Learn More -
Isinglass
Starting at: £30.10
Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles. Learn More -
Talens Retouching Varnish Aerosol
Starting at: £19.95
Aerosol varnish for oil colour. Temporary protective coat. Use as soon as painting is touch dry. Unable to send overseas. Learn More -
Winsor & Newton Art Painting Medium
Starting at: £9.20
From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing.
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Red Ochre Pigment
Starting at: £4.00
PR101
Red Ochre is a synthetic iron oxide pigment which provides the same level of semi-opacity that is associated with natural ochres. It has a good tinting strength and is stable in all media, including lime mortar.
Toxicity B
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Unison Small Soft Pastels
Starting at: £5.00
A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More
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Natural Beeswax
Starting at: £11.20
Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.
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Sheepskin Parchment
Starting at: £11.75
Pale, thin and translucent. Only the flesh side can be used. A light dusting of sandarac powder is usually sufficient to prepare the surface for writing.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
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Schmincke Calligraphy Gouache Set
£115.00Wooden box containing 12 x 20ml tubes of Schmincke Calligraphy Gouache. Learn More -
Leather Chelsea Watercolour Case and Pad
Starting at: £88.85
This travelling watercolour case includes a spiral-bound A6 sketchbook, which is easily refillable. The case is compatible with a standard watercolour tin of twelve half-pans (not included). All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please see below to order this in red, green or tan brown, or ring our office to enquire about additional colours that we may have available. Learn More -
Somerset Enhanced Inkjet Paper
Starting at: £52.80
225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More -
Cerulean Blue Pigment
Starting at: £14.50
PB35
Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.
Limeproof
Toxicity: B
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Michael Harding Oil Paint Miracle Medium
Starting at: £12.60
Introducing Michael Harding Solvent-Free Mediums: Miracle Medium™—crafted for artists seeking safer, eco-friendly alternatives to traditional solvents. Derived from renewable vegetable sources, our Miracle Medium offers an odourless formula, eliminating the need for solvents in your studio. With MH Miracle Medium, artists can enjoy a studio environment free from harmful effects associated with solvents. The Miracle Medium™ plant-based range not only ensures environmental sustainability but also creates a safer space for artists and their loved ones Learn More -
Blue Verditer Pigment
Starting at: £7.50
** While stocks last ** Blue Verditer, sometimes referred to as Bremen Blue, is a synthetic form of Azurite, or copper-calcium carbonate. It has a weak tinting strength and is sligtly transparent. It works best in water-based binders, as the acidity of linseed oil can cause discolouration.
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Ultramarine Blue Light Pigment
Starting at: £6.00
PB29
Ultramarine Blue Light is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity B
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Japanese Workbench
£14.00Workbench/ Bench hook. An aid to safely carve plywood blocks or lino. Hook over edge of table or bench and place surface to be carved in corner as displayed. Please note workbench does not include plywood block. Learn More -
Korns Litho Tusche Stick
£33.60108 x 29 x 10 mm. Prepare by mixing with distilled water to desired concentration. Can be used on aquatint as well as litho plates and stones. Recommended for higher quality results. Learn More -
Winsor & Newton Stand Linseed Oil
Starting at: £9.20
From the Winsor & Newton website: A pale viscous oil that slows drying while imparting a tough, smooth enamel finish with no brush marks. Increases film durability. Ideal for glazing and fine detail if mixed with solvent.
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ArtGraf Water Soluble Pencil
Starting at: £1.30
Water-soluble graphite pencils in two soft grades - 2B and 6B. Learn More -
Cornelissen Variegated Metal Leaf 217
Starting at: £17.00
Cornelissen Variegated Metal Leaf 217 Learn More -
Liquitex Heavy Body 138ml
Starting at: £15.25
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More -
Charbonnel Ultraflex Liquid Ground
Starting at: £15.80
Judea bitumen, essence of turpentine, wax. Quick drying with transparent velvety finish. Apply cold with a supple brush. Learn More -
Cornelissen T73140 Professional Press
£3,800.00Cornelissen Press T73140, Bed size: 73 x 140 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Etching press base: 78.5 x 91 cm. Weight: 148 kg. We offer press demonstrations for this model. Please call Cornelissen for more details. This press is made to order. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed. Please be aware these goods are heavy and it is the customer’s responsibility to check measurements for delivery before orders are placed and to be able to receive the goods over two days.
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Rohrer & Klingner Black Drawing Ink
Starting at: £7.40
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, black, sepia and bistre lightfast traditional tones in shellac binder. Learn More