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  1. Somerset Enhanced Inkjet Paper

    Somerset Enhanced Inkjet Paper

    Starting at: £52.80

    225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More
  2. Cornelissen Sable Bright

    Cornelissen Sable Bright

    Starting at: £5.95

    Made from the same quality red sable as the rounds and used for short, thicker strokes of paint. Learn More
  3. Schmincke Horadam Gouache

    Schmincke Horadam Gouache

    Starting at: £8.75

    Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet. 

    Schmincke recommends the following:

    "The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

    Learn More
  4. London Pigment, Hampshire Grey

    London Pigment, Hampshire Grey

    £30.00

    Pigment collected from erosion. Learn More
  5. Komasuki 1.5mm (U Shape)

    Komasuki 1.5mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  6. Cadmium Yellow Light Pigment

    Cadmium Yellow Light Pigment

    Starting at: £6.20

    Cadmium Yellow Light Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More
  7. Shell Gold Watercolour 1/4 pan Silver

    Shell Gold Watercolour 1/4 pan Silver

    £27.00

    Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
    Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
    In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

  8. Roberson Crystal Shellac Varnish

    Roberson Crystal Shellac Varnish

    Starting at: £9.30

    Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More
  9. STAEDTLER Mars Plastic Eraser Core

    STAEDTLER Mars Plastic Eraser Core

    £1.50

    STAEDTLER Mars Plastic holder is a high-quality, retractable eraser for graphite pencil. The eraser is easily advanced and retracted by the sliding mechanism, and compared to conventional erasers more precise erasing can be achieved. Phthalate and latex free.

    Learn More
  10. Maimeri Fixative Varnish

    Maimeri Fixative Varnish

    Starting at: £14.95

    Non-yellowing synthetic resin dissolved in ethyl alcohol. 609 is for use on charcoal, pencil, pastel, watercolour and gouache, 675 is for universal use. Use sparingly to fix and protect your pieces. Learn More
  11. Japanese Printmaking Paper

    Japanese Printmaking Paper

    Starting at: £5.20

    Call to Order

    Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More
  12. Phthalo Blue Pigment

    Phthalo Blue Pigment

    Starting at: £8.00

    PB15:3

    Phthalo (Mona) Blue is a synthetic organic pigment, Copper Phthalocyanine, that has been in use since the 1930s. It has an extremely high tinting strength and is a staining colour, so cannot successfully be lifted in watercolour. It requires a wetting agent to fully disperse into a medium, and, when used at full strength, a copper sheen is visible in dried paint film. It is transparent, very lightfast, and has a medium-to-slow drying rate in oil.

    Toxicity: C

    While stocks last

    Learn More
  13. Burnt Sienna Pigment

    Burnt Sienna Pigment

    Starting at: £4.00

    PBr7

    Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders. 

    Toxicity B

    Learn More
  14. Sosaku Brush 24mm

    Sosaku Brush 24mm

    £11.15

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  15. Liquitex Soft Body 237 ml

    Liquitex Soft Body 237 ml

    Starting at: £25.50

    A range of artists quality acrylics which are durable, permanent and do not yellow with age. Soft Body colour has a creamy consistancy which dries to a smooth, even surface which is slightly more matt than the Heavy Body colour. Learn More
  16. da Vinci Series 11 Tobolski Kolinsky

    da Vinci Series 11 Tobolski Kolinsky

    Starting at: £10.60

    Made with the highest quality Tobalsky Kolinsky sable. Has more belly then the series 10 and therefore higher colour holding capacity. Suitable for all watercolour techniques. Learn More
  17. Rohrer & Klingner Soft Ground 16g

    Rohrer & Klingner Soft Ground 16g

    £17.10

    Soft ground is a soft wax mixture for soft ground and cotton ground techniques. The warm ground plate gets coated with suet, which is then wiped off, leaving only a thin film. The soft ground is then applied on the warm plate and spread evenly with a small leather roller. Learn More
  18. Lead Red Pigment (Minium)

    Lead Red Pigment (Minium)

    Starting at: £4.50

    PR105

    Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.

    Toxicity: D 

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  19. Intaglio Etching Set

    Intaglio Etching Set

    £88.60

    The selection covers the basic tools for traditional etching as well as copper and wood engraving. The set consist of small curved burnisher, twisted double needle, scraper and fine, medium and large burin square engraving tools. Learn More
  20. Lascaux Tusche Lift Solution 500ml

    Lascaux Tusche Lift Solution 500ml

    £36.50

    The Lascaux Tusches are a unique range of innovative ready-to-use water-soluble painting materials specially designed for creating positives for light-sensitive printmaking processes. The positives can be used with water-based screenprinting, acrylic-resist etching, solar plate printing and traditional printmaking methods. The Lascaux Lift solution can be used in conjunction with Lascaux Tusche spray for making positives or as a lift in the acrylic-resist etching system. Learn More
  21. STAEDTLER Noris sharpener

    STAEDTLER Single-Hole Tub Sharpener in Noris Design

    £4.00

    Single-hole tub sharpener for standard-sized black lead pencils up to 8.2 mm Ø with a sharpening angle of 23° for clear and accurate lines. The sharpener has a hinged cover to prevent shavings from spilling and lid with safety lock to avoid accidental opening.

    Learn More
  22. Michael Harding Artists Oils Introductory Set of 6 40ml

    Michael Harding Artists Oils Introductory Set of 6 40ml

    Starting at: £55.50

    INTRODUCTORY SET From Michael Harding: Artists unfamiliar with my paints should begin with the MH introductory set. Use this set to mix many colours in my range. Play, experiment, and enjoy true oil paints. 6 x 40ml tubes. The Introductory set contains: Titanium White No.1 Yellow Lake Ultramarine Blue Burnt Umber Scarlet Lake Learn More
  23. Cornelissen Oil Sable Filbert

    Cornelissen Oil Sable Filbert

    Starting at: £8.45

    Similar to the Sable Round but with a filbert shape combining the characteristics of rounds and flats. Excellent spring and colour holding capacity. Learn More
  24. Rohrer & Klingner Lithographic Inks

    Rohrer & Klingner Lithographic Inks

    Starting at: £17.10

    Liquid lithographic ink and solid (tushe) lithographic ink are highly resistant against acids and can be used to draw on stone, aluminium and zinc plates. Uses a highly dispersed pigment that is compounded from shellac, wax and soap. While the liquid ink is suited for complete covering, the tushe ink is excellent for halftones and transitions. * Please note that the Litho Tusche now comes in a cylindrical shape, rather than the rectangular stick photographed. Learn More
  25. Roberson Gum Ammoniac

    Roberson Gum Ammoniac

    Starting at: £14.00

    Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More
  26. Omega Series 222 Domed Hog Sash

    Omega Series 222 Domed Hog Sash

    Starting at: £10.30

    Long natural bristle hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. 100% pure hog hair. Learn More
  27. Cornelissen Gift Set, Watercolour

    Cornelissen Gift Set, Watercolour

    £150.00

    LIMITED EDITION Cornelissen Watercolour Gift Set contains : -Arches Watercolour Block 20 x 20 cm -Schmincke Watercolour Set with Brush, 12 half pans -Genuine Leather Cornelissen Watercolour Case. Available in green, red, tan and black, while stocks last. Gift wrapped in a box with Cornelissen wrapping paper. To specify the colour of the Leather Watercolour Case (green, red, tan or black) and the Arches Watercolour paper surface (Hot Pressed, Cold Pressed or Rough), please contact us directly. t: 0207 636 1045 e: info@cornelissen.com. Learn More
  28. Vine Black Pigment

    Vine Black Pigment

    Starting at: £4.70

    PBk8

    Vine Black is derived from charred vines, forming an organic pigment of pure carbon. It has been in use since antiquity, providing a cold black with bluish undertones, which creates a blue-grey when mixed with white. It is a very lightfast, slow-drying colour with a medium tinting strength. It requires a wetting agent to disperse properly, and is not suitable for use in fresco, mortar or cement, as the water-soluble impurities within the pigment can create efflorescence. 

    Toxicity: A

    Learn More
  29. Schmincke Mussini Artists' Oil 35 ml

    Schmincke Mussini Artists' Oil 35 ml

    Starting at: £10.80

    Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More
  30. Roberson Rhinds Stopping Out Varnish

    Roberson Rhinds Stopping Out Varnish

    Starting at: £8.60

    Traditional strongly resistant SOV. Very dark and opaque finish. Appropriate for backing the plate as well as stopping out areas. Learn More

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