Search results for 'al'
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Cornelissen Silverpoint Pencil
£22.95The Cornelissen Silverpoint Pencil is comprised of a wooden handle sheathing a 50 mm length of silver. Diameter of the silver point is 1.6 mm. Overall length is 175 mm. The silver point can be sharpened or rounded like a lead pencil. Learn More -
Canson Mi-Teintes Touch Pads
Starting at: £32.00
350GSM, 12 Sheets, A very finely textured sanded pastel paper with fine grit surface primer, 3 sheets each of the 4 colours Cream (407), Flannel Gray (122), Sepia (133) and Black (425). Learn More -
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Cadmium Red Deep Pigment
Starting at: £15.00
PR108
Cadmium Red Deep is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.
Larger quantities are available by request.
Limeproof
Toxicity: C
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Edible Gold Leaf Loose
£104.00 As low as: £93.60Cornelissen Edible Gold Leaf 85 23 carat Book of 25 Loose Learn More -
Pencil Overgrainers
Starting at: £21.70
Pencil Overgrainers Bristles are arranged in pencil shapes to produce decorative, natural patterns and marbling effects. Learn More -
Pro Arte Series 202 Round Acrylix
Starting at: £3.45
This brush has an excellen point and spring well suited to detail work in acrylic, watercolour and oils Learn More -
Lefranc Flashe 125 ml
Starting at: £13.95
Flashe vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More -
Quinacridone Red Pigment
Starting at: £5.50
Quinacridone Red Pigment (PV19). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More -
William Mitchell Round Hand Left Oblique 10 Assorted Nibs and Pen Holder
£14.15William Mitchell Round Hand Left Oblique 10 Assorted Nibs and Pen Holder Learn More -
Bockingford Paper Cold Pressed (NOT)
Starting at: £55.36
Surface sized, wove, white, mould made, acid and wood free. Calcium carbonate buffered. Pack contains 25 sheets. Trimmed 4 edges. Learn More -
Whiting
Starting at: £4.00
Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More -
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Cornelissen 80 Rose Gold Leaf 22 ct
Starting at: £90.10
Rose Gold Leaf 22 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Cadmium Yellow Lemon Pigment
Starting at: £4.50
Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C
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Cornelissen 85 Standard Gold Leaf 22 ct
Starting at: £88.30
Standard Gold Leaf 22 ct, 85 x 85 mm. Book of 25 leaves. Coverage per book is 0.18 m2 (1.97 sq. feet) Learn More -
Roberson Interlon Series 62 Flat
Starting at: £5.60
Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More -
Winsor & Newton Colourless Masking Fluid
Starting at: £9.95
Application gives a water impervious film to protect areas from colour applied in broad washes. Remove by peeling. Learn More
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Golden Heavy Body Acrylic 59ml
Starting at: £11.70
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. MULTI-BUY DISCOUNT Buy any five tubes of 59ml Golden Acrylic Heavy and get 10% discount. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Möbius & Ruppert Brass Single Sharpener
£4.00Traditional wedge shape sharpener or pencils 7.8mm diameter. Learn More -
Schmincke Mussini Ruby Red Limited Edition 15 ml
£26.00Schmincke Mussini Limited Edition Ruby Red 15 ml Learn More -
Roberson Pure Gum Turpentine
Starting at: £14.00
Slightly less refined than rectified spirit of turpentine. Often preferred as constituent of painting mediums. Learn More -
Mussini Large Wooden Box Set
£381.70Schmincke Mussini Large Wooden Box 15 x 35 ml tubes, 1 x 120 ml white including charcoal, brushes, and mediums. Learn More -
Vine Black Pigment
Starting at: £4.70
PBk8
Vine Black is derived from charred vines, forming an organic pigment of pure carbon. It has been in use since antiquity, providing a cold black with bluish undertones, which creates a blue-grey when mixed with white. It is a very lightfast, slow-drying colour with a medium tinting strength. It requires a wetting agent to disperse properly, and is not suitable for use in fresco, mortar or cement, as the water-soluble impurities within the pigment can create efflorescence.
Toxicity: A
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Charbonnel Aqua Wash Transparent Medium
£15.70Charbonnel Aqua Wash Etching Ink Transparent Medium 60 ml Learn More -
Paraffin Wax
Starting at: £6.60
Paraffin Wax is a by-product of the petro-chemical industry. It has a low melting point of 50-60°c and a brittle texture, making it unsuitable for encaustic painting or as an additive to oil paints, but it can be used to impart softness to lithographic crayons. As a petroleum product, it is more inert than animal or vegetable waxes, and is therefore not saponified (turned into soap) by alkali substances. Learn More -
da Vinci Series 5519 Squirrel/Sable Liner
Starting at: £23.95
Unusual combination of squirrel body and red sable tip facilitating the painting of long continuous lines. Learn More -
Liquitex Acrylic Varnish Matt
Starting at: £21.80
Use as varnish over finished paintings. Learn More -
Unison 36 Standard Landscape Pastels
Starting at: £164.85
Unison 36 Standard Landscape Pastels Learn More -
Raw Sienna Pigment
Starting at: £4.00
PBr7
Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity: B
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