Search results for 'canvas'
-
Calf Vellum
Starting at: £16.75
Medium to thick. Both sides useable for writing. Whiter and less translucent than parchment.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
-
-
-
Gesso Panels
Starting at: £28.00
Our Gesso Icon Panels are handmade throughout the entire process, using hand tools rather than industrialised machinery.
Each board is made of lime, which has been allowed to age naturally for long term stability. Firstly, the panel is gently abraded to allow the penetration of rabbit skin glue into the fibres. Following the laying down of a specific canvas, the delicate process of building up precise layers of gesso is undertaken by hand. A final coat of water-based paint treated with wood preservative is applied and the finished panel lightly sanded, ready for painting.
Learn More -
Sheepskin Parchment
Starting at: £11.75
Pale, thin and translucent. Only the flesh side can be used. A light dusting of sandarac powder is usually sufficient to prepare the surface for writing.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
Learn More -
-
Lascaux Acrylic Gesso Primer
Starting at: £30.40
Semi-absorbent white acrylic primer, which is age resistant and has a good tooth. Learn More -
Primed Linen
Starting at: £78.50
Primed Linen. 210 cm (84 inches) wide. Prices per meter. Learn More -
Branded Cross Bars
Starting at: £1.90
These are useful for bracing a larger frame, and are necessary when one of the dimensions is over 36 inches. Cross bars are notched for overlap from 36 inches, either at the front or back. Please specify which bar arrangement you need. Supplied with wedges. *Please note - prices are for individual bars* Learn More -
-
Winsor & Newton Oil Primer
Starting at: £41.55
Ready to use primer. No thinning or stirring required. Accepts oil colours easily with no absorbency or chalkiness. Size with rabbit skin glue. Learn More -
Exhibition Stretcher Bars
Starting at: £4.56
Top quality 36mm deep stretcher bars made from European pine. Extra strong laminated wood construction to minimise warping. Mortised for cross bars from 100cm. Mitre cut expansion corners. Lip finished to 2mm radius to minimise cracking on inkjet prints. All stretcher bars are cut 3mm short of nominal size. Supplied with wedges. Prices are for individual bars. Please note, this range is stored off-site. Please allow extra time for your order to be processed and dispatched. [Only available online] Learn More
-
Slunk
Starting at: £16.75
Skin of young calves. Very fine and translucent. Requires little or no preparation before writing.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
Learn More -
-
Rabbit Skin Glue
Starting at: £13.00
For sizing canvas prior to priming with an oil based primer. Do not use under acrylic primer. Soak overnight in water. Heat in double boiler (do not boil). Ratio water:size 13:1. Use while still warm. Rabbit Skin Glue does not contain preservatives. 340 - 360 Bloom Learn More
-
Fabriano Tela Oil Block
Starting at: £11.00
300GSM, 10 Sheets, Acid Free, Glued Edges, Canvas Texture. Learn More -
Schmincke AQUA Watercolour Ground, Transparent
Starting at: £16.50
Forms an even, matt, elastic and age-resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Learn More -
Daniel Smith Watercolour Ground Buff Titanium 4oz
£10.30Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Gamblin Cold Wax Medium
Starting at: £12.60
* Only available online.* Cold Wax medium is made by Gamblin. They say:
"Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."
Please see below for more information.
Learn More -
-
Roberson Liquid Metal 1Ltr
Starting at: £60.30
Roberson Liquid Metal 1Ltr. Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More -
-
Artist's Handbook
£30.00By Pip Seymour. The Artist’s Handbook provides artists with in-depth, practical information on the materials, equipment and skills necessary for all areas of artistic practice. Topics covered include advice on how to select appropriate art materials, including paints, brushes, canvases and drawing materials; techniques for making your own paints, glue, varnishes and paper; advice on how to achieve the best results from both manufactured and hand-made materials; the best methods of storing and preserving finished artworks, and health and safety precautions. 520 pages. Learn More -
Sennelier Oil Sticks
Starting at: £7.65
Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More -
Roberson Liquid Metal 250ml
Starting at: £18.90
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More -
-
Roberson Liquid Metal Colour Chart Hand Made
£9.17Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are inter-mixable. This is a double sided and hand painted colour chart of the full range. Learn More
-
Liquitex Acrylic Matte Medium
Starting at: £20.40
Decreases gloss. Can be used as sealer for canvas etc. Learn More -
Schmincke AQUA Watercolour Ground, Coarse
Starting at: £17.15
White, lightfast and age-resistant, ideal for structures with coarse surfaces. Learn More -
Shopping Options
- Category
-
- Pigments Gums & Resins (3)
- Oils & Acrylics (10)
- Canvas & Supports (45)
- Watercolour Gouache & Egg Tempera (7)
- Pastels (1)
- Drawing & Calligraphy (6)
- Gilding & Restoration Materials (7)
- Brushes (1)
- Paper (2)
- Studio & Books (9)
- Price
-
- £0.00 - £999.99 (75)
- £1,000.00 and above (1)
- Manufacturer
-
- Cornelissen (20)
- Cranfield (1)
- Da Vinci (1)
- Daler-Rowney (2)
- Daniel Smith (2)
- Fabriano (1)
- Gamblin (2)
- Lascaux (1)
- Liquitex (2)
- Michael Harding (3)
- Rapid (5)
- Roberson (12)
- Schmincke (4)
- Spectrum (2)
- Winsor&Newton (2)
- Sennelier (1)
You have no items in your shopping basket.
- Search Brands
-