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Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes
Starting at: £138.00
Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes, including: Phthalocyanine Blue Lake, Sap Green, Hookers Green, Aqua Green, Bright Green Lake, Green Gold, Yellow Benzimidazolone, Quinacridone Gold, Burnt Sienna and Quinacridone Rose. Learn More -
Automatic Music Pen
£19.50Square cut pen with smooth action and large reservoir. 1/2 inch / 12.5mm, for making 5-line music staves. Learn More -
Japanese Coloured Sumi Ink
Starting at: £25.00
Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More -
Winsor & Newton Safflower Oil 75 ml
£9.85From the Winsor & Newton website: A slow drying oil which improves flow, increases gloss and transparency. Particularly suitable for use with whites and pale colours.
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Foam Brush Series 7200
Starting at: £3.30
For controllable watercolour washes without water logging paper. Learn More -
Cornelissen Series 1 Kolinsky Sable Watercolour Brush
Starting at: £11.10
Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More -
Miniatum
Starting at: £16.60
Size for high gloss gilding on paper, degreased vellum, leather and flexible surfaces. *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More -
Cornelissen Historical Inks, China Blue
£6.50Formulated from the same dye that was used to colour blue and white china, this ink is a deep, rich blue. Used at full opacity, it is a blue-black, and dilutes down to wonderful cold blue washes. As it is dye-based, it is not fully lightfast. Learn More -
Sennelier Oil Sticks
Starting at: £7.65
Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More -
Roberson Bushey Books
Starting at: £9.00
Roberson Bushey books are available in two landscape sizes (11.3 x 18 cm and 18 x 23 cm), each one of which has a perforated and a non perforated version. 60 sheets / 120 pages Thread Bound Fedrigoni Arena Natural White Paper 100gsm Acid Free. Alkaline buffered, archival quality. Learn More -
Roberson Cold Pressed Linseed Oil
Starting at: £7.50
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More -
Lascaux Hard Resist 500ml
£45.60Call to Order
This resist is painted onto the plate in a thin even layer with a soft flat square-ended brush. When this clear layer is dry it may be coloured or drawn into with etching needles, roulettes and steel wool. The waxy character allows the needle to glide through its surface. After drawing the coloured coating (if used) is removed, the image is stopped out if necessary, then the plate is etched. As the resist is clear the artist can monitor the etching process accurately. Learn More -
Lascaux Aquatint Spray Resist 500ml
£45.60Call to Order
This coloured resist is sprayed onto the plate to create a range of controllable tonal effects. It may be used in conjunction with Lascaux Lift solution, other lift methods, stencils and Lascaux Wash resist. Learn More -
Lascaux Studio Bronze Colours 500ml
Starting at: £53.50
Call to Order
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lapis Lazuli Pigment
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PB29
Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.
[We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]
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Lascaux Studio Bronze Colours 250ml
Starting at: £34.40
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Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lascaux Screenprinting Paste 500ml
£29.00Call to Order
Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More -
Flake White Pigment
Starting at: £18.75
Call to Order
PW1
Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.
Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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Isinglass
Starting at: £30.10
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Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles.
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Lyons Draw Tool for Cutting Plates
£27.00Call to Order
For scoring sharp, defined lines in order to cut through metal plates. Using a straight edge to pull the tool across the plate repeatedly one can cut their plate to size by snapping it. Made of high-carbon tool-steel. Total length 15.85 cm.PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com Learn More
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Japanese Classic Tool Set in Wooden Case
£34.00Call to Order
Tool set with denim case. Set contains 7pcs, including; 7mm Aisuki (flat), 8mm Hangi-toh (knife), 4mm Aisuki (flat), 6mm Komasuki (U), 3mm Komasuki (U), 4mm Sankatu-toh (V), 10mm Komasuki (U). These pencil-style tools have imitation wooden handles that are longer than those of traditional tools, making them a perfect introduction to Mokuhanga printing.PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com Learn More
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Japanese Plastic Baren
£7.30Call to Order
Plastic Baren. This is a hard plastic baren 120mm across with dimples over the printing surface. There is no need for a bamboo covering for this baren as with the traditional style and has more durability then the traditional baren due to this. Perfect for those starting mokuhanga. Learn More -
Schmincke Flake White Hue (Kremser White Tone) 120 ml
£28.80Call to Order
The lead-free alternative to the toxic original Kremser White. Instead of the toxic pigment Lead White this substitute contains a combination of Titanium White and Zinc White pigments. These pigments are ground in a pure, light safflower oil giving a slightly warm white tone to imitate Lead White. Warm, semi-opaque white tone Lead-free, no toxic ingredients Accelerates drying Improves flow Lower opacity than Titanium White Learn More -
Gamblin Textile Black Relief Ink 1lb
£25.00Call to Order
For block printing on t-shirt and cotton fabric Intense, rich black Designed for even coverage Fast drying No fillers, additives or modifiers Colourfast Learn More -
Lyons Solid Triangular Scraper
Starting at: £14.30
Call to Order
Solid triangular blade with three sharp sides used for scraping away the surface of the metal plate, for both image-making and correction purposes. The total length of the small scraper is 15.25 cm, while the large measures 17.75 cm.PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com Learn More
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Essdee Linocut Tool Sets
Starting at: £7.30
Call to Order
Essdee Linocut Tool Sets. Five or ten varied blades that can easily be secured into and removed from a comfortable handle.PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com Learn More
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Rohrer and Klingner Writing Ink Glass Pen
£34.10Call to Order
Rohrer and Klingner Writing Ink Glass pen. The Glass Pen nib features fine capillaries that ensure a smooth flow of the ink. The pattern on each pen may vary as it is produced and processed exclusively by hand. Learn More -
Lyons Curved Burnishers
Starting at: £15.65
Call to Order
Curved-tipped burnisher designed to flatten burrs, smoothen details, and polish the plate surface, for both image-making and correction purposes. The total length of the small burnisher is 14.5 cm, while the large measures 17.75 cm.PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com Learn More
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Cornelissen Lino Set with 5 Blades
£12.70Call to Order
Wooden handle with 5 interchangeable blades. The blades are pushed into the handle, and removed using the dowel included. The blades are made from hardened cutting steel. Includes: - 1 x V-shape; - 1 x fine U-shape; - 1 x medium U-shape; - 1 x wide U-shape; - 1 x knife blade. Replacement blades are available for this set.PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com Learn More
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Swann Morton Scalpel Blades
Starting at: £1.20
Call to Order
Swann Morton Scalpel BladesPERMITTED USES Over 18s only. Proof of age required. email: info@cornelissen.com Learn More
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