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Gamblin Tack Reducer 150ml

£11.50

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Tack Reducer is a gel made from a very light drying oil, making it completely compatible with the inks. Small amounts added to ink will efficiently reduce tack. Tack Reducer is transparent to allow the intensity of an inks color to be maintained. Learn More

Lascaux Studio Bronze Colours 250ml

Starting at: £34.40

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Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Bockingford Inkjet Paper

Starting at: £26.35

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190GSM, A4 / A3+, 20 Sheets, CP (NOT), pH Neutral, Acid Free, Archival, White. Learn More

Gum Mastic

Starting at: £20.30

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Gum Mastic is a tree resin, which dissolves into a clear varnish with alcohol or turpentine, but not with mineral spirits. Mastic varnishes are more prone to blooming and darkening with age than damar-based varnishes, and painting mediums that contain gum mastic can deteriorate in unpredictable ways. For this reason, it is primarily used in restoration, rather than in the production of artwork. Learn More

Rohrer & Klingner Liquid Watercolour Inks

Starting at: £9.30

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Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More

Bamboo Pen with Brush

£5.40

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Dip pen at one end, reversible brush at the oter end. Learn More

Korns Litho Tusche Stick

£33.60

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108 x 29 x 10mm. Prepare by mixing with distilled water to desired concentration. Can be used on aquatint as well as litho plates and stones. Recommended for higher quality results. Learn More

Lapis Lazuli Pigment

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PB29

Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.

[We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]

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Flake White Pigment

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Starting at: £18.75

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PW1

Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.

Toxicity: D

Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.

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Gamblin Burnt Plate Oils

Starting at: £10.50

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Burnt Plate Oils are used to lower the viscosity of the ink. Burnt Plate Oil should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Burnt Plate Oil #000 has less tack and is a good match for use with Gamblin Relief Inks. Burnt Plate Oil #2 has a higher tack and is the primary oil binder for Gamblin Etching Inks. Learn More

Daler Rowney Wimbourne Table Easel

£83.45

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Wimbourne Table Easel Learn More

STAEDTLER Double-Hole Tub Sharpener

£4.70

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Double-hole tub sharpener for standard-sized coloured pencils up to 8.2 mm Ø, with a sharpening angle of 30° and thick graphite and coloured pencils up to 10.2 mm Ø, with a sharpening angle of 30°.

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Canson Mi Teintes Pastel Paper A4

Starting at: £12.00

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Each pack contains 25 sheets (21cm x 29.7cm / A4) of 50% cotton, 160GSM pastel paper. Features: Acid free, tub sized, antique wove, roller marked, textured surface. Learn More

Lascaux Screenprinting Paste 500ml

£29.00

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Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More

Printed Marble Papers

Starting at: £3.00

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Printed with UV ink the colours are sharper and brighter and better reflect the look and detail of real marbled papers. These are printed on 100gsm Munken that is FSC Certified and acid free. It is very tactile and of an excellent quality. Paper size is 500mm x 700mm. Minimum order of 10 assorted sheets. Learn More

Schmincke Horadam Naturals Set Earths

£49.00

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Schmincke Horadam Naturals Set Earth Pigments 5 x 15 ml Celadonite Yellow Ochre Lalvarit Violet Caucasus Earth Green Slate Learn More

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