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Bockingford Inkjet Paper

Starting at: £26.35

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190GSM, A4 / A3+, 20 Sheets, CP (NOT), pH Neutral, Acid Free, Archival, White. Learn More

Gum Mastic is a tree resin, which dissolves into a clear varnish with alcohol or turpentine, but not with mineral spirits. Mastic varnishes are more prone to blooming and darkening with age than damar-based varnishes, and painting mediums that contain gum mastic can deteriorate in unpredictable ways. For this reason, it is primarily used in restoration, rather than in the production of artwork. Learn More

Rohrer & Klingner Liquid Watercolour Inks

Starting at: £9.30

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Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More

Bamboo Pen with Brush

£5.40

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Dip pen at one end, reversible brush at the oter end. Learn More

Flake White Pigment

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Starting at: £18.75

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PW1

Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.

Toxicity: D

Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.

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Korns Litho Tusche Stick

£33.60

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108 x 29 x 10mm. Prepare by mixing with distilled water to desired concentration. Can be used on aquatint as well as litho plates and stones. Recommended for higher quality results. Learn More

Daler Rowney Wimbourne Table Easel

£83.45

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Wimbourne Table Easel Learn More

STAEDTLER Double-Hole Tub Sharpener

£4.70

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Double-hole tub sharpener for standard-sized coloured pencils up to 8.2 mm Ø, with a sharpening angle of 30° and thick graphite and coloured pencils up to 10.2 mm Ø, with a sharpening angle of 30°.

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Lascaux Screenprinting Paste 500ml

£29.00

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Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More

Canson Mi Teintes Pastel Paper A4

Starting at: £12.00

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Each pack contains 25 sheets (21cm x 29.7cm / A4) of 50% cotton, 160GSM pastel paper. Features: Acid free, tub sized, antique wove, roller marked, textured surface. Learn More

Schmincke Liquid Charcoal 35 ml

Starting at: £18.30

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Liquid charcoal in the 35 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More

Cornelissen Gift Set, Ink

£50.00

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Cornelissen Gift Set, Ink Cornelissen Drawing Gift Set contains : Green Sketchbook 25.5 x 19.5 cm Cornelissen Bundle of 8 Pencils. 4H, 2H, HB, B, 2B, 3B, 4B, 6B Cornelissen Set of 3 Historical Inks, Brazilwood, Jane Austen Iron Oak Gall and Green Hawthorn Wooden Nib Holder 4 Nibs: Leonardt Nib Fine Drawing 700, William Mithcell Round Hand 1 ½, Brause Cito Fine, Leonardt 40 Gift wrapped in a box with Cornelissen wrapping paper. Learn More

Printed Marble Papers

Starting at: £3.00

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Printed with UV ink the colours are sharper and brighter and better reflect the look and detail of real marbled papers. These are printed on 100gsm Munken that is FSC Certified and acid free. It is very tactile and of an excellent quality. Paper size is 500mm x 700mm. Minimum order of 10 assorted sheets. Learn More

Schmincke Horadam Naturals Set Earths

£49.00

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Schmincke Horadam Naturals Set Earth Pigments 5 x 15 ml Celadonite Yellow Ochre Lalvarit Violet Caucasus Earth Green Slate Learn More

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