Search results for 'Mediums'
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Daniel Smith Watercolour Ground Transparent 4oz
£10.30Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke AQUA Modeling Paste Medium
Starting at: £11.40
Allows 3-D and structural effects. Apply with palette knife. Fine or Coarse texture. Learn More -
Roberson Ormoline Thinner
Starting at: £8.40
Cellulose thinner for paints made with Ormoline Medium. Learn More -
Roberson Liquid Metal 250ml
Starting at: £18.90
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More -
Studio Safe Liquid Medium
Starting at: £17.10
Studio Safe Liquid Medium is a mix of Studio Safe Solvent and natural artists' oils. It is used to thin paint and increase gloss. This product is non-aromatic, non-flammable and has an orange scent. Learn More -
Lefranc Flemish Glazing Medium
Starting at: £9.10
Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.
From their website: The Flemish glazing medium enables artists to create glossy amber finishes in the style of the Flemish masters. It creates a transparent look. It also greatly enhances the brilliance of the oil. After half a day’s work, the colours can be layered over each other.
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Liquitex Acrylic Matte Gel Medium
Starting at: £20.40
Adds texture and creates matte colour. Learn More -
Liquitex Acrylic Iridescent Tinting Medium
Starting at: £20.40
Creates iridescent colours and glazes. Learn More -
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Schmincke AQUA Collage Medium
Starting at: £9.60
Increases adhesion of light collage materials - textiles, paper, pigments, sand etc. Can be used with AQUA Fix to become waterproof. Learn More -
Roberson Turks Aquarella
Starting at: £21.50
For watercolour painting on paper, ivorine, terracotta, wood and fabric. Sizing not needed. Prevents the running of colours, even on open weave fabrics. Learn More -
Schmincke AQUA Watercolour Ground, Transparent
Starting at: £16.50
Forms an even, matt, elastic and age-resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Learn More -
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Winsor & Newton Liquin Fine Detail
Starting at: £9.20
From the Winsor & Newton website: The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing and blending, or to produce a smooth surface picture. Speeds drying (touch dry in 1-6 days depending on colour and film thickness).Resists yellowing. Not suitable as a varnish or final coat.
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Roberson 1810 Medium
Starting at: £34.20
This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.
Contains: Stand oil, Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.
Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.
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Gamblin Tack Reducer 150ml
£11.50Small amounts added to ink will efficiently reduce tack. Learn More -
Daniel Smith Watercolour Ground Mars Black 4oz
£10.30Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Winsor & Newton Texture Medium
Starting at: £9.25
Contains fine particles and is used to create the impression of depth and structure to watercolour paintings. Learn More
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Treasure Gold
Starting at: £12.30
Treasure Gold is a metallic wax which is unparalleled in restoring gold lead and the finishing touches for antiquing. Blend any of the colours together for just the right shade. Apply with the fingers or a cloth and buff lightly. The metal lustre won't fade or tarnish. It is ready to be polished in ten minutes. Treasure Gold is highly concentrated and is to be used sparingly. A 25g jar will cover approximately 2sq/m. Learn More
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Roberson Liquid Metal 1Ltr
Starting at: £60.30
Roberson Liquid Metal 1Ltr. Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More -
Gamblin Galkyd Gel "G Gel" 150ml
£19.40Galkyd "G" Gel is produced by Gamblin. They say:
"Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colours and creates impasto."
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Roberson Cobalt Siccative
Starting at: £7.70
A cobalt drier in white spirit, to be added sparingly to oil colours to accelerate drying. Learn More -
Liquitex Acrylic Matte Medium
Starting at: £20.40
Decreases gloss. Can be used as sealer for canvas etc. Learn More -
Liquitex Acrylic Fabric Medium
Starting at: £12.35
Enhances blending, workability, and adhesion of acrylic colours for painting acrylics directly on to fabric. Reduces paint stiffness. No heat setting required. Learn More -
Schmincke Print Medium Black 120 ml
£15.95For relief and intaglio printmaking with black oil paints. Learn More -
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Michael Harding Oil Paint Medium PM1
Starting at: £9.95
PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.
Recommendation: Add 10-20% to your oil colour as you require.
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Gamblin Solvent-Free Gel
Starting at: £6.80
Gamblin Solvent-Free Gel is manufactured by the American company Gamblin. They write:
"Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. In comparison to other solvent-free mediums, Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. To ensure proper drying of paint layers, Solvent-Free Gel should be used in moderation with oil colors. No more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Gel and oil colors thinly. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water."
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Winsor & Newton Blending & Glazing Medium 75 ml
£9.20From the Winsor & Newton website: This new medium slows drying & improves flow. Ideal for blending, glazing, stroke work, antiquing and staining. Improves transparency and depth. Dries to a durable gloss finish.
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