Search results for 'de las'

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More

Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More

Factis erasers are safe, harmless and non-toxic. They do not contain phthalates (which are used as plasticizers in certain industrial processes), heavy metals or aromatic additives. Learn More

Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More

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Adheres to most porous surfaces. For use on rigid surfaces only. Some colours can be used when gilding to imitate traditional clay colours. While stocks last. * Please note that this range has sadly been discontinued. The below is 'while stocks last' and while we try to keep our inventory up to date, it's possible that we don't have all of these colours available. Learn More

Classic oval hog hair brush for varnish or enamel work. 100% pure hog hair. Learn More

Exceptional quality Swiss made carving tools for lino cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length.

Set C is designed for very fine detailed lino or woodcarving projects. The set Includes:

• L 8/3 – 3mm curved gouge
• L 8/7 – 7mm curved gouge
• L 9/2 – 2mm shallow gouge
• L 11/0.5 – 0.5mm U
• L 12/4 – 4mm V
• L 15/2 – 2mm V

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Composed of different lengths of straight and wavy synthetic fibres, with extra fine tips. Precise point, high elasticity and colour absorption with a silver metal ferrule Handle made of water-resistant, hi-tech multicolour laminated wood. Ideal for watercolour painting. Very similar to Kolinsky Red Sable hair brushes. Learn More

This watercolour paint making set includes a 30ml glass vial of gum Arabic crystals and another of Hampstead Orange, a pigment rich in iron oxide. A pamphlet detailing a a watercolour recipe and an introduction to London pigment is also included. The perfect gift for artists getting into making their own art materials or those interested in handmade British earth colours. The pigment itself has a fine to medium grain size and has been washed, levigated and ground to create a stable high quality artist’s pigment.

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Transparent, lightfast and age-resistant primer. Slightly absorbent character and slightly rough surface. The elastic film dries transparent and water-resistant. After drying it can be overworked with pastels, acrylic, gouache and oil colours. However, this primer does not adhere perfectly on other primers so it is not recommended for mixing techniques with water-colours. Learn More

Our clear reagent bottles are manufactured in the EU and are made of high quality soda lime glass. They have a solid base and good wall thickness. 

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Exceptional quality Swiss made carving tools, suitable for either lino or wood cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length. Learn More

Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. Learn More

Exceptional quality Swiss made carving tools for lino cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length.

Set B is a perfect overall professional set which includes most of the tools you may need in lino or woodcarving, including some wider tools for larger work. Includes:

• L 5/3 – 3mm shallow gouge
• L 7/6 – 6mm gouge
• L 7/10 – 10mm gouge
• L 9/5 – 5mm shallow gouge
• L 11/1 – 1mm U
• L 12/1 – 1mm V

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ONLY AVAILABLE ONLINE[]. Schmincke PRIMAcryl is a high viscosity premium acrylic range. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

A mini taster of favourite greens including earthy Chromium Oxide Green, yellow greens, and light sap greens. A useful spring/summer addition to the classic Landscape set.

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Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More

Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

Not Suitable for fountain pens. Learn More

CASANEO Wash brush - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Manufactured in plastic quills - Bound on black lacquered handles - Ideal for watercolour painting and liquid acrylic colours - Extremely high colour absorbing capacity - Extraordinary elasticity Learn More

Highest quality 14,3ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More

Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More

Plastic container. Solvent distilled from crude petroleum oils. Used to thin colour and to clean brushes. Slower drying time than turpentine. Learn More

The Unison classic Starter 8 set, specially selected by John Hersey for a perfect starter pastel set. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.

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PB32

Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.

Larger quantities are available by request.

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Complete Mokuhanga set for beginners. This set includes; 1x Sosaku inking brush 15mm, 1x Tokibo carrying brush for glue, 5pcs pencil style carving tools in a plastic case including; 7mm Aisuki (flat), 10mm Hangi-toh (knife), 3mm Komasuki (U), 3mm Sankatu-toh (V), 6mm Asamaru (shallow U), 1x plastic inking dish, 1x plastic baren 120mm, 1x shina plywood 160mm x 110mm, 1 x pack of 4 colours of waterbased printing in premixed with glue paste. Learn More

B72 Acrylic Adhesive is touch dry in 3-5 minutes, surface dry in 1 hour and hard dry in around 6 hours. Not having instant grab, fragments can be easily re-adjusted and surplus adhesive removed with acetone, making any joint virtually invisible. It’s ideal for repairs to pottery, wood, metal, glass, ivory and many porous substances. 14ml. Learn More

Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More