Search results for 'al'
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da Vinci Maestro Kolinsky series 11
Starting at: £11.35
Made by hand with the highest quality Tobolsky Kolinsky sable. Has more belly than the da Vinci series 10 and therefore higher colour holding capacity. Suitable for all watercolour techniques. Learn More -
Cornelissen 80 Light Green Gold Leaf 16 ct
Starting at: £59.20
Light Green Gold Leaf 16 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Cadmium Brown Pigment
Starting at: £10.00
PR108
Cadmium Brown is a shade of Cadmium Red, a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.
Larger quantities are available by request.
Limeproof
Toxicity: C
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Omega Series 1067 Lily Varnish
Starting at: £21.10
Thick hog hair brush or varnishing or painting on a large scale. 100% pure hog bristles. Learn More -
Fabriano Tiziano Pastel Pads
Starting at: £16.70
160GSM, A4 / A3, 30 Sheets, Flecked Colours, Cotton Content, Acid Free, Glued Short Edge. Learn More -
Cornelissen Miniature
Starting at: £8.90
Extra short haired brush for the discerning miniaturist. Learn More -
Japanese Coloured Sumi Ink
Starting at: £25.00
Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More -
Cornelissen 80 White Gold Leaf 12 ct
Starting at: £56.60
White Gold Leaf 12 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Winsor & Newton Aquapasto Medium
Starting at: £18.35
Gum Arabic/silica. Translucent jelly mixable with water. Gives impasto effect with water based colours. Learn More
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Cornelissen Squirrel Mop
Starting at: £23.10
Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More -
Sennelier Ink Medium 30 ml
£9.50Shellac based ink medium. Can also be mixed with pigment to create inks. Learn More -
da Vinci Series 122 Nova Flat
Starting at: £3.85
Fine golden synthetic fibre. More springy than da Vinci Cosmotop Spin (but with lower water absorption) making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Cornelissen Mini Glass Muller and Slabs
Starting at: £24.00
Use Cornelissen Mini Glass Mullers in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This means less time grinding, more time painting! Learn More -
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Cornelissen Oil Sable Filbert
Starting at: £8.45
Similar to the Sable Round but with a filbert shape combining the characteristics of rounds and flats. Excellent spring and colour holding capacity. Learn More -
Burnt Green Earth Pigment
Starting at: £8.00
PG23 Burnt Green Earth is a semi-transparent pigment that is stable in all media, although it may be difficult to incorporate into an acrylic binder. A calcined form of Green Earth, it has a low tinting strength, long drying time, and is very lightfast. Toxicity: B Limeproof Learn More -
Painter's Handbook
£25.00By Mark David Gottsegen. A guide to artists’ materials as well as a thorough resource presenting techniques for using them and recipes for making them. (355 pages) Learn More -
Parchment Clippings
Starting at: £9.90
Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More -
Pro Arte Series 9 Liner
Starting at: £4.80
Extra long haired synthetic brush for signwriting or lining. Square tip. Learn More -
Gum Benzoin
Starting at: £14.70
Gum Benzoin is used as a fixative, slowing the dispersion of essential oils and other materials into the air. Is occasionally called for in some old varnish recipes where it was employed primarily for its odour. Learn More -
Maimeri Retouching Varnish Aerosol
Starting at: £14.95
Aerosol varnish for oil or acrylic paintings. For use as temporary varnish for paintings less than 6 months old. Unable to send overseas. Learn More -
Gamblin Cold Wax Medium
Starting at: £12.60
* Only available online.* Cold Wax medium is made by Gamblin. They say:
"Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."
Please see below for more information.
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Unison 72 Standard Portrait Pastels
Starting at: £303.50
Unison 72 Standard Portrait Pastels Learn More -
Van Dyke Brown Pigment
Starting at: £4.50
Van Dyke Brown pigment is know for its poor lightfastness and instability in all mediums. Our Van Dyke Brown, also known as Cassel Earth, offers the same dark brown colour and transparency as the traditional pigment, but without the drawbacks usually associated with its longevity and use. It is made from lignite, or brown coal, from the Alsace region in France.
Toxicity: B
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Winsor & Newton Cold Pressed Linseed Oil
Starting at: £9.85
From the Winsor & Newton website: A slightly yellow oil, which is extracted without the use of heat dries slightly quicker than refined linseed oil. Improves flow. Increases gloss & transparency. Reduces consistency and brushstrokes. Ideal for grinding pigments. Learn More -
Lascaux Screen Filler 500ml
£47.70The Lascaux Screen filler and Lascaux Screen painting fluid may be used for painting directly on the mesh as part of a waterbased screenprinting system. These products work harmoniously with Lascaux Screenprinting paste and the Lascaux Colours. Learn More -
Liquitex Acrylic Slow-Dri Retarder
Starting at: £13.00
Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More -
Japanese Printmaking Paper
Starting at: £5.20
Call to Order
Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More -
Roberson A81 Varnish
Starting at: £8.50
Roberson A81 Picture Varnish A reversible picture varnish suitable for both specialist conservation work and general picture varnish needs. Non-yellowing, dries to a gloss finish. Cleaning: Wash brushes in turpentine Learn More


