Search results for 'ink'

Rohrer & Klingner Liquid Watercolour Drying Retarder 50ml Learn More

Daler-Rowney Calligraphy Paper is a high-quality parchment-style paper. The paperweight is 90gsm. It is suitable for calligraphy, pen and ink work, and certificate writing. Learn More

This comprehensive kit includes a wide selection of tools and materials for Lino cutting and printing. You can experiment with artisan printing techniques and compare traditional lino and the new Softcut materials, which add new possibilities for beginners and experienced users alike. The 6 different lino cutters allow varied carving styles, whilst the safety cutter and hand guard ensure safe working for younger or less experienced users. The 3-in-1 Baren is a tool for transferring ink from your lino block to paper, but can also be used as a desk tidy for your cutters and as a stamping tool when used with the included self-adhesive Softcut™ discs. You can make many prints with the water based ink whilst keeping your work space clean with the handy ink tray. This educational and fun kit is ideal for making unique greeting cards, gifts, posters or even great works of art! Full instructions are included. Recommended Age: 12 and up with adult supervision. Learn More

A range of 525 shades including 25 iridescents. Prepared by hand without compression and air dried to prevent brittleness. 10% discount for 10+ pastels. 20% discount for 20+ pastels. Learn More

Complete Mokuhanga set for beginners. This set includes; 1x Sosaku inking brush 15mm, 1x Tokibo carrying brush for glue, 5pcs pencil style carving tools in a plastic case including; 7mm Aisuki (flat), 10mm Hangi-toh (knife), 3mm Komasuki (U), 3mm Sankatu-toh (V), 6mm Asamaru (shallow U), 1x plastic inking dish, 1x plastic baren 120mm, 1x shina plywood 160mm x 110mm, 1 x pack of 4 colours of waterbased printing in premixed with glue paste. Learn More

A similar yellow to Epping Forest yellow ochre, this colour is another soft semi-opaque yellow. Hampstead Heath is an ancient woodland and grassland in North London.

Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible. 

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Schmincke’s new supergranulating watercolour range is produced by combining two or more granulating pigments in each paint. Grouped into eight colour palettes, these beautiful shades have a textural surface effect, which is exaggerated when used on rougher and more structured paper. Learn More

This resist is painted onto the plate in a thin even layer with a soft flat square-ended brush. When this clear layer is dry it may be coloured or drawn into with etching needles, roulettes and steel wool. The waxy character allows the needle to glide through its surface. After drawing the coloured coating (if used) is removed, the image is stopped out if necessary, then the plate is etched. As the resist is clear the artist can monitor the etching process accurately. Learn More

Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 86 rich, intense colours which have a stiff and viscous texture. We have high stock levels on all Series numbers including 5,6 & 7 in larger sizes. Learn More

DANIEL SMITH currently offers 245 different watercolours, with more in the works every year. The sheer range of possibility they offer is endless and unparalleled in the industry. Their amazing selection spans the spectrum from the historical, to natural earth and PrimaTek colours, to Quinacridones, the brightest and boldest colours modern technology has to offer. We stock a core range of 77 colours in the large 15ml tubes. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More

Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More

Rockers are (7 inches long) including the stained birch handle and made with the highest quality high carbon tool steel, EC Lyons rockers are known world wide as the finest mezzotint rockers available. The gauge (screen) sizes are available in Course (45), Medium (65 and 85), and Fine (100) lines per inch. By working the rocker (with a rocking motion) over a copper/zinc plate in a criss-cross fashion one creates burrs that will trap the ink to produce rich velvety black tones unequalled in any other intaglio process. Learn More

Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More

The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Disposable fountain pen. Medium nib. Pure, smooth liquid ink. Learn More

Gamblin Solvent-Free Gel is manufactured by the American company Gamblin. They write:

"Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. In comparison to other solvent-free mediums, Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. To ensure proper drying of paint layers, Solvent-Free Gel should be used in moderation with oil colors. No more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Gel and oil colors thinly. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water."

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Square cut pens with smooth action and large ink reservoir. Ideal for creating posters and large lettering. Learn More

Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Learn More

120 lightfast colours with high covering power. Soft and water-soluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Learn More

Schmincke Akademie Acrylic 250ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More

For moulding when mixed with the same volume of water. Sets quickly and will not shrink. Learn More

Brause Nibs Learn More

A remarkable gilding paint that contains its own red primer and film of lustrous gold, premixed into a single liquid. It flows easily onto the surface with no brush marks, forming a beautiful, lustrous finish. It is so controllable that it can be used with a striping brush or ruling pen for fine lines and scrolls. Liquid Leaf can be used on wood, metal, glass, ceramics, papier-mache and cardboard. It can also be used as an ink. One colour of Liquid Leaf can be used over another once dry. For air brushing all colours can be thinned with the Brush Bath. This easy-to-control one-step paint gives a brilliant sheen without brassiness, a permanent finish more closely resembling traditional leafing. A 30ml bottle will cover approximately 2sq/m.

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Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

Extremely fade resistant with pigmented drawing ink. Waterpoof and PH neutral. Superfine, fine, medium and brush tips. Sanguin, sepia or black. Learn More

This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.

Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible. 

Learn More

Gamblin Solvent-Free Fluid is an oil painting medium created by the American company Gamblin. They write:

"Gamblin Solvent-Free Fluid painting medium gives oil colours more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colours – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid."

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