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  1. Parchment Clippings

    Parchment Clippings

    Starting at: £9.90

    Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More
  2. Winsor & Newton Sansodor

    Winsor & Newton Sansodor

    Starting at: £6.85

    Sansodor is a low-odour solvent which can be used as an alternative to turpentine. It evaporates slowly, increasing the blending time of oil paints, and can be used to clean brushes. Learn More
  3. Gamboge Powder

    Gamboge Powder

    Starting at: £5.20

    Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.

    Pipe Gamboge is available while stocks last. Larger quantities are available by request.

    Learn More
  4. Smalt Light Pigment

    Smalt Light Pigment

    Starting at: £5.20

    PB32

    Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.

    Larger quantities are available by request.

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  5. Gamblin Solvent-Free Gel

    Gamblin Solvent-Free Gel

    Starting at: £6.80

    Gamblin Solvent-Free Gel is manufactured by the American company Gamblin. They write:

    "Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. In comparison to other solvent-free mediums, Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. To ensure proper drying of paint layers, Solvent-Free Gel should be used in moderation with oil colors. No more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Gel and oil colors thinly. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water."

    Learn More
  6. Gamblin Gamsol Mineral Sprit

    Gamblin Gamsol Mineral Sprit

    Starting at: £9.30

    Gamsol is an odourless mineral spirit created by the American company Gamblin. They describe it as "the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise."

    Please see below for Gamsol's primary applications.

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  7. Vermilion Genuine Pigment

    Vermilion Genuine Pigment

    Starting at: £17.00

    PR106 Vermilion is an artificial pigment based on mercuric sulphide, which occurs naturally as Cinnabar. The synthetic form contains fewer impurities than Cinnabar, and was in use in China as early as the fourth century. It was present in Europe from the ninth century, and was the most widely used red pigment until the introduction of Cadmium Red in the early twentieth century. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Toxicity D. Larger sizes available on request. Domestic shipping only Learn More
  8. Daler-Rowney Alkyd Flow Oil Medium

    Daler-Rowney Alkyd Flow Oil Medium

    Starting at: £9.20

    Slightly thinner than Alkyd Gel, Daler Rowney Alkyd Flow Medium increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time. Learn More
  9. Roberson Acrylic Primers

    Roberson Acrylic Primers

    Starting at: £22.10

    Contains acrylic resin and titanium dioxide. Smooth white surface. 1 litre will cover approximately 14 square metres depending on the porsity of the surface. Learn More
  10. Winsor & Newton Drying Poppy Oil

    Winsor & Newton Drying Poppy Oil

    Starting at: £9.20

    From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.

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  11. Egyptian Blue Pigment

    Egyptian Blue Pigment

    Starting at: £5.90

    Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More
  12. Roberson Studio Safe Solvent

    Roberson Studio Safe Solvent

    Starting at: £10.90

    A highly efficient and safer solvent for oil paint. Studio Safe is non-aromatic and non-flammable and has a pleasant orange smell. Use for brush cleaning and the thinning of paint and as an alternative to traditional turpentine and white spirit.

    Learn More
  13. Madder Lake Genuine Pigment

    Madder Lake Genuine Pigment

    Starting at: £10.20

    NR9

    Madder Lake pigment is derived from dye that has been extracted from the root of the madder plant, and attached to alum as a base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion.

    Larger quantities are available by request

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  14. Winsor & Newton Liquin Fine Detail

    Winsor & Newton Liquin Fine Detail

    Starting at: £9.20

    From the Winsor & Newton website: The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing and blending, or to produce a smooth surface picture. Speeds drying (touch dry in 1-6 days depending on colour and film thickness).Resists yellowing. Not suitable as a varnish or final coat.

    Learn More
  15. Roberson Impasto Medium

    Roberson Impasto Medium

    Starting at: £16.50

    Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.

    Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.

    Learn More
  16. Ammonium Carbonate

    Ammonium Carbonate

    Starting at: £9.70

    Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More
  17. Mezzotint Rockers

    Mezzotint Rockers

    Starting at: £114.00

    Rockers are (7 inches long) including the stained birch handle and made with the highest quality high carbon tool steel, EC Lyons rockers are known world wide as the finest mezzotint rockers available. The gauge (screen) sizes are available in Course (45), Medium (65 and 85), and Fine (100) lines per inch. By working the rocker (with a rocking motion) over a copper/zinc plate in a criss-cross fashion one creates burrs that will trap the ink to produce rich velvety black tones unequalled in any other intaglio process. Learn More
  18. Realgar Pigment

    Realgar Pigment

    Starting at: £12.75

    Realgar, like Orpiment, is sulphide of arsenic, and these two substances are often found in close proximity to each other in nature. Realgar exists in small deposits throughout the world and has been used for its colour since ancient times, although its extreme toxicity means that it has been superseded by cadmiums in modern painting. It is an opaque pigment with poor tinting strength. Larger quantities are available by request.

    Toxicity D

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  19. Roberson Canada Balsam Medium

    Roberson Canada Balsam Medium

    Starting at: £39.10

    A high quality painting medium which will produce a deep glow, made from Canada Balsam and Turpentine. Especially effective with transparent oil colours, it is recommended as the medium of choice in the final stages of an oil painting. Learn More
  20. Schmincke Print Medium Black 120 ml

    Schmincke Print Medium Black 120 ml

    £15.95

    For relief and intaglio printmaking with black oil paints. Learn More
  21. Winsor & Newton Art Painting Medium

    Winsor & Newton Art Painting Medium

    Starting at: £9.20

    From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing. 

    Learn More
  22. Cornelissen Canada Balsam

    Cornelissen Canada Balsam

    Starting at: £39.10

    Canada Balsam is an oleoresin, meaning that it is a mixture of essential oils and resin. It comes from the fir tree Abies balsamea, native to Canada and the eastern states of North America. It is notable for its pale colour, clarity and gloss, making it a useful ingredient in recipes for oil-painting mediums.

    Learn More
  23. Madder Root Pieces

    Madder Root Pieces

    Starting at: £27.80

    NR9

    The madder plant was once widely cultivated for the red dye extracted from its roots. Its earliest known use is in ancient Egypt, and there is evidence of its widespread adoption in Europe from the medieval period. Madder Lake, the pigment that is derived from the root, has now largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercial paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. 

    Larger quantities are available by request.

    Learn More
  24. Winsor & Newton Liquin Original

    Winsor & Newton Liquin Original

    Starting at: £9.20

    From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More
  25. Roberson 1810 Medium

    Roberson 1810 Medium

    Starting at: £34.20

    This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.

    Contains: Stand oil, Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.

    Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.

    Learn More
  26. Winsor & Newton Thickened Linseed Oil

    Winsor & Newton Thickened Linseed Oil

    Starting at: £9.20

    From the Winsor & Newton website: A pale refined oil of syrupy consistency which behaves like Linseed Stand Oil but dries quicker and darker. Improves flow and gloss. Increases the durability of paint film. Reduces brushstroke retention. Learn More
  27. Schmincke Mussini Medium 1

    Schmincke Mussini Medium 1

    Starting at: £9.45

    Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More
  28. Lead Tin Yellow Light Pigment

    Lead Tin Yellow Light Pigment

    Starting at: £4.80

    Bright yellow first used in the Middle Ages as a replacement for Orpiment. Suitable for oil based media. Larger sizes available. Please ask for quotation.

    Toxicity: D  Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  29. Cranfield (Spectrum) Spectraflow Medium

    Cranfield (Spectrum) Spectraflow Medium

    Starting at: £16.96

    From the Cranfield website:

    This free flowing, slightly thixotropic medium is alkyd based and will not increase gloss when added to oil colours. It is quick drying.

    Learn More
  30. Gamblin Galkyd Lite Medium

    Gamblin Galkyd Lite Medium

    Starting at: £12.60

    Galkyd Light is produced by Gamblin. They write:

    "Galkyd Lite thins oil colours and increases transparency and gloss. When used in moderation with oil colours, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours."

    Learn More

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