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Viarco Vintage Violet Pencils Box
£10.30Viarco vintage collection. The box contains violet pencils. Learn More -
Liquitex Acrylic Textured and Effects Mediums
Starting at: £20.40
Liquitex Acrylic Textured and Effects Mediums Learn More -
William Mitchell Script Nibs
Starting at: £2.25
Smooth nib for mono-line lettering. Top-mounted reservoir. Learn More -
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Cinnabar Pigment
Starting at: £16.00
PR106
Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes.
Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe. Toxicity D.
Larger sizes available on request.
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Michael Harding Non Absorbent Acrylic Primer - Colours
Starting at: £21.20
Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More -
High Grade Litho Ink
£57.20Charbonnel High Grade Litho Ink 125 grams. Paste drawing ink. Very greasy. For heavily drawn or painted images. Soften with warm water. Learn More -
Lithography Leather Roller 35cm
£505.75Traditional rolling up roller and colour printing roller supplied with leather grip handles for easy rotation. Diameter: 10cm Length: 35cm. Wider (45 cm) version available upon special order request (£560.00 Inc VAT). Learn More -
Sinopia Clay Bole 4oz (approx. 118ml)
Starting at: £14.95
High quality clay bole for water-gilding techniques. Use over traditional chalk gesso ground. Bole needs to be applied with a solution of rabbit skin glue. This Bole is manufactured by Sinopia. The formula was developed by working with master gilders to craft a rich creamy bole that burnishes to a beautiful, highly reflective lustre.
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Aisuki 3mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Winsor & Newton Liquin Light Gel
Starting at: £9.20
From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Liquitex Acrylic Varnish Satin
Starting at: £20.40
Use as varnish over finished paintings. Learn More -
Winsor & Newton Stand Linseed Oil
Starting at: £9.20
From the Winsor & Newton website: A pale viscous oil that slows drying while imparting a tough, smooth enamel finish with no brush marks. Increases film durability. Ideal for glazing and fine detail if mixed with solvent.
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Microcrystalline Wax
Starting at: £8.50
Microcrystalline Wax is related to paraffin wax, and is used as a plasticiser in some recipes. It is characterised by the fineness of its crystals in contrast to the larger crystal of paraffin wax. It is generally more viscous, denser, tackier and more elastic than paraffin waxes, and has a higher melting point. Learn More -
Viarco Vintage Gold Pencil Box
£9.85Viarco vintage collection. The box contains 12 HB pencils. Learn More -
Zinc White Pigment
Starting at: £4.00
Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.
Toxicity: B
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Liquitex Acrylic Slow-Dri Retarder
Starting at: £12.35
Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More -
Winsor & Newton Artists' Gloss Varnish
Starting at: £9.20
Ketone resin/white spirit. Water white liquid dries to non-yellowing glossy film. Learn More -
Liquid Glass Mediums
Starting at: £19.50
Renaissance Materials by Dr. David Cranswick.
A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.
Contains: Damar resin, linseed oil and beeswax (for Satin medium only)
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Zig Two-Way Glue
Starting at: £2.81
Dual action acrylic glue pen for permanent or temporay bonding. Acid and xylene free. Learn More -
Viarco Scented Pencils
Starting at: £11.60
In partnership with i-SENSIS – perfume design, Viarco created the collection Backyards and Gardens of Portugal with scents of Orange Flower, Lily of the Valley, Jasmine, Peony, Fig and Lavender. Set of 6 HB Pencils Learn More -
Liquitex Acrylic Gloss Gel Medium
Starting at: £20.40
Adds texture. Increases colour brilliance & transparency. Use for thick glazes. Learn More -
Winsor & Newton Sansodor
Starting at: £6.85
Sansodor is a low-odour solvent which can be used as an alternative to turpentine. It evaporates slowly, increasing the blending time of oil paints, and can be used to clean brushes. Learn More -
Aisuki 1mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Winsor & Newton Liquin Impasto
Starting at: £11.65
From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.
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Liquitex Acrylic Varnish Gloss
Starting at: £20.40
Increases colour brilliance and transparency. Promotes flow and levelling. Use as varnish over varnished painting to add gloss and depth of colour. Non removable. Learn More -
Mitchell Nib Round Hand Left Oblique Nibs
Starting at: £1.30
Mitchell Nib Round Hand Left Oblique Nibs Learn More
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