Click to Hide Notification

Search results for 'red'

Items 151 to 180 of 427 total

per page
Page:
  1. 4
  2. 5
  3. 6
  4. 7
  5. 8

Grid  List 

Set Descending Direction
  1. 'Vintage' Book of Watercolour Paper, Black

    'Vintage' Book of Watercolour Paper, Black

    £45.00

    These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More
  2. Daler Rowney Ivory Artist's Sketchbooks

    Daler Rowney Ivory Artist's Sketchbooks

    Starting at: £13.25

    The Daler-Rowney Ivory Artists' Sketchbooks with their smooth creamy coloured lighter weight paper and micro-perforated pages remain ever popular sketchbooks for those who sketch with graphite pencils, charcoal or ink & pen technique. Ivory Sketchbooks are available in hardback and softback. - High-quality smooth texture cartridge paper. - 90gsm. Available in sketchbooks. - Ivory colour. - FSC® (FSC-C111372) certified paper. - Microperforated pages. - Ideal for graphite pencils, charcoal or pen & ink technique. Learn More
  3. Roberson Liquid Metal Acrylic Inks

    Roberson Liquid Metal Acrylic Inks

    Starting at: £6.70

    Roberson extra fine Liquid Metal Inks for calligaphy and drawing. Apply with dip pen or brush, can be thinned with water if required and will not tarnish. Not suitable for fountain pens or technical drawing pens. Waterproof. Learn More
  4. Michael Harding Non Absorbent Acrylic Primer White

    Michael Harding Non Absorbent Acrylic Primer White

    Starting at: £21.20

    Apply 2 coats. First coat may be applied 25% diluted with water to increase flow and coverage if required. Apply second coat once first coat is touch dry (approx.. 1 hour). This product may be applied to: linen, wood, MDF and other supports to produce a strong, flexible, permanent, highly pigmented white ground. Suitable for as a ground for both acrylic and oil paint. May even be applied over inexpensive standard primed canvases to render them non absorbent! Do not apply over rabbit skin / hide glue or to unsound supports such as cardboard and flimsy supports! Learn More
  5.  Cornelissen Iconographer's Pigment Set, with Aidan Hart

    Cornelissen Iconographer's Pigment Set, with Aidan Hart

    £38.50

    Nine pigments, especially selected for L. Cornelissen & Son by Aidan Hart, renowned icon painter, writer and lecturer. Learn More
  6. Stencil Brushes

    Stencil Brushes

    Starting at: £3.70

    Stencil brushes have stiff hog bristles, ideal for stippling colour through stencils. Stippling ensures the paint is less likely to creep underneath the stencil edge, giving the design a crisp but textured finish. Learn More
  7. Winsor & Newton Refined Linseed Oil

    Winsor & Newton Refined Linseed Oil

    Starting at: £6.85

    From the Winsor & Newton website: Our most popular oil. A low viscosity alkali refined oil of pale colour that dries slowly. Reduces oil colour consistency. Increases gloss and transparency. Add to other oils to slow drying. Learn More
  8. Roberson Bushey Books

    Roberson Bushey Books

    Starting at: £9.00

    Roberson Bushey books are available in two landscape sizes (11.3 x 18 cm and 18 x 23 cm), each one of which has a perforated and a non perforated version. 60 sheets / 120 pages Thread Bound Fedrigoni Arena Natural White Paper 100gsm Acid Free. Alkaline buffered, archival quality. Learn More
  9. Transparent Containers

    Transparent Containers

    Starting at: £1.20

    Rigid high quality boxes manufactured in clear Polystyrene. Medium and large sizes are ideal for storing loose nibs. Learn More
  10. Cornelissen Historical Inks, Turquoise

    Cornelissen Historical Inks, Turquoise

    £6.50

    This turquoise ink is a beautiful, transparent, deep blue-green. It can be layered for deeper shades; when used at full opacity it is a deep viridian green, and when diluted with water it reveals a marked blue undertone. Made from a blend of botanical dyes, this ink is not fully lightfast.

    Not suitable for fountain pens. Learn More
  11. Miniature Table Presses

    Miniature Table Presses

    Starting at: £311.80

    Type of print: General Intaglio techniques and Monotype. Plate thickness needs to be no higher than 1mm. YTI18 - Width of roller 18cm, Upper roller diameter 35mm, Lower roller diameter 35mm. YTI26 - Width of roller 25cm, Upper roller diameter 35mm, Lower roller diameter 35mm **please note - blankets not included** Learn More
  12. Accurasee Proportional Divider

    Accurasee Proportional Divider

    £15.00

    A drawing tool for transferring scale. Align your desired subject matter in the small end of the divider and transfer the spacing of the larger end to your drawing surface. Learn More
  13. Schmincke AQUA Primer, Coarse 500 ml

    Schmincke AQUA Primer, Coarse 500 ml

    £22.06

    For structures with coarse surfaces. Learn More
  14. Schmincke Norma Professional 35ml

    Schmincke Norma Professional 35ml

    Starting at: £8.15

    Professional grade artist's oil paints. High pigment concentration. High lightfastness. Learn More
  15. Ultramarine Blue Light Pigment

    Ultramarine Blue Light Pigment

    Starting at: £6.00

    PB29

    Ultramarine Blue Light is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today. 

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity B

    Learn More
  16. Unison 8 Midnight Assorted Pastels

    Unison 8 Midnight Assorted Pastels

    £45.60

    The Unison Midnight 8 set was created by the colour experts at Unison Colour. Unison Pastels partnered with Australian artist, Chris Blake, to create Dark 19 and 20, and with British artist, Robert Dutton, to create Dark 24. The set also includes Carbon Black 1 and 2. These two colours are their darkest ‘black’ pastels. The eight colours in the Midnight Set are unrivalled in the soft pastel format.

    Learn More
  17. da Vinci Series 498 Casaneo Synthetic Watercolour brush, round

    da Vinci Series 498 Casaneo Synthetic Watercolour brush, round

    Starting at: £15.00

    CASANEO Wash brush - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Manufactured in plastic quills - Bound on black lacquered handles - Ideal for watercolour painting and liquid acrylic colours - Extremely high colour absorbing capacity - Extraordinary elasticity Learn More
  18. Madder Lake Genuine Pigment

    Madder Lake Genuine Pigment

    Starting at: £10.20

    NR9

    Madder Lake pigment is derived from dye that has been extracted from the root of the madder plant, and attached to alum as a base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion.

    Larger quantities are available by request

    Learn More
  19. Michael Harding Non Absorbent Acrylic Primer - Clear Transparent

    Michael Harding Non Absorbent Acrylic Primer - Clear Transparent

    Starting at: £21.20

    Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More
  20. Japanese Origami Sets

    Japanese Origami Sets

    Starting at: £10.55

    Each set contains 24 square pieces of assorted plain coloured and patterned origami paper. Learn More
  21. Clairefontaine Oil Paper

    Clairefontaine Oil Paper

    Starting at: £3.75

    360GSM, 50cm x 65cm / 19.5" x 25.5", 10 Sheets, Acid free, Subtle Linen Texture. Learn More
  22. Ammonium Carbonate

    Ammonium Carbonate

    Starting at: £9.70

    Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More
  23. Silverpoint Stylus, Artista. Renaissance Workshop Materials

    Silverpoint Stylus, Artista. Renaissance Workshop Materials

    £215.00

    Length 170mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More
  24. Sosaku Brush 15mm

    Sosaku Brush 15mm

    £6.50

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  25. Kaweco Ink Cartridges, Pack of 6

    Kaweco Ink Cartridges, Pack of 6

    Starting at: £2.00

    Kaweco ink cartridges are Standard International size. There are 6 cartridges per pack. Learn More
  26. Lascaux Wash Resist 500ml

    Lascaux Wash Resist 500ml

    £38.70

    This coloured granular resist is painted on the plate and used in conjunction with Lascaux Spray/aquatint to create unusual etched effects similar to watercolour or tusche washes. Learn More
  27. Easy Grip Crible Point Squat No 94

    Easy Grip Crible Point Squat No 94

    £15.76

    Easy Grip Crible Point Squat #94 Heavy duty tool with tapered shaft ending in a point Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More
  28. Roberson Interlon Series 62 Flat

    Roberson Interlon Series 62 Flat

    Starting at: £5.60

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More
  29. Schmincke Mussini Medium 1

    Schmincke Mussini Medium 1

    Starting at: £9.45

    Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More
  30. Daniel Smith Watercolour PrimaTek Set

    Daniel Smith Watercolour PrimaTek Set

    £42.10

    Daniel Smith PrimaTek colours are unique paints made with pure, authentic mineral pigments that are mined directly from the earth and each one has a story. These colours have captured the imagination of artists for hundreds or even thousands of years. Their diversity is amazing. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Items 151 to 180 of 427 total

per page
Page:
  1. 4
  2. 5
  3. 6
  4. 7
  5. 8

Grid  List 

Set Descending Direction