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Cranfield (Spectrum) Linseed Oil Paste

Starting at: £24.65

Call to Order

From the Cranfield website:

An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

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da Vinci Series 5025 Impasto Mottler

Starting at: £10.50

Extra strong white synthetic bristles, short lenght short blue polished handle, rust proof steel ferrule. Learn More

Factis Erasers

Starting at: £0.80

Factis erasers are safe, harmless and non-toxic. They do not contain phthalates (which are used as plasticizers in certain industrial processes), heavy metals or aromatic additives. Learn More

Gamblin Relief Printing Inks 175ml

Starting at: £16.00

Gamblin Relief Inks are formulated for all relief techniques, including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail yet spread evenly on the block or plate. The palette of ten colors is designed to give artists intense pure pigmented colors straight from the jar, along with a wide range of color mixing capabilities. Gamblin Relief Inks are all bound in the highest quality Burnt Plate Oil. Learn More

Schmincke Transparent Primer 50516

£24.40

Transparent, lightfast and age-resistant primer. Slightly absorbent character and slightly rough surface. The elastic film dries transparent and water-resistant. After drying it can be overworked with pastels, acrylic, gouache and oil colours. However, this primer does not adhere perfectly on other primers so it is not recommended for mixing techniques with water-colours. Learn More

Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

£10.50

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.

Not suitable for fountain pens. Learn More

Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes

Starting at: £138.00

Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes, including: Phthalocyanine Blue Lake, Sap Green, Hookers Green, Aqua Green, Bright Green Lake, Green Gold, Yellow Benzimidazolone, Quinacridone Gold, Burnt Sienna and Quinacridone Rose. Learn More

Maimeri Retouching Varnish Aerosol

Starting at: £14.95

Aerosol varnish for oil or acrylic paintings. For use as temporary varnish for paintings less than 6 months old. Unable to send overseas. Learn More

Twisted Double Scraper No 47

£16.70

Twisted Double Scraper #47 Learn More

Alizarin Crimson Pigment

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Starting at: £4.50

PR83

Alizarin Crimson is a synthetic organic pigment that became available in 1868. It requires a wetting agent to disperse, and in oil it also absorbs a lot of liquid and dries very slowly to form a hard, brittle paint film. It is chemically identical to madder-root pigments and should be protected against UV light where possible as it can fade when applied onto a white ground, although it is less fugitive than its natural counterpart. Alizarin Crimson is a very transparent pigment, with a high tinting strength and slightly blue undertone.

Toxicity: A/B

Larger quantities are available by request.

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Chinese Brush, White Cloud, Bristle and Goat Hair, Large

£9.90

Extra strength, 'White Cloud' brush. A versatile brush for painting and calligraphy. 4 cm brush head. Learn More

Cranfield (Spectrum) Clear Acrylic Canvas Sealer

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Starting at: £11.60

Use when a transparent primer is needed. Can also be used under acrylic or oil primer. Learn More

Cornelissen Variegated Metal Leaf 260

Starting at: £23.00

Cornelissen Variegated Metal Leaf 260 Learn More

Edible Gold Leaf Loose

£56.00 As low as: £50.40

Cornelissen Edible Gold Leaf 85 23 carat Book of 25 Loose Learn More

Cornelissen Historical Inks, China Blue

£6.50

Formulated from the same dye that was used to colour blue and white china, this ink is a deep, rich blue. Used at full opacity, it is a blue-black, and dilutes down to wonderful cold blue washes. As it is dye-based, it is not fully lightfast. Learn More

Cornelissen Historical Inks, Walnut

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Starting at: £9.00

Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

Not Suitable for fountain pens. Learn More

Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes

Starting at: £82.00

Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes, including: Quinacridone Gold, Yellow Lake, Moss Green, Hookers Green, Phthalo Blue Red Shade, and Quinacridone Rose. Learn More

Maimeri Thinner for Restoration 75 ml

£8.80

Maimeri Thinner for Restoration 75ml. Learn More

Chinese Brush, Arctic Hare and Goat Hair

£12.50

Small, mixed hair brush. Ideal for watercolour painting and loose calligraphy. Learn More

Festal Icons

£45.00

Festal Icons, History and Meaning, by Aidan Hart. Learn More

Cornelissen Variegated Metal Leaf 217

Starting at: £17.00

Cornelissen Variegated Metal Leaf 217 Learn More

Quinacridone Magenta Pigment

Starting at: £5.50

Quinacridone Magenta Pigment (PR122). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

Twisted Double Point

£11.60

Double needle for etching. Learn More

Original Left-Handed

£2.70

Single block shaped light metal sharpener for left handed users. With 1 spare blade. Learn More

Quinacridone Scarlet Pigment

Starting at: £6.30

Quinacridone Scarlet Pigment (PR209). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

Triangular Handle Nib Holder

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£3.50

Triangular Handle Nib Holder, multi-purpose holder suitable for slightly larger nibs Learn More

Painter's Handbook

£25.00

By Mark David Gottsegen. A guide to artists’ materials as well as a thorough resource presenting techniques for using them and recipes for making them. (355 pages) Learn More

Unison 72 Standard Assorted Pastels

Starting at: £303.50

Unison 72 Standard Assorted Pastels Learn More

Cornelissen Historical Inks, Turquoise

£6.50

This turquoise ink is a beautiful, transparent, deep blue-green. It can be layered for deeper shades; when used at full opacity it is a deep viridian green, and when diluted with water it reveals a marked blue undertone. Made from a blend of botanical dyes, this ink is not fully lightfast.

Not suitable for fountain pens. Learn More

Triangular Solid Scraper

Starting at: £14.00

Solid scraper used to make corrections to intaglio plates. Learn More

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