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Quinacridone Magenta Pigment

Starting at: £5.50

Quinacridone Magenta Pigment (PR122). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

Cornelissen Historical Inks, Yellow Hawthorn Ink 30ml

£6.50

Made from organic hawthorn berries collected from Cambridgeshire, this bright, warm yellow ink can be layered in order to produce deeper shades. It is not fully lightfast or waterproof due to the presence of organic materials.

Not suitable for fountain pens. Learn More

Chinese Brush, Arctic Hare and Goat Hair

£12.50

Small, mixed hair brush. Ideal for watercolour painting and loose calligraphy. Learn More

Festal Icons

£45.00

Festal Icons, History and Meaning, by Aidan Hart. Learn More

Quinacridone Scarlet Pigment

Starting at: £6.30

Quinacridone Scarlet Pigment (PR209). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes

Starting at: £54.00

Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes, Including: Vivid Blue, Scarlet Lake, Aqua Green and Yellow Benzimidazolone. Learn More

Cornelissen Iron Oak Gall Ink Set

£30.00

Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More

Cornelissen Variegated Metal Leaf 236

Starting at: £17.00

Cornelissen Variegated Metal Leaf 236 Learn More

Edible Gold Leaf Loose

£56.00 As low as: £50.40

Cornelissen Edible Gold Leaf 85 23 carat Book of 25 Loose Learn More

Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

£10.50

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.

Not suitable for fountain pens. Learn More

Cornelissen Imitation Gold No 2 Warm

Starting at: £7.40

Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More

Oriental Blue Pigment

Starting at: £5.40

Oriental Blue Pigment (PB29). Inorganic pigment consisting kaolin, soda ash, sulfides and coal. Semi-transparent. High tinting strength. Excellent Lightfastness. Medium to slow drying rate. Suitable in all media except Lime-fresco. Used since early 19th Century. Toxicity B Learn More

Chinese Liquid Ink

Starting at: £10.00

Thick, black ink for use wih dip pen, reed pen or bush. Learn More

Cornelissen Variegated Metal Leaf 227

Starting at: £23.00

Cornelissen Variegated Metal Leaf Learn More

Cranfield (Spectrum) Acrylic Primer

Starting at: £30.80

Spectrum Acrylic Primer Learn More

Universal Lacquer in 60ml, 120ml and 1L.

Cornelissen Universal Lacquer

Starting at: £14.40

Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More

Cornelissen Walnut Oil

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Starting at: £8.20

The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.

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Cornelissen Gilders Tips

Starting at: £17.50

Cornelissen Gilders Tips Learn More

Price's Wax Tapers, Box of 55

£9.30

Price's Wax Tapers, Box of 55 Learn More

Maimeri Retouching Varnish Aerosol

Starting at: £14.95

Aerosol varnish for oil or acrylic paintings. For use as temporary varnish for paintings less than 6 months old. Unable to send overseas. Learn More

Friedr. Dick Heavy Scriber

£24.90

Heavy and durable etching needle. Total length: 14 cm. Learn More

Cornelissen Historical Inks, Walnut

1 Review(s) | Add Your Review

Starting at: £9.00

Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

Not Suitable for fountain pens. Learn More

Cornelissen Variegated Metal Leaf 282

Starting at: £23.00

Cornelissen Variegated Metal Leaf 282 Learn More

Quinacridone Red Pigment

Starting at: £5.50

Quinacridone Red Pigment (PV19). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More