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  1. Indigo Blue Genuine Pigment

    Indigo Blue Genuine Pigment

    Starting at: £8.00

    NB1

    Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.

    Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.

    Toxicity: B

    Learn More
  2. Omega Series 203 Pointed Hog Sash

    Omega Series 203 Pointed Hog Sash

    Starting at: £8.70

    Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More
  3. Genuine Gold Rolls

    Genuine Gold Rolls

    Starting at: £943.20

    Call to Order

    Genuine Gold Rolls Learn More
  4. Lead Red Pigment (Minium)

    Lead Red Pigment (Minium)

    Starting at: £4.50

    PR105

    Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.

    Toxicity: D 

    Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  5. Liquitex Acrylic Modeling Paste Medium

    Liquitex Acrylic Modeling Paste Medium

    Starting at: £20.20

    Creates dense texture which can be sanded or carved. Also available in Flexible or Light consistencies. Learn More
  6. Professional Gilders Cushion

    Professional Gilders Cushion

    Starting at: £75.00

    L.Cornelissen & Son's Professional Gilders Cushions are handmade in London, using the highest quality materials. Soft, buffed suede nap goatskin stretched over a sturdy mahogany veneer panel, secured with brass tacks and some fitted with a genuine parchment windsheild. Learn More
  7. Cobalt Violet Light Pigment

    Cobalt Violet Light Pigment

    Starting at: £10.00

    Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.

    Limeproof

    Toxicity: C

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  8. French Chalk

    French Chalk

    Starting at: £5.50

    French Chalk is a term commonly used to describe talcum powder and is also known as talc. This grade is very fine magnesium silicate  It is sometimes used as a filler in pastels, to make soft sticks that produce velvety marks as it has a soapy like consistency.

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  9. Cadmium Red Pigment

    Cadmium Red Pigment

    Starting at: £8.40

    PR108

    Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  10. Swanskin Etching Press Blankets

    Swanskin Etching Press Blankets

    Starting at: £1.25

    Swanskin Etching Blankets. Finest quality Swanskin. 8mm in thickness. Please specify the exact length in centimetres under the quantity box. Learn More
  11. Liquitex Acrylic Slow-Dri Retarder

    Liquitex Acrylic Slow-Dri Retarder

    Starting at: £12.35

    Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More
  12. Schmincke Lino Water-based Inks 120ml

    Schmincke Lino Water-based Inks 120ml

    Starting at: £14.90

    Water based inks for block printing and linocut. Learn More
  13. Empty Watercolour box for 12 half pans

    Empty Watercolour box for 12 half pans

    £10.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 12.6 x 7 x 1.8cm Learn More
  14. Schmincke Artists Watercolour Half Pan

    Schmincke Artists Watercolour Half Pan

    Starting at: £6.05

    Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in whole pans and tubes of 5 and 15ml. Learn More
  15. Leather Rollers

    Leather Rollers

    Starting at: £244.50

    Traditional Handmade Leather Rollers Learn More
  16. Ultramarine Blue Limewash Pigment

    Ultramarine Blue Limewash Pigment

    Starting at: £6.30

    PB29

    Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

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  17. Schmincke PRIMAcryl 250ml

    Schmincke PRIMAcryl 250ml

    Starting at: £25.30

    ONLY AVAILABLE ONLINE[]. Schmincke PRIMAcryl is a high viscosity premium acrylic range. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  18. Cornelissen 80 White Gold Leaf 12 ct

    Cornelissen 80 White Gold Leaf 12 ct

    Starting at: £43.30

    White Gold Leaf 12 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  19. Carnauba Wax Yellow

    Carnauba Wax Yellow

    Starting at: £6.50

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  20. Cornelissen 80 Green Gold Leaf 18 ct

    Cornelissen 80 Green Gold Leaf 18 ct

    Starting at: £52.30

    Green Gold Leaf 18 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  21. Schmincke Mussini Artists' Oil 35 ml

    Schmincke Mussini Artists' Oil 35 ml

    Starting at: £10.80

    Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More
  22. Charbonnel Ultraflex Liquid Ground

    Charbonnel Ultraflex Liquid Ground

    Starting at: £15.80

    Judea bitumen, essence of turpentine, wax. Quick drying with transparent velvety finish. Apply cold with a supple brush. Learn More
  23. Roberson Liquid Metal 1Ltr

    Roberson Liquid Metal 1Ltr

    Starting at: £60.30

    Roberson Liquid Metal 1Ltr. Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More
  24. Smalt Dark Pigment

    Smalt Dark Pigment

    Starting at: £5.30

    PB32

    Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.

    Larger quantities are available by request.

    Learn More
  25. Cornelissen 80 Light Green Gold Leaf 16 ct

    Cornelissen 80 Light Green Gold Leaf 16 ct

    Starting at: £46.50

    Light Green Gold Leaf 16 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  26. Pfeil Lino and Woodcut Tools

    Pfeil Lino and Woodcut Tools

    Starting at: £20.00

    Exceptional quality Swiss made carving tools, suitable for either lino or wood cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length. Learn More
  27. W&N Professional Watercolour 37ml Tube

    W&N Professional Watercolour 37ml Tube

    Starting at: £19.20

    Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

  28. Gamblin Galkyd Lite Medium

    Gamblin Galkyd Lite Medium

    Starting at: £12.60

    Galkyd Light is produced by Gamblin. They write:

    "Galkyd Lite thins oil colours and increases transparency and gloss. When used in moderation with oil colours, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours."

    Learn More
  29. Omega Series 222 Domed Hog Sash

    Omega Series 222 Domed Hog Sash

    Starting at: £10.30

    Long natural bristle hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. 100% pure hog hair. Learn More
  30. Lascaux Studio Acrylic Colours 250ml

    Lascaux Studio Acrylic Colours 250ml

    Starting at: £25.70

    Great quality acrylic paints ideal to use in silkscreen printing. Mix the colours undiluted to obtain the desired hue and then add the Lascaux Screenprinting Paste. It is advisable to experiment initially, to determine satisfactory working mixes. To find a satisfactory working ratio, it is useful to first print colours using a 50/50 mixture of undiluted colour to paste and to then shift the ratio depending on the results. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

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