Search results for 'yellow'

Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More

Michael Harding's new range of Professional Watercolours are formulated with the highest pigment concentration possible. A comprehensive range of 136 colours, including historical colours such as Lapis Lazuli and Rose Madder. These watercolours have impressive colour strength, vibrance, clarity, and longevity. Learn More

Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More

Schmincke Akademie Acrylic 250ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

DANIEL SMITH currently offers 245 different watercolours, with more in the works every year. The sheer range of possibility they offer is endless and unparalleled in the industry. Their amazing selection spans the spectrum from the historical, to natural earth and PrimaTek colours, to Quinacridones, the brightest and boldest colours modern technology has to offer. We stock a core range of 77 colours in the large 15ml tubes. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More

A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More

*Only available online*. Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

 

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Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.  

Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

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Traditional size for illumination. Made with natural gums. Yellow colour. Learn More

PY39

Orpiment, also called King's Yellow, is a mineral pigment containing naturally occurring sulphide of arsenic. Its high toxicity, and the prevalence of cadmium pigments, means that it is largely obsolete outside the field of restoration. It works best bound in oil or egg tempera, but it is not reliably permanent.

Larger quantities are available by request.

Please note, unfortunately we are not able to send this product outside the UK.

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Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More

Schmincke have combined the unique properties of gouache and watercolour paint in a unique formulation, to create Horadam Naturals. Made using natural earths, plant-based pigments and resins, the resulting high-quality watercolours are environmentally friendly and vegan. The 16 matte colours are semi-/transparent with good lightfastness and can be mixed and combined with all water and gouache colours. Learn More

Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

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From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.

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Raising preparation for illumination. Yellow colour. Learn More

Non-yellowing synthetic resin dissolved in ethyl alcohol. 609 is for use on charcoal, pencil, pastel, watercolour and gouache, 675 is for universal use. Use sparingly to fix and protect your pieces. Learn More

PW1

Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.

Toxicity: D

Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.

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