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Triangular Solid Scraper
Starting at: £14.00
Solid scraper used to make corrections to intaglio plates. Learn More -
Michael Harding Artists' Oil Colour 40 ml
Starting at: £9.20
Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 86 rich, intense colours which have a stiff and viscous texture. We have high stock levels on all Series numbers including 5,6 & 7 in larger sizes. Learn More -
Professional Gilders Cushion
Starting at: £75.00
L.Cornelissen & Son's Professional Gilders Cushions are handmade in London, using the highest quality materials. Soft, buffed suede nap goatskin stretched over a sturdy mahogany veneer panel, secured with brass tacks and some fitted with a genuine parchment windsheild. Learn More -
Roberson Mastic Varnish Thin
Starting at: £18.50
Roberson Mastic Varnish Thin. Unable to send overseas. Learn More -
Sinopia Clay Bole 4oz (approx. 118ml)
Starting at: £14.95
High quality clay bole for water-gilding techniques. Use over traditional chalk gesso ground. Bole needs to be applied with a solution of rabbit skin glue. This Bole is manufactured by Sinopia. The formula was developed by working with master gilders to craft a rich creamy bole that burnishes to a beautiful, highly reflective lustre.
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Metal Leaf Original Sample Chart
£5.00Original hand made sample chart using genuine samples of each Metal Leaf shade (Imitation Gold 2 and 2.5, Aluminium and Copper) . Learn More -
Rohrer & Klingner Bistre Drawing Ink
Starting at: £7.40
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, sepia, black and bistre lightfast traditional tones in shellac binder. Learn More -
Ultramarine Blue Light Pigment
Starting at: £6.00
PB29
Ultramarine Blue Light is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity B
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Cornelissen Sable Bright
Starting at: £5.95
Made from the same quality red sable as the rounds and used for short, thicker strokes of paint. Learn More -
Michael Harding Oil Paint Medium PM1
Starting at: £9.95
PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.
Recommendation: Add 10-20% to your oil colour as you require.
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Michael Harding Miracle Medium
Starting at: £12.00
MM0 Miracle Medium is a solvent-free, odourless, vegan, and plant-based Medium that serves as an alternative to traditional turpentine. This medium offers artists a natural and sustainable option for thinning oil paints, cleaning brushes, and glazing (see our MM2 Quick Dry Dammar Varnish Miracle Medium) without the use of harsh chemicals or toxic fumes. CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. Oil paint artists use MM0 Miracle Medium in several ways: Artists may dip their brush in MM0 Miracle Medium before applying it to the paint to achieve the desired consistency. Clean brushes: MM0 Miracle Medium can be used to clean oil paint brushes. After painting, artists may rinse their brushes in MM0 Miracle Medium to remove excess paint and then wash the brushes with soap and water – Use as a painting medium to mix with oil paints, enhancing flow and transparency – Clean brushes by dipping them in the medium and wiping them clean. – Dilute or thin oil paints without the use of traditional solvents. – CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. – Available in 100ml, 250ml and 1 Litre. Learn More -
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Litharge Pigment
Starting at: £8.00
PY46
Litharge is lead monoxide, also known as Massicot. It is an opaque pigment, with a weak tinting strength. Its toxicity and fugitive nature means that it is rarely used as a pigment. Instead, its fast drying time means that it has been used as a siccative in oil mediums. The colour tends to darken in all media, and it is also unstable in its dry form, as the powder can lighten when exposed to air. Toxicity D.
Larger quantities are available by request.
Please note, unfortunately we are not able to send this product outside the UK.
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Spinel Black Pigment
Starting at: £8.00
Spinel Black, sometimes known as Manganese Ferrite Black, is a synthetic mixed-metal oxide pigment. It provides a deep, cool, transparent black, which dries quickly in oil.
Toxicity: C
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Intaglio Etching Set
£88.60The selection covers the basic tools for traditional etching as well as copper and wood engraving. The set consist of small curved burnisher, twisted double needle, scraper and fine, medium and large burin square engraving tools. Learn More -
Sosaku Brush 24mm
£11.15Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More -
Liquitex Heavy Body 59ml
Starting at: £10.30
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More -
Roberson Gum Arabic
Starting at: £10.30
A high quality gum Arabic solution used for binding watercolours. Increases gloss and brilliance. Learn More -
Lefranc Vibert Medium
Starting at: £9.10
LeFranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.
From their website: The slow-drying J.G. Vibert painting medium holds brush marks, creates a painterly satin film and prevents any sinking. It creates a uniform top film and enables artists to rework old colours for long periods of time.
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Unison Pastels Mini Set, Natural Earth Half Stick 8
£16.45A sampler selection of truly earth based colours containing naturally occurring Italian umbers, sienna, and ochres. Useful in portraiture, drawing compositions and rock landscape.
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Rohrer & Klingner Black Drawing Ink
Starting at: £7.40
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, black, sepia and bistre lightfast traditional tones in shellac binder. Learn More -
Omega Series 222 Domed Hog Sash
Starting at: £10.30
Long natural bristle hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. 100% pure hog hair. Learn More -
Fullers Earth
Starting at: £6.30
Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.
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Silverpoint Stylus, Artisan. Renaissance Workshop Materials
£180.00Length 190 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More -
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Roberson Acrylic Gloss Medium
Starting at: £11.20
(Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More -
Cretacolour Ergonomic Lead Holder
£19.50Cretacolour Ergonomic Lead Holder. Supplied with 5mm 2B lead. Includes a sharpener in the end cap. Learn More
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