Search results for 'The And'
-
Golden Silverpoint Ground 237 ml
£25.95Golden Silverpoint Ground 237 ml. A white acrylic ground, recommended as a preparation for all metalpoint drawing techniques. Light, flexible and sandable, great for fine detailed lines. 100% acrylic polymer dispersion which is ready to use, UV resistant, water resistant and has minimum film formation. Directions: For use on porous surfaces, shake the bottle vigorously, then allow to rest for 5 minutes before applying. Allow each coat to dry thoroughly between applications. Learn More -
Winsor & Newton Griffin Alkyd Oil Colour
Starting at: £7.15
Artist quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin Alkyd range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Learn More -
Schmincke Medium W Gel
Starting at: £8.20
Medium for mixing oil colours with water instead of organic solvents. Odourless. Learn More -
Chrome Yellow Middle Pigment
Starting at: £10.00
Chrome Yellow Middle Pigment.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
Learn More -
Lascaux Screen Filler 500ml
£47.70The Lascaux Screen filler and Lascaux Screen painting fluid may be used for painting directly on the mesh as part of a waterbased screenprinting system. These products work harmoniously with Lascaux Screenprinting paste and the Lascaux Colours. Learn More -
Aluminium Coating Trough 18" with ends
£31.00Coating Trough, used to coat screens with Photographic Emulsion. Shaped to allow the weight of the coating trough to be supported by the thumb, the palm and all four fingers for a steady and even coat. Features a dual sided coating edge for either a sharp edge thin coat for higher mesh counts, or a rounded dull edge for coating lower mesh count screens. Learn More -
-
Ultramarine Blue Limewash Pigment
Starting at: £6.30
PB29
Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity: B
Learn More -
Sosaku Brush 15mm
£6.50Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More -
Liquitex Soft Body 237 ml
Starting at: £25.50
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Soft Body colour has a creamy consistancy which dries to a smooth, even surface which is slightly more matt than the Heavy Body colour. Learn More -
Aisuki 4.5mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Winsor & Newton Series 7 Kolinsky Sable
Starting at: £25.30
Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation. Learn More
-
Lascaux Wash Resist 500ml
£38.70This coloured granular resist is painted on the plate and used in conjunction with Lascaux Spray/aquatint to create unusual etched effects similar to watercolour or tusche washes. Learn More -
Daler-Rowney Artists Watercolour 15ml Tube
Starting at: £15.00
Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More -
STAEDTLER Mars Plastic Eraser
£1.60STAEDTLER's Mars Plastic erasers are premium-quality erasers that ensure superb erasing performance at all times. The formula of Mars Plastic results in significantly less crumbling, with practically residue-free erasing. 65 x 23 x 13mm. Phthalate and latex free.
Learn More -
Lefranc Flashe 80 ml
Starting at: £9.70
Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More -
Rohrer & Klingner Lithographic Inks
Starting at: £17.10
Liquid lithographic ink and solid (tushe) lithographic ink are highly resistant against acids and can be used to draw on stone, aluminium and zinc plates. Uses a highly dispersed pigment that is compounded from shellac, wax and soap. While the liquid ink is suited for complete covering, the tushe ink is excellent for halftones and transitions. * Please note that the Litho Tusche now comes in a cylindrical shape, rather than the rectangular stick photographed. Learn More -
Schmincke AQUA Watercolour Primer, Fine
Starting at: £16.55
For structures with even surfaces. Learn More -
Roberson Gum Ammoniac
Starting at: £14.00
Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More -
Korns Litho Pencil Core
Starting at: £7.90
For litho on stone, plate and aquatint. Can be mixed with water. For aquatint applications. No.1, 2 and 3 are the most suitable for creating fine tonal effects. Acid resistant. Pencil core fits in our classic 5.5mm clutch pencil. Learn More -
Schmincke Horadam Gouache
Starting at: £8.75
Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet.
Schmincke recommends the following:
"The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."
Learn More -
Hardback Book of Drawing Paper
£25.00This landscape book contains 48 sheets of 200 gsm Fabriano Accademia drawing paper. White, smooth surfaced, acid free paper in a hardbacked cover featuring a 19th-Century design advocating drawing as "a necessary part of the education of all". Sheet size 19cm x 24cm (7.5 x 9.5in). Learn More -
Kentonomi
£37.00Kentonomi, this chisel is used to cut the traditional Mokuhanga Kento registration mark. This tool is 15mm wide and may be used with a mallet. Learn More -
Vine Black Pigment
Starting at: £4.70
PBk8
Vine Black is derived from charred vines, forming an organic pigment of pure carbon. It has been in use since antiquity, providing a cold black with bluish undertones, which creates a blue-grey when mixed with white. It is a very lightfast, slow-drying colour with a medium tinting strength. It requires a wetting agent to disperse properly, and is not suitable for use in fresco, mortar or cement, as the water-soluble impurities within the pigment can create efflorescence.
Toxicity: A
Learn More -
Roberson Pocket Sable Travel Brush
Starting at: £24.80
Pure Kolinsky sable with a uniquely designed case to satisfy the travelling watercolourist. Double section handle protects the brush head in transit and unscrews to form a comfortable handle. Learn More -
Schmincke Norma Blue 35ml
Starting at: £8.15
Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More -
Cadmium Yellow Deep Pigment
Starting at: £7.40
Cadmium Yellow Deep Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More -
Shell Gold Watercolour 1/4 pan Silver
£27.00Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More -
Roberson Crystal Shellac Varnish
Starting at: £9.30
Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More -
STAEDTLER Mars Plastic Eraser Core
£1.50STAEDTLER Mars Plastic holder is a high-quality, retractable eraser for graphite pencil. The eraser is easily advanced and retracted by the sliding mechanism, and compared to conventional erasers more precise erasing can be achieved. Phthalate and latex free.
Learn More
Shopping Options
- Category
-
- Pigments Gums & Resins (136)
- Oils & Acrylics (114)
- Canvas & Supports (17)
- Watercolour Gouache & Egg Tempera (50)
- Pastels (20)
- Drawing & Calligraphy (89)
- Gilding & Restoration Materials (48)
- Printmaking (72)
- Brushes (50)
- Paper (25)
- Studio & Books (57)
- Specialist Decorating (5)
- Gift Vouchers (1)
- Price
-
- £0.00 - £999.99 (598)
- £1,000.00 - £1,999.99 (1)
- £2,000.00 - £2,999.99 (1)
- £3,000.00 and above (2)
- Manufacturer
-
- Arches Aquarelle (1)
- ArtGraf (5)
- Automatic Pens (3)
- Canson (1)
- Charbonnel (2)
- Cornelissen (228)
- Cranfield (5)
- Creta (3)
- Da Vinci (26)
- Daler-Rowney (8)
- Daniel Smith (9)
- Daylight (1)
- e+m (3)
- Faber-Castell (4)
- Fabriano (5)
- Gamblin (15)
- Gillot (1)
- Golden (8)
- Hahnemuhle (3)
- Khadi (1)
- Kölner (4)
- Korns (1)
- Lascaux (15)
- Lefranc et Bourgeois (5)
- Liquitex (2)
- London Pigment (11)
- Maimeri (1)
- Michael Harding (13)
- Milliput (1)
- Omega (3)
- Pelikan (1)
- Pentel (1)
- Pfeil (4)
- Pilot (1)
- Pro Arte (6)
- Renaissance Workshop Materials (7)
- Roberson (44)
- Rohrer and Klingner (8)
- Schmincke (49)
- Somerset (1)
- Stabilo (4)
- Staedtler (8)
- Unison (6)
- Winsor&Newton (18)
- Factis (1)
- Sennelier (2)
- Color
You have no items in your shopping basket.
- Search Brands
-