Search results for 'acrylic'
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Schmincke Mussini Oil Medium 3
Starting at: £9.45
Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.
From the Schmincke website:
Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.
Contains: aldehyde resin, mineral spirit, siccative, stand oil.
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Gamblin Galkyd Medium
Starting at: £12.00
Galkyd is an oil painting medium created by Gamblin. They write:
"Galkyd thins oil colours and increases transparency and gloss. When used in greater proportions with oil colour, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours."
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Roberson Florentine Medium
Starting at: £10.80
When Roberson Florentine Medium is mixed with oil colour, it is possible to paint freely on textile fabrics, which will stand up to subsequent hand-washing with soap and water. It may also be used when painting with oils on unprepared paper. Learn More -
Schmincke Mussini Artists' Oil 150 ml
Starting at: £29.85
Schmincke Mussini Artists' Oil 150 ml Learn More -
Sennelier 6 Artist Quality Oil Sticks Set
Starting at: £43.96
Set of six artist quality 38ml oil paint bars by Sennelier, includes: Titanium White, Ivory Black, Primary Yellow, Primary Red, Primary Blue, Viridian. Learn More -
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Lascaux Soft Resist 500m
£45.60This slower drying resist is designed to offset easily and is used to make soft crayon- or pencil-like drawings, textures from collages and direct broad line drawings. Learn More -
Roberson Safflower Oil
Starting at: £7.70
Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.
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Winsor & Newton Liquin Light Gel
Starting at: £9.20
From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Roberson White Siccative
Starting at: £8.40
A strontium-based siccative, milder than cobalt driers. Add sparingly to oil colours to accelerate drying, particularly recommended for pale colours. Learn More -
Cranfield (Spectrum) Linseed Oil Paste
Starting at: £24.65
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From the Cranfield website:
An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.
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Michael Harding Artists' Oil Colour Chart
£22.04Michael Harding Artists Oil Colour Chart Learn More -
Winsor & Newton Artists' Matt Varnish
Starting at: £9.20
Ketone resin/silica/white spirit. Pale translucent liquid dries quickly to matt film. Can be mixed with Gloss Varnish to alter finish. Not suitable for highly absorbant cracked paintings. Learn More -
Studio Safe Gloss Picture Varnish
Starting at: £17.90
Studio Safe Gloss Picture Varnish. Dries to a gloss finish Learn More -
Roberson Matt Picture Varnish
Starting at: £8.70
Ketone resin/white spirit microcrystalline wax. Clear, tough protection without gloss. Useful overpaintings where resinous media have been used. Unable to send overseas. Learn More -
Winsor & Newton Drying Poppy Oil
Starting at: £9.20
From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.
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Roberson Studio Safe Beeswax Medium
Starting at: £18.60
A safe wax medium for impasto effects. This medium retains palette knife marks and brush strokes, remains thick and doubles paint easily, drying to a matt finish.
Studio Safe products are non-aromatic, non-flammable, and have a pleasant orange smell.
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Roberson Matt Glaze Medium
Starting at: £9.80
Mix with tube oils or pigment to improve flow and translucency, resulting in a satin finish. Contains silica driers. May darken if cap is left off bottle; if this happens, replace the lid and leave overnight to restore the colour with no lasting ill effects.
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Schmincke Mussini Artists' Oil 35 ml
Starting at: £10.80
Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More -
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Roberson Crystal Shellac Varnish
Starting at: £9.30
Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More -
Roberson Pure Gum Turpentine
Starting at: £14.00
Slightly less refined than rectified spirit of turpentine. Often preferred as constituent of painting mediums. Learn More -
Lascaux Coloured coating for Hard Resist
Starting at: £38.70
These black or white coatings may be painted onto a dry layer of Hard resist so that the drawing made with etching tools is highly visible. The coloured coatings are not acid-resistant and are designed to be washed away with water before the plate is stopped-out or etched. Learn More -
Roberson Linseed Stand Oil
Starting at: £10.50
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.
Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.
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Winsor & Newton Liquin Impasto
Starting at: £11.65
From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.
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Gamblin Cold Wax Medium
Starting at: £12.00
* Only available online.* Cold Wax medium is made by Gamblin. They say:
"Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."
Please see below for more information.
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Cranfield (Spectrum) Spectragel Medium
Starting at: £16.50
From the Cranfield website:
This is a thixotropic alkyd medium designed to mix with oil colours, retaining the body of the paint. Spectragel is a gloss medium and is quick drying. It is a clear medium based on a synthetic resin that improves the weather resistance of oil colours; ideal for glazing and extending colours while retaining gloss and structure of paint.
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Roberson Artists' Oil Colour 225 ml
Starting at: £29.60
Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.
Available in 40ml and 225ml tubes
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Norma Wooden Set 11 x 35ml tubes, 2 brushes and accessories
£107.60Schmincke Norma Wooden Set 11 x 35 ml tubes, 2 brushes and accessories Learn More