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  1. Universal Lacquer in 60ml, 120ml and 1L.

    Cornelissen Universal Lacquer

    Starting at: £14.40

    Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More

  2. Roberson Extra Fine Retouching Varnish

    Roberson Extra Fine Retouching Varnish

    Starting at: £8.40

    Synthetic, Polaroid B67 retouching varnish made as an alternative to natural resin, Damar retouching varnish. superior non-yellowing characteristics. Less readily absorbed into painted surface and less susceptible sinking. Dries quickly to a breathable, uniform, gloss finish. Learn More
  3. Cranfield (Spectrum) Linseed Oil Paste

    Cranfield (Spectrum) Linseed Oil Paste

    Starting at: £24.65

    Call to Order

    From the Cranfield website:

    An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

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  4. Rohrer & Klingner Liquid Watercolour Inks

    Rohrer & Klingner Liquid Watercolour Inks

    Starting at: £9.30

    Call to Order

    Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More
  5. Schmincke Lino Water-based Inks 250ml

    Schmincke Lino Water-based Inks 250ml

    Starting at: £21.10

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    Water based inks for block printing and linocut. Learn More
  6. Japanese Coloured Sumi Ink

    Japanese Coloured Sumi Ink

    Starting at: £10.00

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    Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More
  7. Cornelissen Historical Colours Ink Set

    Cornelissen Historical Colours Ink Set

    £18.50

    Call to Order

    Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More
  8. Schmincke Horadam Naturals Set Earths

    Schmincke Horadam Naturals Set Earths

    £49.00

    Call to Order

    Schmincke Horadam Naturals Set Earth Pigments 5 x 15 ml Celadonite Yellow Ochre Lalvarit Violet Caucasus Earth Green Slate Learn More
  9. Maimeri Retouching Varnish for Restoration 75 ml

    Maimeri Retouching Varnish for Restoration 75 ml

    £8.80

    Call to Order

    Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow (Ketonic resin 22% and White Spirit). Learn More
  10. Cobalt Blue Pigment

    Cobalt Blue Pigment

    Starting at: £6.50

    Call to Order

    PB28

    Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners specifically used this name in the late-Middle Ages, as the presence of Cobalt ore in the mines made the extraction of silver very difficult. They were possibly aware of the toxic properties of the mineral frustrating their efforts.

    Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.

    Limeproof

    Toxicity: C

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  11. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

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