Search results for 'Materials'
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Silverpoint Stylus Maestro. Renaissance Workshop Materials
£290.00Length 220 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More -
Silverpoint Stylus, Garzone. Renaissance Workshop Materials
£130.00Length 160 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More -
Silverpoint Stylus, Artista. Renaissance Workshop Materials
£215.00Length 170mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More -
Silverpoint Stylus, Artisan. Renaissance Workshop Materials
£180.00Length 190 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More -
Porte-Crayon Brass Holder, Renaissance Workshop Materials
£48.50Handmade Porte-Crayon in brass for holding chalk or charcoal. Commonly used by artists in the Renaissance for drawing, the piece of sharpened chalk or charcoal is inserted into the end of the holder and secured in place by a sliding ring. Learn More -
Bone White Pigment 100 grams, Renaissance Workshop Materials
£38.00To make grounds for silverpoint drawing. Learn More -
Techniques of Icon and Wall Painting
£40.00Techniques of Icon and Wall Painting - Egg Tempera, Fresco, Secco by Aidan Hart. The most comprehensive description to date of the techniques, formulae and history of Icon and Wall Painting. The book is beautifully designed and over its 490 pages, there are 450 coloured images and 180 drawings. Cornelissen materials are included in the text and in the images. Learn More -
Crocus Powder
Starting at: £12.00
A red amorphous powder consisting of ferric chloride oxide. Used as a colourant for ceramic glazes. Also used in polishing glass, metal, or gems. Also known as jeweller's rouge. Learn More -
Carborundum Powder
Starting at: £11.50
Carborundum Powder. Grid of coarseness: Fine 120/220, Medium 80/120, Coarse 60/80 Learn More -
Professional Gilders Cushion
Starting at: £75.00
L.Cornelissen & Son's Professional Gilders Cushions are handmade in London, using the highest quality materials. Soft, buffed suede nap goatskin stretched over a sturdy mahogany veneer panel, secured with brass tacks and some fitted with a genuine parchment windsheild. Learn More -
Tallow
Starting at: £34.60
Used in printmaking. Imparts softness and greasiness. An ingredient for producing soft etching ground. Learn More -
Roberson Copperplate Reducing Oil
Starting at: £24.00
Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More -
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Schmincke Varnish Remover
Starting at: £10.40
Varnish remover. For softening old varnish and colour layers. Strong solvent should be used by experienced persons only. Learn More -
Roberson Crystal Shellac Varnish
Starting at: £9.30
Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More -
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Japanese Gold Leaf 22,66ct Enzuke
Starting at: £61.00
Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. Enzuke gold leaf is beaten between sheets of traditional of washi paper called furuya-gami and refers to the subtle grid pattern that appears on the surface of the leaves. In Japan, Enzuke gold is considered more traditional and has a soft lustrous appearance. Each pack contains 10 leaves. Learn More -
German Gold Powder 1 gram
Starting at: £47.00
Handcrafted, extra fine, genuine precious metal powders in a range of shades, all 1 gram in weight. These powders are produced using thin gold, silver and other precious metal leaf. A complex, manual process is undertaken to achieve the extremely fine-grained particle size of this extra fine powder.
Learn More -
Cornelissen Variegated Metal Leaf 217
Starting at: £17.00
Cornelissen Variegated Metal Leaf 217 Learn More -
Cornelissen 80 Lemon Gold Leaf 20 ct
Starting at: £56.50
Lemon Gold Leaf 20 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Cornelissen 80 Victorian Gold Leaf 23 ct
Starting at: £63.80
Victorian Gold Leaf 23 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
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Milliput
Starting at: £4.80
2 part, epoxy resin moulding material for prepairing surfaces and mouldings. Store in a cool, dry place. Shelf life is 2-3 years. Hardener may yellow if it dries out. This is due to the resin leeching out to the surface of the stick. If this happens, kneading with fingers will make it smooth and white again. Learn More -
Charbonnel Oil Gold Size 12 hour
Starting at: £13.40
High quality oil based gold size. Well known for it's predictability and length of it's open period. Tacky in 12 hours, remains open for 20 hours. Learn More -
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Gamblin Portland Black Litho Ink 1lb
£25.00Artist-grade lithography ink, formulated with high-quality oil and a high pigment load. Learn More -
Cornelissen Squirrel Flat Lacquer
Starting at: £20.05
Extra soft brush for varnishing or lacquering. Also useful for watercolour washes. Learn More -
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Japanese Gold 14,3ct
Starting at: £48.00
Highest quality 14,3ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Metal Leaf Original Sample Chart
£5.00Original hand made sample chart using genuine samples of each Metal Leaf shade (Imitation Gold 2 and 2.5, Aluminium and Copper) . Learn More


