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Pilot Erasers for Mechanical Pencil

£2.75

Pilot Erasers for Mechanical Pencil Learn More

Aluminium Ready Stretched Screen

Starting at: £39.00

Pre-stretched aluminium screens. Our screens use the highest quality monofilament polyester mesh and are available in 43T (for fabric), 90T (for paper) and 120T (for finest detail on paper). The mesh appears in different colours, white is for fabric and yellow is for the higher mesh counts, the colour this makes registering with stencils underneath the screen easier. The screen is made of quality aluminium with a profile of 20mm x 30mm x 1.2mm thick. Learn More

Stil de Grain

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Starting at: £12.20

NY13:75640 Stil de Grain is a natural yellow pigment derived from unripe buckthorn berries, which were also once used to produce sap green pigment before the introduction of synthetic alternatives. Stil de Grain may also be known as brown lake, yellow lake, Persian lake, buckthorn lake, Dutch pink, yellow carmine and Italian pink. It has a weak tinting strength, and is very transparent, especially in oil. When mixed with oil, the pigment becomes saturated, darkening considerably in colour and drying very slowly, whereas in a water-based paint it is appears as a warm yellow. It is very fugitive to light, and compatible with all media, except lime. Larger quantities are available by request. Learn More

Artools Wood & Felt Baren for Relief Printmaking

£6.45

Artools Wood & Felt Baren for Relief Printmaking Learn More

Pfeil Honing Oil for Arkansas Sharpening Stones, 125ml

£8.90

Pfeil Honing Oil for Arkansas Sharpening Stones, 125ml Learn More

Maimeri Concentrated Mastic Varnish for Restoration 75 ml

£40.75

Natural varnish of traditional use. Very flexible. Can be used in conjunction with restoration colours. (Natural mastic resin 40% and essence of Turpentine). Learn More

da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

£47.40

Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More

Cornelissen Historical Inks, Forge Lamp Black

Starting at: £9.00

Prepared exclusively for Cornelissen following a Medieval English recipe, This handmade ink is produced in Cambridgeshire, from soot harvested from a working 19th-century forge, powered by charcoal and wood. Small batches of ink are blended to give the required consistency and strength. Forge Lamp Black is a thick, smooth non-waterproof ink that has good permanence. It can be watered down, and should always be shaken well before use. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency. Ingredients: Soot, gum Arabic, and clove oil.

Not suitable for fountain pens. Learn More

Winsor & Newton Distilled Turpentine

Starting at: £7.30

From the Winsor & Newton website: A fast evaporating, highly refined essential oil with the strongest thinning and brush cleaning power of all Artists' grade solvents. Suitable for removing varnish (including Dammar Varnish).Keep tightly closed and away from light to prevent oxidation. Do not use if it has thickened. Learn More

Pastel Blenders

Starting at: £1.30

Pastel Blenders Learn More

English Red Light Pigment

Starting at: £5.50

English Red Light Pigment Learn More

English Willow Charcoal

Starting at: £1.75

English Willow Charcoal Learn More

Schmincke Drying Accelerator for Oils

Starting at: £8.55

From the Schmincke website:

Jelly-like medium for accelerating the drying of oil colours. Preserves consistency and degree of gloss. Dosage: 10% to 30% maximum. Contains: Siccative, stand oil, resin solution, mineral spirit.

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Lascaux Coloured coating for Hard Resist

Starting at: £38.70

These black or white coatings may be painted onto a dry layer of Hard resist so that the drawing made with etching tools is highly visible. The coloured coatings are not acid-resistant and are designed to be washed away with water before the plate is stopped-out or etched. Learn More

Empty Watercolour Metal Box for 12 half pans

£10.50

This unbranded watercolour metal box is the same as the lightweight metal boxes used by most of the major European colour-makers. The back of the box includes a thumb ring. Dimensions: 12.6 x 7 x 1.8cm Learn More

Empty Watercolour Metal Box for 48 Half Pans

£20.00

This unbranded watercolour metal box is the same as the lightweight metal boxes used by most of the major European colour-makers. The back of the box includes a thumb ring. Dimensions: 22.8 x 11.3 x 2.3cm Learn More

Empty Watercolour Metal Box for 24 half pans

£14.00

This unbranded watercolour metal box is the same as the lightweight metal boxes used by most of the major European colour-makers. The back of the box includes a thumb ring. Dimensions: 22.2 x 7 x 2cm Learn More

Renaissance Wax

Starting at: £14.00

Used by restoration specialists to revive and protect furniture, leather, paintings, metals etc. Freshens colours, imparts soft sheen. Very long shelf life. (approx 20 years) as long as it is not exposed to heat. Learn More

Schmincke Empty Watercolour Metal Box for 10 x 15 ml Tubes

Regular Price: £41.15

Special Price £21.00

Dimensions: 22.5 x 120 x 23 cm Learn More

Roberson Matt Medium

Starting at: £13.50

Roberson's Matt Medium creates a dead-flat finish when mixed with oil colour. It aids the flow and increases the artist's control of oil paint, allowing for smooth application flat brush marks with low edges. It can be mixed with oil paint in any ratio. Learn More

Pentel Aquash Empty Brush Pen

Starting at: £8.05

Fill with non-waterproof ink of your choice or fill with water for watercolour trips. Available in Fine, Medium and Broad tips. Learn More

Pentel Colour Brush

Starting at: £4.30

Nylon brush-tipped pen filled with vivid, translucent, water-based ink, available in 12 vibrant colours.Synthetic fibre tip retains its shape and is valve-activated for smooth flow, without leaking.A convenient, portable alternative to traditional brushes. Learn More

Pentel Refillable Brush Pen

Starting at: £8.25

Resilient, accurate bristles give a brush tip that maintains its shape. Cartridge contains dense, water and fade resistant black pigment ink. Learn More

Genuine Malachite Pigment

Starting at: £14.90

Malachite is a naturally occurring copper carbonate, closely related to Azurite. It has a weak tinting strength, is quite opaque, and works best in aqueous media. Larger sizes available on request. Learn More

Pencil Top Sharpener

£1.50

A portable pencil sharpener and extender. Learn More

Pencil Extender

Starting at: £7.40

Wooden pencil extender. Useful artists' accessory in five finishes. Metal part is nickel plated. Length 12cm. Made from FSC-certified wood. Available in Mahogany, Walnut, Black, Red and Green Learn More

Venetian Red Pigment

Starting at: £4.60

Venetian Red Pigment (PR101). Iron oxide and chalk. Semi-transparent and very lightfast. Stable in all media.

Limeproof

Toxicity: B

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Sennelier Oil Sticks

Starting at: £7.65

Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More

Genuine Gold Rolls

Starting at: £1,192.60

Call to Order

Genuine Gold Rolls Learn More

Sennelier Oil Pastel Fixatives

Starting at: £18.50

Clear vinylic - resin and alcohol based fixative. Creates a totally clear silk film. Learn More

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