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ArtGraf Soft Carbon Pencil

£1.50

Water-soluable soft carbon pencil similar to charcoal. Learn More

Accurasee Proportional Divider

£15.00

A drawing tool for transferring scale. Align your desired subject matter in the small end of the divider and transfer the spacing of the larger end to your drawing surface. Learn More

Stephens Indian Ink

£5.00

Black Indian ink, Waterproof. 28ml Learn More

Sennelier Ink Medium 30 ml

£9.50

Shellac based ink medium. Can also be mixed with pigment to create inks. Learn More

Cornelissen Historical Inks, Yellow Hawthorn Ink 30ml

£6.50

Made from organic hawthorn berries collected from Cambridgeshire, this bright, warm yellow ink can be layered in order to produce deeper shades. It is not fully lightfast or waterproof due to the presence of organic materials.

Not suitable for fountain pens. Learn More

Sennelier Oil Sticks

Starting at: £7.65

Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More

Rohrer & Klingner Drawing & Calligraphy Ink 250ml

Starting at: £23.20

Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 22 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More

Cornelissen Historical Inks, French Sepia

2 Review(s) | Add Your Review

Starting at: £6.50

Shellac based. Water resistant when dry. Not suitable for fountain pens. Learn More

Rohrer & Klingner Antique Ink

Starting at: £10.20

The Rohrer & Klingner Traditional Ink range provides 18 colours of high luminance and brilliance, suitable for use with dip pens, brushes, fountain pens, and even airbrush devices. They can be used to produce crisp edges or more painterly washes. They have an acrylic resin base, with a high pigment content, and are completely intermixable. They can also be used in conjunction with Rohrer & Klingner's Drawing and Calligraphy range, to create an even more extensive range of tones. Learn More

Swann Morton Scalpel Handle No3

£8.60

Stainless steel handle No 3 compatible with blade shapes 10, 10A, 11, 12 and 15 Learn More

Faber-Castell Perfection Eraser Pencil

Starting at: £2.40

Available in soft or firm. May be sharpened to a fine point. White (firm) for ink, India ink, ballpoint pen. Pink (soft) for graphite pencil and carbon copies. PVC-free. Learn More

Schmincke Calligraphy Gouache Set in Wooden Box, 12 x 20 ml

£120.00

Wooden box containing 12 x 20 ml tubes of Schmincke Calligraphy Gouache. Opaque White Lemon Yellow Cadmium Yellow Hue Light Vermilion Red Madder Red Ultramarine Deep Blue Paris Blue Chromium Oxide Green Burnt Sienna Jet Black Silver Gold Pearl Learn More

Faber-Castell Pitt Brush Pens

Starting at: £3.65

Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Learn More

ArtGraf Tailor Shape Set of 6

£41.50

Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, the set contains 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black Learn More

Winsor & Newton Drawing Inks

Starting at: £5.20

The Winsor & Newton Drawing Inks can be intermixed and diluted with distilled water. Not lightfast (except Black and White). All colours are transparent and water resistant once dry (except Gold & Silver). Learn More

Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

£10.50

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.

Not suitable for fountain pens. Learn More

Schmincke Aerosol B72 300ml

£17.80

Performs in a similar protective way as Lascaux Fixative. Non yellowing, crystal clear and age-resistant. Suitable as a fixative and protection for pencil, charcoal, pastels, watercolours, gouache, inks, metal leaf, photos and prints. Can also be used as a final varnish for oil and acrylic colours. Invisible on absorbent surfaces and semi matt very slightly glossy on non absorbent surfaces. Learn More

Cretacolour Leads

Starting at: £9.60

Cretacolour Leads. 5mm leads for Cretacolour pencils. The 6 pack contains White chalk, Sanguine Oil, Sepia (Light and Dark), Charcoal Medium, and Graphite 4B Learn More

Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black

Starting at: £55.00

The Flourish is precision machined from a solid Aluminium bar meaning that it will last a lifetime and give you just the right amount of weight without feeling too heavy. This unique design fits nibs as large as a Nikko G, all the way down to smaller nibs like the Brause 66EF, as well as 3.5mm pencil lead, so you can draft your creations before committing to ink. This holder is designed so that you can easily customise the angle of the nib to suit your calligraphy style. The balance of the pen has been refined so that the centre of gravity sits between your forefinger and your thumb joint, making it feel neither top nor bottom heavy. Learn More

Pilot Parallel Pens

Starting at: £2.35

Pilot Parallel Pens Learn More

Pelikan 4001 Fountain Pen Inks

Starting at: £8.80

Non clogging inks in vivid colours. Suitable for plunger fountain pens. Non waterproof. Learn More

Rohrer & Klingner Drawing & Calligraphy Black Ink 1L

£64.20

Lightfast pigmented acrylic ink. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More

Chinagraph Pencils

Starting at: £2.25

Oil based pencils. Will write onto glass, metal, plastic etc. Learn More

Winsor & Newton Calligraphy Inks

Starting at: £6.70

18 vibrant colours, lightfast, non-clogging and fully intermixable. Non-waterproof. Learn More

Faber-Castell Albrecht Durer Watercolour Pencils

Starting at: £2.80

120 lightfast colours with high covering power. Soft and water-soluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Learn More

Gemini Cork Handle Nib Holder

Starting at: £4.90

Gemini Cork Handle Nib Holder Learn More

Schmincke Liquid Charcoal 15 ml

Starting at: £11.35

Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More

Faber-Castell Polychromos Pencils

Starting at: £2.80

120 lightfast colours with high covering power. The particularly soft waterproof wax leads are smudge resistant but can be dissolved with turpentine. Learn More

Wooden Clutch Pencil Small

1 Review(s) | Add Your Review

Starting at: £19.06

Classic 5.5mm clutch pencil made from FSC certified beechwood. 10cm long. Available in natural wood or stained either black or mahogany. Supplied with HB graphite lead. Length 10cm. Learn More

Winsor & Newton Designers Gouache

Starting at: £7.10

Winsor & Newton Designers Gouache Learn More

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