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Clear Dewaxed Shellac

Starting at: £9.20

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

Casein Lactic

Starting at: £17.80

Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.

Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.

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Button Shellac

Starting at: £8.40

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

Lefranc Flashe 125 ml

Starting at: £13.95

Flashe vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More

da Vinci Series 1105 Short Handled Rigger

Starting at: £9.30

High quality Kolinsky Sable rigger with short handle. Learn More

Pro Arte Series 10 Signwriter

Starting at: £3.25

Long haired synthetic brush for signwriting. Good colour holding and spring. Square tip. Learn More

Pro Arte Series 103 Rigger

Starting at: £3.70

Long haired synthetic brush with good colour holding capacity and spring. Very fine point. Learn More

Lefranc Flashe 80 ml

Starting at: £10.30

Flashe vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More

Roberson Crystal Shellac Varnish

Starting at: £10.60

Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More

Omega Series 79 Al Fresco

Starting at: £15.30

Long grey bristle and string ferrule. Holds colour well for fresco painting. 100% pure hog hair. Learn More

Roberson Clear Shellac Varnish

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Starting at: £11.50

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More

Lemon Shellac

Starting at: £8.20

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

One Shot Lettering Enamel Paint

Starting at: £22.55

Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More

Omega Series 461 Red Silk Spalter

Starting at: £6.80

Omega Series 461 Red Silk Spalter For washes covering large areas. Learn More

Orange Shellac

Starting at: £8.00

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

Omega Series 463 Red Silk Spalter

Starting at: £21.60

Omega Series 463 Red Silk Spalter For washes covering large areas. Learn More

da Vinci Series 5519 Squirrel/Sable Liner

Starting at: £23.95

Unusual combination of squirrel body and red sable tip facilitating the painting of long continuous lines. Learn More

Omega Series 1067 Lily Varnish

Starting at: £21.10

Thick hog hair brush or varnishing or painting on a large scale. 100% pure hog bristles. Learn More

da Vinci Series 17 Liner

Starting at: £47.80

Sable reservoir and sable point. Learn More

Omega Series 1031 Spalter Varnish

Starting at: £19.40

Lily bristle brush for dragging or varnishing walls and large surfaces. 100% pure hog bristles. Learn More

Omega Series 55 Oval Varnish

Starting at: £22.20

Classic oval hog hair brush for varnish or enamel work. 100% pure hog hair. Learn More

Roberson Stipplers

Starting at: £26.00

Roberson Stipplers Use to produce a variety of painted effects. Apply with various pressure into wet glaze or paint reveal speckles of underlying colour, from fine freckles to soft mottling. Can be used to soften areas of colour by swirling the brush to distribute the paint evenly. Learn More

Gum Copal Manila

Starting at: £6.00

Gum Copal Manila is derived from the resin of a coniferous tree native to the Philippines. It is not to be confused with other copals, which are the product of fossilised plant materials. It can be dissolved in alcohol to make a spirit varnish, to be used as a substitute for shellac, or as a fixative for pastel and charcoal drawings. Please note, that when used as a fixative it may darken the colour of the image. Learn More

Stencil Brushes

Starting at: £3.70

Stencil brushes have stiff hog bristles, ideal for stippling colour through stencils. Stippling ensures the paint is less likely to creep underneath the stencil edge, giving the design a crisp but textured finish. Learn More

Ammonium Carbonate

Starting at: £9.70

Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More

Kolner Classic Caselo Casein Paint 250 ml

Starting at: £22.40

Casein-based paint for Gilders, Framers and Decorators. Adheres to most rigid surfaces including furniture, also used as a base coat when gilding on frames. Once dry can be burnished to a soft sheen. Water resistant & non fading. Matt / Satin finish. Learn More

Robersons Dragger 50 mm

£16.70

Roberson Dragger 50mm Stiff bristles create textured paint effects. Ideal for faux finishes and distressing surfaces in decorating projects. Learn More

Pro Arte Series 9 Liner

Starting at: £4.80

Extra long haired synthetic brush for signwriting or lining. Square tip. Learn More

Schmincke Flake White Hue (Kremser White Tone) 35 ml

£11.80

The lead-free alternative to the toxic original Kremser White. Instead of the toxic pigment Lead White this substitute contains a combination of Titanium White and Zinc White pigments. These pigments are ground in a pure, light safflower oil giving a slightly warm white tone to imitate Lead White. Warm, semi-opaque white tone Lead-free, no toxic ingredients Accelerates drying Improves flow Lower opacity than Titanium White Learn More

Roberson Flogger

Starting at: £23.80

Roberson Flogger Long whippy bristles produce a wood-grain effect when struck against the glaze. It is usual to drag the glaze with the shorter haired Dragger Brush before flogging. Learn More

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