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  1. Daler-Rowney Georgian Oil Colour 225 ml

    Daler-Rowney Georgian Oil Colour 225 ml

    Starting at: £15.50

    Georgian Oil colour offers artists high performance at an economical and uniform price across all colours in the range. All 55 colours have fine working qualities and a high degree of performance. Learn More
  2. da Vinci Series 5898 CASANEO Watercolour brush, flat

    da Vinci Series 5898 CASANEO Watercolour brush, flat

    Starting at: £8.50

    - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished esagonal handles - Particularly suitable for watercolour and fluid acrylic colour - Extraordinary elasticity and extremely high colour absorption capacity - For watercolour and wash Learn More
  3. Roberson Oil Primers

    Roberson Oil Primers

    Starting at: £31.70

    Roberson's Traditional Oil Primer is made in small batches using the highest quality materials. Can be used on canvas or wood. Two to three coats will produce a slippery surface to enable oil colour to be moved around. Canvas should be sized before oil primer is applied using Roberson's Prepared Rabin Skin Glue. Touch dry in approx. 6h. hard dry in 24h. Paint may set in tin, shake tin and stir well before use, dilute with white spirit if desired. Prior to painting , primed canvases should be kept in daylight conditions to prevent over yellowing. Clean brushes in White Spirit. Learn More
  4. Schmincke Primer 2 500 ml

    Schmincke Primer 2 500 ml

    £27.80

    Slightly Absorbent. Pure white, fine For oil, acrylic and gouache colours with slightly absorbent character. Learn More
  5. Dragon's Blood Powder

    Dragon's Blood Powder

    Starting at: £28.10

    Dragon's Blood is a natural, resin, mentioned by Pliny in his Natural History. It has a weak tinting strength, and its rich red-colour can be fugitive in direct sunlight. It is fully soluble in alcohol, and can be used to add a warm, transparent tone to spirit varnishes. Also available in lump form.

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  6. Cornelissen T52100 Professional Press

    Cornelissen T52100 Professional Press

    £3,701.10

    Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

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  7. Lascaux Tusche Wash 500ml

    Lascaux Tusche Wash 500ml

    £42.90

    This Tusche has handling qualities similar to ink and can be diluted to make gradated washes typical of stone lithography. By scratching into the dry marks, delicate non-printing lines can be created. Learn More
  8. Winsor & Newton Liquin Original

    Winsor & Newton Liquin Original

    Starting at: £9.85

    From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More
  9. Daniel Smith Watercolour Essentials Set

    Daniel Smith Watercolour Essentials Set

    £36.30

    The new set has six x 5ml transparent watercolours. The pigments were carefully selected to give you a wide range of colours and values. When mixed together the colours you can create are endless! The Essentials set contains Hansa Yellow Light, New Gamboge, Quinacridone Rose, Pyrrol Scarlet, Phthalo Blue GS, French Ultramarine in 5ml tubes. so you have both cool and warm Yellows, Reds and Blues. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  10. Fredrix Inkjet Canvas Pack

    Fredrix Inkjet Canvas Pack

    Starting at: £16.90

    Call to Order

    340GSM, A4, 10 Sheets, Poly-Cotton Blend. Learn More
  11. Winsor & Newton Drying Linseed Oil

    Winsor & Newton Drying Linseed Oil

    Starting at: £9.85

    From the Winsor & Newton website: Darker than refined Linseed Oil, this oil promotes the fastest drying rate of all the oils, whilst increasing gloss. Improves flow. Increases gloss transparency. Add to other oils to speed drying.

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  12. Roberson Matt Glaze Medium

    Roberson Matt Glaze Medium

    Starting at: £10.30

    Mix with tube oils or pigment to improve flow and translucency, resulting in a satin finish. Contains silica driers. May darken if cap is left off bottle; if this happens, replace the lid and leave overnight to restore the colour with no lasting ill effects.

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  13. Schmincke RAPID Medium

    Schmincke RAPID Medium

    Starting at: £11.40

    Accelerates drying. Learn More
  14. Brause Plakat Nibs

    Brause Plakat Nibs

    Starting at: £4.20

    Poster nib. Gold plated for large lettering. Learn More
  15. Cornelissen Kolinsky Sable Watercolour Filbert

    Cornelissen Kolinsky Sable Watercolour Filbert

    Starting at: £14.30

    High quality Kolinsky sable with good spring and pointing characteristics. Very useful for detailed work. Learn More
  16. Leather Regent Long Handle Brush Case

    Leather Regent Long Handle Brush Case

    Starting at: £103.10

    This sturdy brush case measures 39cm, which is long enough to hold a selection of oil-painting brushes. All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please ring our office if you would like to make a custom order of this product.

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  17. Roberson Matt Medium

    Roberson Matt Medium

    Starting at: £13.80

    Roberson's Matt Medium creates a dead-flat finish when mixed with oil colour. It aids the flow and increases the artist's control of oil paint, allowing for smooth application flat brush marks with low edges. It can be mixed with oil paint in any ratio. Learn More
  18. da Vinci Series 5527 COLINEO Watercolour brush, slanted

    da Vinci Series 5527 COLINEO Watercolour brush, slanted

    Starting at: £18.70

    COLINEO Watercolour brush, slanted edge, sword shape - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More
  19. French Chalk

    French Chalk

    Starting at: £5.50

    French Chalk is a term commonly used to describe talcum powder and is also known as talc. This grade is very fine magnesium silicate  It is sometimes used as a filler in pastels, to make soft sticks that produce velvety marks as it has a soapy like consistency.

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  20. Schmincke Mussini Medium 1

    Schmincke Mussini Medium 1

    Starting at: £11.40

    Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More
  21. Japanese Printmaking Paper

    Japanese Printmaking Paper

    Starting at: £5.40

    Call to Order

    Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More
  22. Cornelissen Canada Balsam

    Cornelissen Canada Balsam

    Starting at: £40.70

    Canada Balsam is an oleoresin, meaning that it is a mixture of essential oils and resin. It comes from the fir tree Abies balsamea, native to Canada and the eastern states of North America. It is notable for its pale colour, clarity and gloss, making it a useful ingredient in recipes for oil-painting mediums.

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  23. Miniature Table Presses

    Miniature Table Presses

    Starting at: £311.80

    Type of print: General Intaglio techniques and Monotype. Plate thickness needs to be no higher than 1mm. YTI18 - Width of roller 18cm, Upper roller diameter 35mm, Lower roller diameter 35mm. YTI26 - Width of roller 25cm, Upper roller diameter 35mm, Lower roller diameter 35mm **please note - blankets not included** Learn More
  24. Cornelissen Walnut Oil

    Cornelissen Walnut Oil

    Starting at: £8.50

    The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas. 

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  25. Schmincke Horadam Gouache

    Schmincke Horadam Gouache

    Starting at: £9.80

    Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet. 

    Schmincke recommends the following:

    "The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

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  26. Winsor & Newton Drawing Inks

    Winsor & Newton Drawing Inks

    Starting at: £5.20

    The Winsor & Newton Drawing Inks can be intermixed and diluted with distilled water. Not lightfast (except Black and White). All colours are transparent and water resistant once dry (except Gold & Silver). Learn More
  27. Gamblin Galkyd Lite Medium

    Gamblin Galkyd Lite Medium

    Starting at: £12.60

    Galkyd Light is produced by Gamblin. They write:

    "Galkyd Lite thins oil colours and increases transparency and gloss. When used in moderation with oil colours, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours."

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  28. Winsor & Newton Thickened Linseed Oil

    Winsor & Newton Thickened Linseed Oil

    Starting at: £9.85

    From the Winsor & Newton website: A pale refined oil of syrupy consistency which behaves like Linseed Stand Oil but dries quicker and darker. Improves flow and gloss. Increases the durability of paint film. Reduces brushstroke retention. Learn More
  29. Roberson PVA

    Roberson PVA

    Starting at: £12.60

    PVA mixes with pigments to make glossy acrylic colours or an easy colour wash for walls. Also suitable as an adhesive. Learn More
  30. Powdered Rosin

    Powdered Rosin

    Starting at: £13.90

    Rosin is the powdered form of colophony, which is a by-product of the distillation of turpentine. Its primary application is to create tonal areas on metal plates as an aquatint resist. It is also an additive in etching grounds, where it gives a hard surface to the otherwise soft wax. Learn More

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