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Fabriano Artistico Paper Extra White
Starting at: £46.10
A mould-made, acid-free 100% cotton watercolour paper with 2 deckle edges. Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop. Learn More -
STABILO CarbOthello Pencil Sharpener
£2.95The Stabilo CarbOthello Sharpener is a short cone sharpener with special blade especially designed for high quality coloured pencils like the Stabilo CarbOthello. The special blade will make sure that your pencil is correctly sharpened and won't split the chalk lead.
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da Vinci Maestro Kolinsky series 10
Starting at: £8.70
Made by hand with the highest quality Tobolsky Kolinsky sable, this comes to a very fine point retaining excellent spring characteristics. This is an outstanding series of brushes. Learn More -
Maimeri Restoration Colours
Starting at: £17.50
33 colours for restoration. Pigments, mastic resin and turpentine. Learn More -
da Vinci Series 2468 Wavy Mottler
Starting at: £20.80
Firm short bristled brush ideally for spreading uniformly white lead primer into the weave of sized canvas. Learn More -
Cornelissen Slim HB Pencil
£1.50L. Cornelissen & Son, own brand, slender, HB pencil. Ideal for sketching. Length 18cm Diameter 0.5cm Learn More -
Hahnemuhle Nostalgie Sketchbook
Starting at: £9.30
Thread-stitched for a solid binding, this sketchbook features 190gsm, natural white paper. The smooth surface allows for clearly defined hatchings and pen work, as well as beautiful gradients of colour. Suitable for the use of all dry painting techniques in addition to wet colours. This versatile paper is encased in a linen surfaced grey hardback cover, with a red ribbon page mark. Acid free. Learn More -
Lascaux Fixative
Starting at: £18.70
Clear, lightfast with excellent ageing properties. Can also be used as picture varnish and protective lacquer for gilded surfaces. Unable to send overseas. Learn More -
da Vinci Series 122 Nova Flat
Starting at: £3.85
Fine golden synthetic fibre. More springy than da Vinci Cosmotop Spin (but with lower water absorption) making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Cadmium Red Pigment
Starting at: £8.40
PR108
Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.
Larger quantities are available by request.
Limeproof
Toxicity: C
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Roberson Copperplate Reducing Oil
Starting at: £24.00
Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More -
Artist's Handbook
£30.00By Pip Seymour. The Artist’s Handbook provides artists with in-depth, practical information on the materials, equipment and skills necessary for all areas of artistic practice. Topics covered include advice on how to select appropriate art materials, including paints, brushes, canvases and drawing materials; techniques for making your own paints, glue, varnishes and paper; advice on how to achieve the best results from both manufactured and hand-made materials; the best methods of storing and preserving finished artworks, and health and safety precautions. 520 pages. Learn More -
Cornelissen 80 Pure Gold Leaf 24 ct
Starting at: £73.50
Pure Gold Leaf 24 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Roberson Liquid Metal 250ml
Starting at: £18.90
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More -
Roberson White Siccative
Starting at: £8.40
A strontium-based siccative, milder than cobalt driers. Add sparingly to oil colours to accelerate drying, particularly recommended for pale colours. Learn More -
Michael Harding Non Absorbent Acrylic Primer - Colours
Starting at: £21.20
Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More -
Winsor & Newton Griffin Alkyd Oil Colour
Starting at: £7.15
Artist quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin Alkyd range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Learn More -
Orpiment Pigment
Starting at: £12.75
PY39
Orpiment, also called King's Yellow, is a mineral pigment containing naturally occurring sulphide of arsenic. Its high toxicity, and the prevalence of cadmium pigments, means that it is largely obsolete outside the field of restoration. It works best bound in oil or egg tempera, but it is not reliably permanent. Larger quantities are available by request.
Toxicity D.PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Phthalo Green Pigment
Starting at: £8.10
Phthalo (Mona) Green Pigment (PG7). Organic pigment (Chlorinated Copper Phthalocyanine). Transparent. Very high tinting strength. Excellent Lightfastness. Medium to slow drying rate. Requires wetting agent. Suitable for all media. Developed in 1927. Toxicity B Learn More -
Caput Mortuum Pigment
Starting at: £4.50
Caput Mortuum is a transparent, lightfast pigment that is stable in all media. Colours described as Caput Mortuum can vary greatly; our pigment is a soft purple-brown, made from a mixture of natural iron oxides. It is believed that Caput Mortuum has its roots in ancient Egypt, when colour was derived from remains that had been embalmed in asphaltum.
Toxicity B
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Cornelissen 85 Pure Gold Leaf Extra Thick 24 ct
Starting at: £79.80
Pure Gold Leaf 24 ct, Extra Thick. 85 x 85 mm. Book of 25 leaves. Coverage per book is 0.18 m2 (1.97 sq. feet) Learn More -
Roberson Prouts Brown Ink
Starting at: £6.40
Non waterproof, The ink can be used in all types of pens. Learn More -
Instacoll Gilding System
Starting at: £6.85
Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More -
Raw Umber Greenish Pigment
Starting at: £4.80
PBr7
Raw Umber Greenish is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.
Toxicity: B
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Carnauba Wax Yellow
Starting at: £6.50
Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More -
Aluminium Coating Trough 18" with ends
£31.00Coating Trough, used to coat screens with Photographic Emulsion. Shaped to allow the weight of the coating trough to be supported by the thumb, the palm and all four fingers for a steady and even coat. Features a dual sided coating edge for either a sharp edge thin coat for higher mesh counts, or a rounded dull edge for coating lower mesh count screens. Learn More -
Michael Harding Oil Paint Medium PM1
Starting at: £9.95
PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.
Recommendation: Add 10-20% to your oil colour as you require.
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Möbius & Ruppert Triple Metal Sharpener
£4.25Metal sharpener for graphite pencils. Three different blades for shaping different points. Up to 11mm barrel. Learn More -
Carmine Red Genuine Pigment
Starting at: £10.00
NR4
Carmine has been used as a dye and pigment since antiquity. Originally derived from the kermes insect, it was replaced by cochineal following the discovery of the Americas. It has a good tinting strength and is very transparent, although it is fugitive to light.
Larger quantities are available by request.
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