Search results for: 'yellow'

Roberson Extra Fine Retouching Varnish

Starting at: £8.60

Synthetic, Polaroid B67 retouching varnish made as an alternative to natural resin, Damar retouching varnish. superior non-yellowing characteristics. Less readily absorbed into painted surface and less susceptible sinking. Dries quickly to a breathable, uniform, gloss finish. Learn More

Michael Harding Oil Paint Medium PM1

Starting at: £9.95

PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.

Recommendation: Add 10-20% to your oil colour as you require.

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Roberson Water Gold Size 15 ml

£12.90

Traditional size for illumination. Made with natural gums. Yellow colour. Learn More

Schmincke Acrylic Varnish, Gloss 200 ml

£21.20

Synthetic resin varnish Learn More

Schmincke Universal Varnish, Neutral, 300 ml

£17.80

Synthetic resin varnish with UV- protection Learn More

Roberson Poppy Oil

Starting at: £10.60

Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.

Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

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Schmincke Horadam Retro Watercolour Set, 8 x Half Pans, Enamelled Metal Box

£59.00

Schmincke Horadam Retro Artists Watercolour Set in a traditional, heavier weight, enamelled mini-watercolour box. 8 half pans: Chrome Yellow Hue Lemon, Vermillion, Ultramarine Finest, Viridian, Yellow Raw Ochre, Raw Umber, English Venetian Red and Schmincke Paynes Grey. 8.5 x 6.5 x 2 cm Learn More

Winsor & Newton Calligraphy Inks

Starting at: £6.70

18 vibrant colours, lightfast, non-clogging and fully intermixable. Non-waterproof. Learn More

Pastel Fixative Aerospray 150 ml

Regular Price: £10.80

Special Price £7.00

Spray can Learn More

Winsor & Newton Art Painting Medium

Starting at: £9.70

From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing.

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ArtGraf Traditional Tailor Shape Colours

Starting at: £7.60

Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, choice of 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black. Learn More

Schmincke Acrylic Varnish, Matt 200 ml

£21.20

Synthetic resin varnish Learn More

Schmincke Universal Varnish, Matt, 300 ml

£17.80

Synthetic resin varnish with UV- protection Learn More

Schmincke Acrylic Binder 200 ml

£17.80

For satin-matt acrylic colours. Ready to use. Learn More

Schmincke Fixatives

Starting at: £7.00

Schmincke Fixatives. Unable to send overseas. Learn More

Roberson Damar Varnish Low Gloss

Starting at: £9.30

Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Non-yellowing. Removable with turpentine or white spirit. Unable to send overseas. Learn More

Indian Red Pigment

Starting at: £4.60

PR101

Indian Red was imported into the UK during the nineteenth century, its present-day equivalent is a synthetic iron oxide. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns; Indian Red is a slightly cool, bluish shade of red. It is semi-opaque, stable in all media, lightfast, and possesses a good tinting strength

Toxicity: B

Limeproof

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Schmincke Horadam Naturals

Starting at: £13.00

Schmincke have combined the unique properties of gouache and watercolour paint in a unique formulation, to create Horadam Naturals. Made using natural earths, plant-based pigments and resins, the resulting high-quality watercolours are environmentally friendly and vegan. The 16 matte colours are semi-/transparent with good lightfastness and can be mixed and combined with all water and gouache colours. Learn More

Roberson Improved Gold Body 15 ml

£12.30

Raising preparation for illumination. Yellow colour. Learn More

Aluminium Ready Stretched Screen

Starting at: £39.00

Pre-stretched aluminium screens. Our screens use the highest quality monofilament polyester mesh and are available in 43T (for fabric), 90T (for paper) and 120T (for finest detail on paper). The mesh appears in different colours, white is for fabric and yellow is for the higher mesh counts, the colour this makes registering with stencils underneath the screen easier. The screen is made of quality aluminium with a profile of 20mm x 30mm x 1.2mm thick. Learn More

Winsor & Newton Retouching Varnish

Starting at: £9.70

Ketone resin/white spirit. White liquid dries to non-yellowing glossy film. Learn More

Mars Violet Pigment

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Starting at: £4.50

PR101

Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.

Toxicity: B

Limeproof

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Winsor & Newton Liquin Light Gel

Starting at: £9.85

From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More

Cadmium Green Pigment

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Starting at: £4.50

Cadmium Green is an artificial mineral pigment, a mixture of Cobalt and Cadmium Yellow. It is an opaque, lightfast, slow-drying pigment with a high tinting strength.

Toxicity C

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Roberson Satin Picture Varnish

Starting at: £9.10

Ketone resin/standoil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming. Unable to send overseas. Learn More

Schmincke Oil Binder 200 ml

£17.80

For impasto oil paints Learn More

Schmincke Liquid Frisket

Starting at: £5.60

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More

Bleached Beeswax

Starting at: £12.30

Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

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Roberson Acrylic Gesso Primer White

Starting at: £21.60

Fast drying, flexible and non yellowing white ground for oil, acrylic and tempera. Gives a matt, absorbent surface which may be sanded smooth once dry. Learn More

Mars Red Pigment

1 Review(s) | Add Your Review

Starting at: £4.50

PR101

Mars Red is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil.

Toxicity: B

Limeproof

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Search results for 'yellow'