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Chinese Brush, White Cloud, Bristle and Goat Hair, Large

£9.90

Extra strength, 'White Cloud' brush. A versatile brush for painting and calligraphy. 4 cm brush head. Learn More

Cornelissen Variegated Metal Leaf 260

Starting at: £23.00

Cornelissen Variegated Metal Leaf 260 Learn More

Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

£10.50

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.

Not suitable for fountain pens. Learn More

Maimeri Retouching Varnish Aerosol

Starting at: £14.95

Aerosol varnish for oil or acrylic paintings. For use as temporary varnish for paintings less than 6 months old. Unable to send overseas. Learn More

Twisted Double Scraper No 47

£16.70

Twisted Double Scraper #47 Learn More

Edible Gold Leaf Loose

£56.00 As low as: £50.40

Cornelissen Edible Gold Leaf 85 23 carat Book of 25 Loose Learn More

Quinacridone Red Pigment

Starting at: £5.50

Quinacridone Red Pigment (PV19). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

Cornelissen Historical Inks, China Blue

£6.50

Formulated from the same dye that was used to colour blue and white china, this ink is a deep, rich blue. Used at full opacity, it is a blue-black, and dilutes down to wonderful cold blue washes. As it is dye-based, it is not fully lightfast. Learn More

Chinese Brush, Arctic Hare and Goat Hair

£12.50

Small, mixed hair brush. Ideal for watercolour painting and loose calligraphy. Learn More

Cornelissen Variegated Metal Leaf 217

Starting at: £17.00

Cornelissen Variegated Metal Leaf 217 Learn More

Cornelissen Historical Inks, Walnut

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Starting at: £9.00

Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

Not Suitable for fountain pens. Learn More

Maimeri Retouching Varnish for Restoration 75 ml

£8.80

Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow (Ketonic resin 22% and White Spirit). Learn More

Original Left-Handed

£2.70

Single block shaped light metal sharpener for left handed users. With 1 spare blade. Learn More

Twisted Double Point

£11.60

Double needle for etching. Learn More

Chinese Gold 24 ct

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Starting at: £39.50

Chinese Gold 24 ct Learn More

Triangular Handle Nib Holder

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£3.50

Triangular Handle Nib Holder, multi-purpose holder suitable for slightly larger nibs Learn More

Maimeri Final Varnish for Restoration 75 ml

£8.80

Reversible - for conservation use only. Learn More

Cornelissen Variegated Metal Leaf 280

Starting at: £26.00

Cornelissen Variegated Metal Leaf 280 Learn More

Cornelissen Walnut Oil

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Starting at: £8.20

The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.

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Cornelissen Historical Inks, Turquoise

£6.50

This turquoise ink is a beautiful, transparent, deep blue-green. It can be layered for deeper shades; when used at full opacity it is a deep viridian green, and when diluted with water it reveals a marked blue undertone. Made from a blend of botanical dyes, this ink is not fully lightfast.

Not suitable for fountain pens. Learn More

Cornelissen Lemon Oil

Starting at: £12.30

Lemon oil is an essential oil, primarily used for its scent. Learn More

Triangular Solid Scraper

Starting at: £14.00

Solid scraper used to make corrections to intaglio plates. Learn More

Fabriano Pittura Paper

Starting at: £2.65

400GSM, Woodfree, Acid Free, Natural Grain Surface, High White, Tub and Surface Sized. Learn More

Cranfield (Spectrum) Linseed Oil Paste

Starting at: £24.65

Call to Order

From the Cranfield website:

An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

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da Vinci Series 5025 Impasto Mottler

Starting at: £10.50

Extra strong white synthetic bristles, short lenght short blue polished handle, rust proof steel ferrule. Learn More

Factis Erasers

Starting at: £0.80

Factis erasers are safe, harmless and non-toxic. They do not contain phthalates (which are used as plasticizers in certain industrial processes), heavy metals or aromatic additives. Learn More

Schmincke Transparent Primer 50516

£24.40

Transparent, lightfast and age-resistant primer. Slightly absorbent character and slightly rough surface. The elastic film dries transparent and water-resistant. After drying it can be overworked with pastels, acrylic, gouache and oil colours. However, this primer does not adhere perfectly on other primers so it is not recommended for mixing techniques with water-colours. Learn More

da Vinci Series 5519 Squirrel/Sable Liner

Starting at: £23.95

Unusual combination of squirrel body and red sable tip facilitating the painting of long continuous lines. Learn More

Tissue Paper

Starting at: £0.07

Call to Order

Tissue Paper. White, acid free. Pack quantity 500 sheets. Learn More

Gamblin Etching Inks 300ml

Starting at: £20.90

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Learn More

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