Search results for 'DE'
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da Vinci Brush Sleeves
£5.20Brush sleeves are the perfect sundry item to help keep your brushes in perfect condition. Simply pull the sleeve up from from the base of the base of the brush and slide over the brush fibres. Two different sizes are included to accommodate a range of brush shapes. Keep sleeves clean for best protection and longevity. Learn More
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Carnauba Wax Yellow
Starting at: £6.50
Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More -
Roberson Mastic Varnish Extra Thin
Starting at: £18.50
Roberson Mastic Varnish Extra Thin. Unable to send overseas. Learn More -
Gamblin Solvent-Free Fluid Medium
Starting at: £12.60
Gamblin Solvent-Free Fluid is an oil painting medium created by the American company Gamblin. They write:
"Gamblin Solvent-Free Fluid painting medium gives oil colours more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colours – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid."
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Michael Harding Non Absorbent Acrylic Primer White
Starting at: £21.20
Apply 2 coats. First coat may be applied 25% diluted with water to increase flow and coverage if required. Apply second coat once first coat is touch dry (approx.. 1 hour). This product may be applied to: linen, wood, MDF and other supports to produce a strong, flexible, permanent, highly pigmented white ground. Suitable for as a ground for both acrylic and oil paint. May even be applied over inexpensive standard primed canvases to render them non absorbent! Do not apply over rabbit skin / hide glue or to unsound supports such as cardboard and flimsy supports! Learn More -
Rohrer and Klingner Writing Ink 50ml
Starting at: £6.40
Writing Ink (series 40). Dye based inks suitable for fountain pens and many other calligraphy tools. Not waterproof or lightfast. The range of 18 shades includes two Iron Gall inks modified from a traditional recipe to be suitable for fountain pens. The Iron Gall inks are lightfast, deepen in colour with oxidisation over time and are permanent. All colours, with the exception of Sepia, are intermixable. Learn More -
Schmincke Mussini Medium 1
Starting at: £10.80
Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More -
Cornelissen Universal Lacquer
Starting at: £14.40
Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More
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Pro Arte Series 203 Rigger Acrylix
Starting at: £4.25
Combines the strenghts of the series 202 with long hair to provide long accurate lines in all media. Learn More -
Cadmium Red Pigment
Starting at: £8.40
PR108
Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.
Larger quantities are available by request.
Limeproof
Toxicity: C
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Schmincke Horadam Retro Watercolour, Cochineal Red, 15 ml Tube
£15.00Schmincke Horadam Retro Watercolour, Cochineal Red, 15 ml Tube Learn More -
Schmincke Medium L
Starting at: £9.30
Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More -
da Vinci Series 422 COLINEO Watercolour brush, fan brush
Starting at: £9.60
COLINEO Fan brush - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption. - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More -
Roberson Cobalt Siccative
Starting at: £7.70
A cobalt drier in white spirit, to be added sparingly to oil colours to accelerate drying. Learn More -
Schmincke Soft Pastels
Starting at: £4.10
Working with Schmincke’s finest extra-soft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery. Multiple Discounts: 10+ Pastels 10% SAVING, 30+ Pastels 16% SAVING Learn More -
Daler-Rowney Artists Watercolour 15ml Tube
Starting at: £15.00
Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More -
Instacoll Gilding System
Starting at: £6.85
Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More -
Ultramarine PB29 Pigment
Starting at: £9.10
PB29
Ultramarine Blue is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity: B/C
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Titanium White Pigment
Starting at: £4.00
Titanium White, or Titanium Doixide, is an artificial mineral pigment introduced in the 1920s. It is valued for its opacity, good lightfastness, and stability in all media. Its high tinting strength can render it a dominant colour in mixtures. It is very slow drying in oil, and creates a somewhat brittle paint film, though more flexible than Zinc White. Its brightness makes it a popular addition to gesso.
Toxicity: B
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Unison Pastels Mini Set, Drawing Half Stick 8
£16.45This set resembles a much-loved set from Unison Colour history which was then referred to as Chiaroscuro. A selection of light and shade colours for tonal drawing to encourage a sense of depth and dimension.
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Charbonnel Oil Gold Size 12 hour
Starting at: £14.35
High quality oil based gold size. Well known for it's predictability and length of it's open period. Tacky in 12 hours, remains open for 20 hours.SHIPPING Please note, we are not able to send this product outside the UK.
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Liquid Leaf Brush Bath Thinner and Cleaner
Starting at: £9.90
Brush Bath is a paint thinner and solvent especially formulated for the thinning or cleaning of Liquid Leaf. For spray application, use 15-20% Brush Bath with Liquid Leaf. For cleaning, apply to a soft cloth and wipe affected area. For thinning, mix a small amount of Brush Bath with Liquid Leaf, stirring or shaking container until desired consitency. To clean brushes, pour Brush Bath into a small container and let brushes soak.
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Gamblin Oil Colours 37ml
Starting at: £11.20
*Only available online*. Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Cornelissen Imitation Gold No 2.5
Starting at: £7.40
Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More -
Cornelissen T52100 Professional Press
£3,250.00Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.
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Fabriano Venezia Sketchbooks
Starting at: £12.60
200GSM, 48 Sheets, 100% Woodfree, Surface Sized, Acid Free, Fabriano Accademia 200GSM Paper. Learn More -
Cornelissen Aluminium Leaf
Starting at: £7.40
Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More -
Winsor & Newton Picture Varnish Aerosol
Starting at: £19.15
Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers. Unable to send overseas. Learn More -
Mars Yellow Pigment
Starting at: £4.50
PY42
Mars Yellow is an artificial mineral pigment, a synthetic iron oxide. Mars colours in general replace many natural earth colours to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil, creating a strong, flexible paint film.
Toxicity: B
Limeproof
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Cornelissen Cotton Tote Bags
Starting at: £3.00
Cornelissen cotton tote bags, two designs. Large 34 x 47 cm. (Images no. 1 and 2, with illustration) Medium 34 x 36 cm. (Image no. 3, text only) Learn More
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