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  1. Cadmium Red Pigment

    Cadmium Red Pigment

    Starting at: £8.40

    PR108

    Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  2. Schmincke AQUA Watercolour Ground, Coarse

    Schmincke AQUA Watercolour Ground, Coarse

    Starting at: £16.50

    White, lightfast and age-resistant, ideal for structures with coarse surfaces. Learn More
  3. Liquitex Acrylic Modeling Paste Medium

    Liquitex Acrylic Modeling Paste Medium

    Starting at: £21.60

    Creates dense texture which can be sanded or carved. Also available in Flexible or Light consistencies. Learn More
  4. Cornelissen Canada Balsam

    Cornelissen Canada Balsam

    Starting at: £39.10

    Canada Balsam is an oleoresin, meaning that it is a mixture of essential oils and resin. It comes from the fir tree Abies balsamea, native to Canada and the eastern states of North America. It is notable for its pale colour, clarity and gloss, making it a useful ingredient in recipes for oil-painting mediums.

    Learn More
  5. Cornelissen Historical Inks, Turquoise

    Cornelissen Historical Inks, Turquoise

    £6.50

    This turquoise ink is a beautiful, transparent, deep blue-green. It can be layered for deeper shades; when used at full opacity it is a deep viridian green, and when diluted with water it reveals a marked blue undertone. Made from a blend of botanical dyes, this ink is not fully lightfast.

    Not suitable for fountain pens. Learn More
  6. Terre Verte Pigment

    Terre Verte Pigment

    Starting at: £4.00

    Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
    Toxicity B Learn More

  7. Michael Harding Watercolour 15 ml Tube

    Michael Harding Watercolour 15 ml Tube

    Starting at: £13.60

    Michael Harding's new range of Professional Watercolours are formulated with the highest pigment concentration possible. A comprehensive range of 136 colours, including historical colours such as Lapis Lazuli and Rose Madder. These watercolours have impressive colour strength, vibrance, clarity, and longevity. Learn More
  8. Cadmium Yellow Lemon Pigment

    Cadmium Yellow Lemon Pigment

    Starting at: £4.50

    Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C

    Learn More
  9. Roberson Extra Fine Retouching Varnish

    Roberson Extra Fine Retouching Varnish

    Starting at: £8.40

    Synthetic, Polaroid B67 retouching varnish made as an alternative to natural resin, Damar retouching varnish. superior non-yellowing characteristics. Less readily absorbed into painted surface and less susceptible sinking. Dries quickly to a breathable, uniform, gloss finish. Learn More
  10. Ultramarine Blue Limewash Pigment

    Ultramarine Blue Limewash Pigment

    Starting at: £7.50

    PB29

    Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

    Learn More
  11. Pentel Aquash Empty Brush Pen

    Pentel Aquash Empty Brush Pen

    Starting at: £8.05

    Fill with non-waterproof ink of your choice or fill with water for watercolour trips. Available in Fine, Medium and Broad tips. Learn More
  12. Lyons Single-Row Roulette Wheels

    Lyons Single-Row Roulette Wheels

    £46.00

    Made of high-carbon tool-steel, Lyons roulettes produce regular line or dot patterns on metal plates. The 85-line, single-row tool is ideal for adding fine details and retouching. Total length: 12.5 cm. Learn More
  13. Unison Pastels Mini Set, Red/ Orange Half Stick 8

    Unison Pastels Mini Set, Red/ Orange Half Stick 8

    £16.45

    A varied collection of flame oranges, golden yellows, and vibrant reds. A useful add on for a more floral landscape or sunsets.

    Learn More
  14. Daniel Smith Watercolour Ground Transparent 4oz

    Daniel Smith Watercolour Ground Transparent 4oz

    £10.30

    Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  15. Branded Cross Bars

    Branded Cross Bars

    Starting at: £1.90

    These are useful for bracing a larger frame, and are necessary when one of the dimensions is over 36 inches. Cross bars are notched for overlap from 36 inches, either at the front or back. Please specify which bar arrangement you need. Supplied with wedges. *Please note - prices are for individual bars* Learn More
  16. Roberson Artists' Oil Colour 225 ml

    Roberson Artists' Oil Colour 225 ml

    Starting at: £38.60

    Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

    Available in 40ml and 225ml tubes

    Learn More
  17. Schmincke Drying Accelerator for Oils

    Schmincke Drying Accelerator for Oils

    Starting at: £8.55

    From the Schmincke website:

    Jelly-like medium for accelerating the drying of oil colours. Preserves consistency and degree of gloss. Dosage: 10% to 30% maximum. Contains: Siccative, stand oil, resin solution, mineral spirit.

    Learn More
  18. Burnt Umber Pigment

    Burnt Umber Pigment

    Starting at: £4.00

    PBr7

    Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.

    Toxicity: B

    Learn More
  19. Schmincke Akademie Acrylic 500ml

    Schmincke Akademie Acrylic 500ml

    Starting at: £17.20

    Schmincke Akademie Acrylic 500ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  20. da Vinci Series 1222 COLINEO Watercolour brush, rigger

    da Vinci Series 1222 COLINEO Watercolour brush, rigger

    Starting at: £4.80

    COLINEO Rigger, medium length, sharp needle point. - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption so-called silver ferrule - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More
  21. Michael Harding Oil Paint Medium PM1

    Michael Harding Oil Paint Medium PM1

    Starting at: £9.95

    PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.

    Recommendation: Add 10-20% to your oil colour as you require.

    Learn More
  22. Hahnemuhle Etching Paper

    Hahnemuhle Etching Paper

    Starting at: £4.55

    300GSM, 53cm x 78cm, Mould Made, Natural White Shade, Alpha Cellulose, Acid Free, Soft Sized, Watermarked, 3 Deckle Edges, Textured Surface, 25 Sheets. Learn More
  23. Michael Harding Watercolours, Primary Set, 6 x 15ml tubes

    Michael Harding Watercolours, Primary Set, 6 x 15ml tubes

    Starting at: £78.00

    Michael Harding Watercolours, Primary Set, 6 x 15ml tubes, including: Chinese White, Yellow Lake, Scarlet Lake, Phthalocyanine Blue Lake, Burnt Sienna, and Raw Umber. Learn More
  24. Roberson Straw Hat Varnish

    Roberson Straw Hat Varnish

    Starting at: £37.50

    Varnish (Black Dark) Meths based quick drying stopping out varnish, two coats may be needed for a good acid resist. Learn More
  25. Border stroke, No.7 Automatic pen, made in England.

    Automatic Border Stroke Pens

    Starting at: £19.50

    Square cut pens with smooth action and large ink reservoir. Ideal for creating double edged borders around book covers, artwork or picture mounts. Learn More
  26. Swann Morton Scalpel Handle No4

    Swann Morton Scalpel Handle No4

    £8.60

    Stainless steel handle No 4 compatible with Blade shapes 22, 23, 25 and 26 Learn More
  27. Coated Metalpoint Paper

    Coated Metalpoint Paper

    Starting at: £8.60

    Coated paper for silverpoint and metalpoint drawing. A4 and A5 sheets available in 140gsm and 250gsm. (*Please note - this paper is not archival*) Learn More
  28. Rabone Precision Steel Ruler

    Rabone Precision Steel Ruler

    Starting at: £15.25

    Metric graduations conform to BS 4372 accuracy requirements. Antiglare satin chrome with etched figures and graduations. Learn More
  29. Schmincke Aero Metallic

    Schmincke Aero Metallic

    Starting at: £10.95

    For highlights and special effects. High pigmentation, lightfast, can be diluted with water. For use with brushes, fountain pens and dip pens on acrylic and watercolour paper, primed canvas, textured substrates, wood and cardboard. Learn More
  30. Schmincke Mussini Medium 1

    Schmincke Mussini Medium 1

    Starting at: £10.80

    Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More

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