Search results for 'de 1'
-
Schmincke Wooden Boxed Set of 100 pastels
Starting at: £433.60
Schmincke Wooden Boxed Set of 100 pastels Learn More -
-
-
-
Squat & Powder Jars
Starting at: £0.75
Squat and Powder Jars in glass and plastic. *Please note, our glass jars are fragile, although they are packed very carefully we cannot guarantee they will arrive safely. Cases of jars are stored offsite, please allow extra time for your order to be processed and dispatched. Learn More -
Translucent Red Oxide Pigment
Starting at: £9.80
Translucent Red Oxide (PR101). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More -
Terre Verte Pigment
Starting at: £4.00
Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
Toxicity B Learn More -
Translucent Orange Oxide Pigment
Starting at: £13.00
Translucent Orange Oxide (PR101). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More -
Ivory Black Pigment
Starting at: £4.50
Ivory Black is a natural pigment of impure carbon, derived from charred animal bones. It is semi-transparent, very lightfast, and offers good tinting strength. It is a particularly slow-drying pigment, which forms a soft, rather brittle paint film in oil.
Compared to other blacks, such as Vine Black, Ivory Black possesses warmer, brownish undertones. It should not be used at full-strength in an underpainting, as subsequent layers are likely to crack. Otherwise, it is a very useful all-purpose black for many types of paint, excluding mortar, fresco or cement.
Toxicity: B
Learn More -
Red Ochre Pigment
Starting at: £4.00
PR101
Red Ochre is a synthetic iron oxide pigment which provides the same level of semi-opacity that is associated with natural ochres. It has a good tinting strength and is stable in all media, including lime mortar.
Toxicity B
Learn More -
Winsor & Newton Cotman Student Set 14 Half Pans
Starting at: £37.80
Call to Order
Winsor & Newton Cotman Student Set 14 Half Pans Learn More -
Winsor & Newton Designers Gouache Sets
Starting at: £38.50
Winsor & Newton Designers Gouache Sets Learn More -
Burnt Umber Pigment
Starting at: £4.00
PBr7
Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.
Toxicity: B
Learn More -
Burnt Sienna Pigment
Starting at: £4.00
PBr7
Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders.
Toxicity B
Learn More -
William Mitchell Script Pen, 10 Assorted Nibs and Pen Holder
£18.80William Mitchell Script Pen Set of 10 Learn More -
Schmincke AQUA Modeling Paste Medium
Starting at: £11.85
Allows 3-D and structural effects. Apply with palette knife. Fine or Coarse texture. Learn More -
Cornelissen Series 1 Kolinsky Sable Watercolour Brush
Starting at: £11.10
Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More -
Raw Umber Pigment
Starting at: £4.00
PBr7
Raw Umber is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.
Toxicity: B
Learn More -
Winsor & Newton Cotman Student Set 12 Half Pans
Starting at: £28.40
Winsor & Newton Cotman Student Set 12 Half Pans **SPECIAL PRICE** Learn More -
Raw Sienna Pigment
Starting at: £4.00
PBr7
Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity: B
Learn More -
Roberson Clear Shellac Varnish
Starting at: £11.50
Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More -
Two Rivers Handmade Papers
Starting at: £70.80
Hand made in Somerset. Cotton and flax blend, acid free. Not surface. 410 gsm. Sold in packs of 5 sheets. Learn More -
Automatic Border Stroke Pens
Starting at: £19.50
Square cut pens with smooth action and large ink reservoir. Ideal for creating double edged borders around book covers, artwork or picture mounts. Learn More -
Fabriano Accademia Paper
Starting at: £29.40
Cartridge paper with a slight texture. 200gsm, woodfree, surface sized and acid free. Pack quantity 100 sheets. Learn More -
Zinc White Pigment
Starting at: £4.00
Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.
Toxicity: B
Learn More -
Schmincke Pastels Set, 15 Assorted Half Sticks, 1 Extra Large Stick
Starting at: £37.85
Set of 15 Assorted Half Sticks, 1 Extra Large Stick in a Cardboard Box Learn More -
da Vinci Series 1200 Sable Rigger
Starting at: £9.40
Made from pure Kolinsky sable hair to give added control and spring when painting long lines. Learn More -
Oriental Blue Pigment
Starting at: £5.40
Oriental Blue Pigment (PB29). Inorganic pigment consisting kaolin, soda ash, sulfides and coal. Semi-transparent. High tinting strength. Excellent Lightfastness. Medium to slow drying rate. Suitable in all media except Lime-fresco. Used since early 19th Century. Toxicity B Learn More -
Raw Umber Greenish Pigment
Starting at: £4.80
PBr7
Raw Umber Greenish is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.
Toxicity: B
Learn More -
Azure Blue Pigment
Starting at: £12.00
Azure Blue Pigment (PB28). Inorganic pigment made from various aluminium, zinc and cobalt compounds. Semi-opaque. Weak tinting strength. Excellent Lightfastness.
Toxicity: C
Limeproof
Learn More
Shopping Options
- Category
-
- Pigments, Gums, Resins (150)
- Oils, Acrylics (137)
- Canvas, Supports (20)
- Watercolour, Gouache, Egg Tempera (70)
- Pastels (30)
- Drawing, Calligraphy (133)
- Gilding, Restoration (106)
- Printmaking (113)
- Brushes (68)
- Paper (61)
- Studio, Books (61)
- Signwriting, Specialist Decorating (40)
- Gift Vouchers (1)
- Price
-
- £0.00 - £999.99 (865)
- £1,000.00 - £1,999.99 (2)
- £2,000.00 - £2,999.99 (3)
- £3,000.00 and above (2)
- Manufacturer
-
- Arches Aquarelle (5)
- ArtGraf (5)
- Automatic Pens (3)
- Bockingford (5)
- Brause (4)
- Canson (5)
- Charbonnel (10)
- Cornelissen (298)
- Cranfield (4)
- Creta (4)
- Da Vinci (19)
- Daler-Rowney (13)
- Daniel Smith (6)
- Daylight (1)
- e+m (11)
- Ecobra (2)
- Faber-Castell (8)
- Fabriano (15)
- Gamblin (16)
- Gillot (4)
- Golden (8)
- Hahnemuhle (5)
- Khadi (6)
- Kölner (4)
- Korns (1)
- Lascaux (13)
- Lefranc et Bourgeois (2)
- Leonardt (3)
- Liquitex (9)
- London Pigment (9)
- Maimeri (3)
- Michael Harding (15)
- Milliput (1)
- Mitchell (10)
- Omega (11)
- Pelikan (1)
- Pentel (1)
- Pfeil (4)
- Pilot (1)
- Pro Arte (6)
- Raphael (1)
- Rembrandt (1)
- Renaissance Workshop Materials (6)
- Roberson (82)
- Rohrer and Klingner (16)
- Saunders Waterford (3)
- Schmincke (97)
- Sinopia (1)
- Snowdon (1)
- Somerset (2)
- Spectrum (3)
- Stabilo (5)
- Staedtler (5)
- Unison (2)
- Winsor&Newton (23)
- Factis (1)
- Swann Morton (2)
- Talens (3)
- Sennelier (17)
You have no items in your shopping basket.
- Search Brands
-