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Sennelier 12 Iridescent Oil Pastels
Starting at: £28.50
Sennelier 12 Iridescent Oil Pastels Learn More -
Branded Stretcher Bars
Starting at: £2.15
Branded Stretcher Bars. High quality range of canvas stretcher frames made from laminated pine to minimise warping. All bars have a 1/4 inch lip to raise the canvas away from the wood. Mortised to take cross-bars from 36 inches. Supplied with wedges. *Please note - prices are for individual bars* Learn More -
Omega Series 1067 Lily Varnish
Starting at: £21.10
Thick hog hair brush or varnishing or painting on a large scale. 100% pure hog bristles. Learn More -
Japanese Gold & Precious Metal Powder
Starting at: £25.00
Premium quality, extra fine genuine gold precious metal powders handcrafted in Japan by experienced craftsmen, all 1 gram in weight. By crushing gold leaves finely and mixing them with melted glue, a paste is obtained, broken into pieces and transformed into powder, called « Kindei » Gold Powder. First, the 0,2 micron gold leaves are crushed into 3 microns pieces. Afterwards, the glue is washed out with water and dried. The powder obtained is as smooth and fine as flour.
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Branded Cross Bars
Starting at: £1.90
These are useful for bracing a larger frame, and are necessary when one of the dimensions is over 36 inches. Cross bars are notched for overlap from 36 inches, either at the front or back. Please specify which bar arrangement you need. Supplied with wedges. *Please note - prices are for individual bars* Learn More -
Omega Series 55 Oval Varnish
Starting at: £22.20
Classic oval hog hair brush for varnish or enamel work. 100% pure hog hair. Learn More -
Cornelissen Gold Powder 1 g Blanc
£75.00Cornelissen Gold Powder 1 gram Blanc. *While stocks last. Learn More -
Chromium Oxide Pigment
Starting at: £4.50
Chromium Oxide is a synthetic mixed-metal oxide pigment. It is stable in all media and has an average drying speed in oil, forming a hard, fairly flexible paint film. It is opaque, with a low tinting strength. It has been widely available since the mid-nineteenth century, following its introduction in 1809.
Please note, unfortunately we are not able to send this product outside the UK.
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Cornelissen Gold Powder 1 g Palladium
£115.00Cornelissen Gold Powder 1 gram Palladium. *While stocks last. Learn More -
German Gold Powder 1 gram
Starting at: £47.00
Handcrafted, extra fine, genuine precious metal powders in a range of shades, all 1 gram in weight. These powders are produced using thin gold, silver and other precious metal leaf. A complex, manual process is undertaken to achieve the extremely fine-grained particle size of this extra fine powder.
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Cornelissen Gold Powder 1 g Gris 9.6 Carat
£87.00Cornelissen Gold Powder 1 gram Gris. *While stocks last. Learn More -
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Squat & Powder Jars
Starting at: £0.75
Squat and Powder Jars in glass and plastic. *Please note, our glass jars are fragile, although they are packed very carefully we cannot guarantee they will arrive safely. Cases of jars are stored offsite, please allow extra time for your order to be processed and dispatched. Learn More -
Gillott Nibs
Starting at: £1.50
The automatic choice for pen and ink sketching, mapping, engraving, extra fine writing and general drawing. Made from the finest quality Sheffield steel, hand finished for top performance. Learn More -
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Mussini Wooden Box 10 x 35 ml tubes, 1 x 150 ml white
£175.85Schmincke Mussini Dark Wooden Box Set. 10 x 35 ml tubes, 1 x 150 ml white including charcoal, brushes and mediums. Learn More -
Cornelissen Series 2 Kolinsky Sable
Starting at: £35.80
Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Flat. Learn More -
Zinc White Pigment
Starting at: £4.00
Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.
Toxicity: B
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Fabriano Accademia Paper
Starting at: £29.40
Cartridge paper with a slight texture. 200gsm, woodfree, surface sized and acid free. Pack quantity 100 sheets. Learn More -
Ultramarine PB29 Pigment
Starting at: £9.10
PB29
Ultramarine Blue is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity: B/C
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Pearl Glue
Starting at: £6.50
Pearl Glue is a traditional animal-based wood glue made from bone, used for veneering, joinery and antique restoration. 170-200 bloom. Learn More
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Winsor & Newton Cotman Student Set 12 Half Pans
Starting at: £25.95
Winsor & Newton Cotman Student Set 12 Half Pans **SPECIAL PRICE** Learn More -
Saunders Waterford Fat Pads
Starting at: £38.55
Mould-made, 100% cotton, gelatine tub sized, acid free, wire bound short edge. Available in HP, Cold Pressed (NOT) and Rough. 25 sheets per pad for 300gsm and 20 sheets per pad for 425 gsm. Learn More -
Reagent Jar
Starting at: £6.50
Our clear reagent bottles are manufactured in the EU and are made of high quality soda lime glass. They have a solid base and good wall thickness.
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Whiting
Starting at: £4.00
Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More -
Naples Yellow Dark Pigment
Starting at: £7.40
Naples Yellow Dark Pigment (PY41). Synthetic Inorganic pigment (Lead Antimoniate). Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. Suitable for all media except watercolours.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Cornelissen Imitation Gold No 2.5 Bulk Packs
Starting at: £16.00
Cornelissen Imitation Gold No 2.5 Bulk Packs Learn More -
Roberson Artists' Oil Colour 120 ml
Starting at: £23.00
Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.
Available in 40ml and 225ml tubes
Zinc White and Titanium White only available in this intermediate size of 120ml
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