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  1. Talens Acrylic Picture Varnishes Aerosol

    Talens Acrylic Picture Varnishes Aerosol

    Starting at: £19.25

    Aerosol varnish for oil or acrylic paintings. Gloss or Matt finishes. Unable to send overseas. Learn More
  2. Schmincke Mussini Oil Medium 2

    Schmincke Mussini Oil Medium 2

    Starting at: £9.45

    Slows drying time. Learn More
  3. Lefranc Flashe 80 ml

    Lefranc Flashe 80 ml

    Starting at: £9.70

    Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More
  4. Parchment Clippings

    Parchment Clippings

    Starting at: £9.90

    Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More
  5. Roberson Metallic Oil Sticks

    Roberson Metallic Oil Sticks

    Starting at: £16.40

    Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More
  6. Daniel Smith Watercolour Ground Titanium White 4oz

    Daniel Smith Watercolour Ground Titanium White 4oz

    £10.30

    Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  7. Hahnemuhle D&S Sketchbook

    Hahnemuhle D&S Sketchbook

    Starting at: £3.30

    A robust sketchbook with thread stitching to allow for smooth page turning. The natural white paper has superb abrasion properties, enabling you to effortlessly create broad strokes with pencil. The 140 gsm paper is suitable for dry painting techniques as well as light washes of watercolour Learn More
  8. Grey shades of Khadi paper in various sizes.

    Khadi Grey Paper Packs

    Starting at: £2.85

    Handmade from 100% long fibred cotton rag. Acid free. Deckle edge. Tub sized (surface sized) with gelatine. Learn More
  9. da Vinci Series 5522 COLINEO Watercolour brush, round

    da Vinci Series 5522 COLINEO Watercolour brush, round

    Starting at: £5.30

    Composed of different lengths of straight and wavy synthetic fibres, with extra fine tips. Precise point, high elasticity and colour absorption with a silver metal ferrule Handle made of water-resistant, hi-tech multicolour laminated wood. Ideal for watercolour painting. Very similar to Kolinsky Red Sable hair brushes. Learn More
  10. Omega Series 79 Al Fresco

    Omega Series 79 Al Fresco

    Starting at: £15.30

    Long grey bristle and string ferrule. Holds colour well for fresco painting. 100% pure hog hair. Learn More
  11. Roberson Gilt Wax Medium

    Roberson Gilt Wax Medium

    Starting at: £15.00

    To use as a medium, mix with burnishable bronze powders in equal parts. Or use to protect imitation leaf, metal, wood, furniture and paintings. Learn More
  12. Talens Retouching Varnish Aerosol

    Talens Retouching Varnish Aerosol

    Starting at: £19.95

    Aerosol varnish for oil colour. Temporary protective coat. Use as soon as painting is touch dry. Unable to send overseas. Learn More
  13. Daler-Rowney Cryla 250ml

    Daler-Rowney Cryla 250ml

    Starting at: £8.90

    Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More
  14. Roberson Refined Linseed Oil

    Roberson Refined Linseed Oil

    Starting at: £13.30

    Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.

    Alkali Refined Linseed Oil has been treated to reduce its acidity, and is a useful ingredient in mediums and varnishes.

    Learn More
  15. Michael Harding Miracle Medium

    Michael Harding Miracle Medium

    Starting at: £12.00

    MM0 Miracle Medium is a solvent-free, odourless, vegan, and plant-based Medium that serves as an alternative to traditional turpentine. This medium offers artists a natural and sustainable option for thinning oil paints, cleaning brushes, and glazing (see our MM2 Quick Dry Dammar Varnish Miracle Medium) without the use of harsh chemicals or toxic fumes. CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. Oil paint artists use MM0 Miracle Medium in several ways: Artists may dip their brush in MM0 Miracle Medium before applying it to the paint to achieve the desired consistency. Clean brushes: MM0 Miracle Medium can be used to clean oil paint brushes. After painting, artists may rinse their brushes in MM0 Miracle Medium to remove excess paint and then wash the brushes with soap and water – Use as a painting medium to mix with oil paints, enhancing flow and transparency – Clean brushes by dipping them in the medium and wiping them clean. – Dilute or thin oil paints without the use of traditional solvents. – CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. – Available in 100ml, 250ml and 1 Litre. Learn More
  16. Schmincke Universal Varnish, Satin-Matt, 200 ml

    Schmincke Universal Varnish, Satin-Matt, 200 ml

    £13.95

    Synthetic resin varnish Learn More
  17. Winsor & Newton Retouching Varnish Aerosol

    Winsor & Newton Retouching Varnish Aerosol

    Starting at: £18.25

    Temporary protection for oil paintings less than 6 months old. Contains: Ketone resin. Unable to send overseas. Learn More
  18. Leather Regent Long Handle Brush Case

    Leather Regent Long Handle Brush Case

    Starting at: £103.10

    This sturdy brush case measures 39cm, which is long enough to hold a selection of oil-painting brushes. All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please ring our office if you would like to make a custom order of this product.

    Learn More
  19. Roberson Safflower Oil

    Roberson Safflower Oil

    Starting at: £7.70

    Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.

    Learn More
  20. Madder Lake Genuine Pigment

    Madder Lake Genuine Pigment

    Starting at: £10.20

    NR9

    Madder Lake pigment is derived from dye that has been extracted from the root of the madder plant, and attached to alum as a base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion.

    Larger quantities are available by request

    Learn More
  21. Schmincke Horadam 8 Half Pans with Water Container

    Schmincke Horadam 8 Half Pans with Water Container

    £79.25

    Artist's pigments in the highest possible concentration. Integrated water carrying system, ideal for painting en plein air. Learn More
  22. da Vinci Series 1222 COLINEO Watercolour brush, rigger

    da Vinci Series 1222 COLINEO Watercolour brush, rigger

    Starting at: £4.80

    COLINEO Rigger, medium length, sharp needle point. - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption so-called silver ferrule - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More
  23. One Shot Lettering Enamel Paint

    One Shot Lettering Enamel Paint

    Starting at: £20.55

    Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More
  24. Schmincke Liquid Charcoal 15 ml

    Schmincke Liquid Charcoal 15 ml

    Starting at: £18.30

    Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More
  25. Gelatine Leaf

    Gelatine Leaf

    Starting at: £5.30

    A pure form of glue from animal tissue. Used for sizing paper. Used in gliding and for weak sizes in isolating layers in tempera painting. Learn More
  26. Cornelissen Glass Mullers.

    Cornelissen Glass Mullers

    Starting at: £24.50

    Cornelissen Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments. The tall handle features an ergonomic top, to ease fatigue when grinding large amounts of pigment. Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! Learn More
  27. Liquitex Acrylic Fabric Medium

    Liquitex Acrylic Fabric Medium

    Starting at: £12.35

    Enhances blending, workability, and adhesion of acrylic colours for painting acrylics directly on to fabric. Reduces paint stiffness. No heat setting required. Learn More
  28. Whiting

    Whiting

    Starting at: £4.00

    Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More
  29. da Vinci series 5822 COLINEO Watercolour Brush, Flat

    da Vinci series 5822 COLINEO Watercolour Brush, Flat

    Starting at: £6.20

    - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption so-called silver ferrule - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More
  30. Gesso Panels

    Gesso Panels

    Starting at: £28.00

    Our Gesso Icon Panels are handmade throughout the entire process, using hand tools rather than industrialised machinery. 

    Each board is made of lime, which has been allowed to age naturally for long term stability. Firstly, the panel is gently abraded to allow the penetration of rabbit skin glue into the fibres. Following the laying down of a specific canvas, the delicate process of building up precise layers of gesso is undertaken by hand. A final coat of water-based paint treated with wood preservative is applied and the finished panel lightly sanded, ready for painting.

    Learn More

Items 61 to 90 of 197 total

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