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  1. Roberson Metallic Oil Sticks

    Roberson Metallic Oil Sticks

    Starting at: £16.40

    Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More
  2. Charbonnel Ultraflex Liquid Ground

    Charbonnel Ultraflex Liquid Ground

    Starting at: £15.80

    Judea bitumen, essence of turpentine, wax. Quick drying with transparent velvety finish. Apply cold with a supple brush. Learn More
  3. Roberson 1810 Medium

    Roberson 1810 Medium

    Starting at: £34.20

    This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.

    Contains: Stand oil, Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.

    Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.

    Learn More
  4. Sennelier Oil Pastels Standard

    Sennelier Oil Pastels Standard

    Starting at: £2.85

    Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 10% discount for 10+ pastels. 20% discount for 20+ pastels. Learn More
  5. Charbonnel Transparent Ground

    Charbonnel Transparent Ground

    £21.10

    Beeswax, pitch resin, turpentine. Retouching ground. Apply cold. Slow drying, lets previous etching show through. Learn More
  6. Powdered Rosin

    Powdered Rosin

    Starting at: £13.90

    Rosin is the powdered form of colophony, which is a by-product of the distillation of turpentine. Its primary application is to create tonal areas on metal plates as an aquatint resist. It is also an additive in etching grounds, where it gives a hard surface to the otherwise soft wax. Learn More
  7. Isinglass

    Isinglass

    Starting at: £30.10

    Call to Order

    Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles. Learn More
  8. HMG B72 Restoration Adhesive

    HMG B72 Restoration Adhesive

    £7.70

    Call to Order

    B72 Acrylic Adhesive is touch dry in 3-5 minutes, surface dry in 1 hour and hard dry in around 6 hours. Not having instant grab, fragments can be easily re-adjusted and surplus adhesive removed with acetone, making any joint virtually invisible. It’s ideal for repairs to pottery, wood, metal, glass, ivory and many porous substances. 14ml. Learn More
  9. London Pigment, Epping Forest Yellow Ochre Pigment

    London Pigment, Epping Forest Yellow Ochre Pigment

    £18.00

    Call to Order

    This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  10. London Pigment, London Red Brick

    London Pigment, London Red Brick

    £18.00

    Call to Order

    Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  11. London Pigment, Rotherhithe Orange Pigment

    London Pigment, Rotherhithe Orange Pigment

    £20.00

    Call to Order

    This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  12. Lascaux Hard Resist 500ml

    Lascaux Hard Resist 500ml

    £45.60

    Call to Order

    This resist is painted onto the plate in a thin even layer with a soft flat square-ended brush. When this clear layer is dry it may be coloured or drawn into with etching needles, roulettes and steel wool. The waxy character allows the needle to glide through its surface. After drawing the coloured coating (if used) is removed, the image is stopped out if necessary, then the plate is etched. As the resist is clear the artist can monitor the etching process accurately. Learn More

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