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  1. Tartrazine Yellow Pigment

    Tartrazine Yellow Pigment

    Starting at: £4.50

    Toxicity A/B Learn More
  2. Indigo Blue Synthetic Pigment

    Indigo Blue Synthetic Pigment

    Starting at: £5.50

    Indigo Blue Synthetic Pigment (VB1). Organic pigment. Transparent. Good tinting strength. Moderate Lightfastness, slower fading rate than Genuine Indigo. Requires wetting agent. Suitable for oil and water-based media. Developed in late 19th Century. Toxicity A/B Learn More
  3. London Pigment, Madder Pigment Set

    London Pigment, Madder Pigment Set

    £40.00

    Madder Red-Brown Rose Madder Madder Light Kaolin Learn More
  4. Carbon Black Pigment

    Carbon Black Pigment

    Starting at: £10.80

    PBk7

    Carbon Black is an inorganic synthetic pigment, created by burning natural gases to form an almost pure carbon. It is semi-transparent, and in oil dries very slowly to a soft, brittle paint film. It requires a wetting agent, and can show in streaks, even when mixed with other colours. 

    Larger quantities are available by request. 

    Learn More
  5. Pigment Early Colour 10 grams Azurite

    Pigment Early Colour 10 grams Azurite

    £15.00

    Pigment Early Colour 10 grams Azurite Learn More
  6. Cadmium Vermilion Pigment

    Cadmium Vermilion Pigment

    Starting at: £7.50

    PR108

    Cadmium Red is a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film. This shade has been formulated to imitate the bright hue of vermilion.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  7. Lead Tin Yellow Dark Pigment

    Lead Tin Yellow Dark Pigment

    Starting at: £4.80

    Lead Tin Yellow Dark Pigment. Larger sizes available. Please ask for quotation. Toxicity D. Domestic shipping only Learn More
  8. Vermilion Imitation Pigment

    Vermilion Imitation Pigment

    Starting at: £8.20

    Vermilion Imitation Pigment (PR4, PY1, PW21). Organic pigment. Mixture of Studio Red, Hansa Yellow (Azo) and Blanc Fixe. Semi-transparent. Good tinting strength. Good Lightfastness, but prone to fading when mixed strongly with white . Slow drying rate. Requires wetting agent. Suitable for all media. Used since early 20th Century. Toxicity A. Learn More
  9. Gum Benzoin

    Gum Benzoin

    Starting at: £14.70

    Gum Benzoin is used as a fixative, slowing the dispersion of essential oils and other materials into the air. Is occasionally called for in some old varnish recipes where it was employed primarily for its odour. Learn More
  10. Microcrystalline Wax

    Microcrystalline Wax

    Starting at: £8.50

    Microcrystalline Wax is related to paraffin wax, and is used as a plasticiser in some recipes. It is characterised by the fineness of its crystals in contrast to the larger crystal of paraffin wax. It is generally more viscous, denser, tackier and more elastic than paraffin waxes, and has a higher melting point. Learn More
  11. Translucent Orange Oxide Pigment

    Translucent Orange Oxide Pigment

    Starting at: £9.40

    Translucent Orange Oxide (PR101). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More
  12. Empty Watercolour Pans

    Empty Watercolour Pans

    Starting at: £0.60

    Empty Watercolour Pans Learn More
  13. Cadmium Yellow Lemon Pigment

    Cadmium Yellow Lemon Pigment

    Starting at: £4.50

    Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C

    Learn More
  14. Cobalt Green Light Pigment

    Cobalt Green Light Pigment

    Starting at: £8.70

    PG19

    Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and  forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

    Toxicity: B

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  15. Ultramarine Blue Limewash Pigment

    Ultramarine Blue Limewash Pigment

    Starting at: £6.30

    PB29

    Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

    Learn More
  16. Dropping Bottle

    Dropping Bottle

    Starting at: £7.00

    Dropping Bottle Learn More
  17. Manganese Violet Pigment

    Manganese Violet Pigment

    Starting at: £8.50

    PV16

    Manganese Violet is a synthetic organic pigment, discovered in Germany in 1868 and formed by combining manganese chloride, phosphoric acid and ammonium carbonate. It is very lightfast, but sensitive to alkalis and oils. It is semi-opaque and fast-drying, with a low tinting strength and low absorption of oil. 

    Toxicity: C

    Learn More
  18. Madder Root Pieces

    Madder Root Pieces

    Starting at: £27.80

    NR9

    The madder plant was once widely cultivated for the red dye extracted from its roots. Its earliest known use is in ancient Egypt, and there is evidence of its widespread adoption in Europe from the medieval period. Madder Lake, the pigment that is derived from the root, has now largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercial paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. 

    Larger quantities are available by request.

    Learn More
  19. Smalt Dark Pigment

    Smalt Dark Pigment

    Starting at: £5.30

    PB32

    Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.

    Larger quantities are available by request.

    Learn More
  20. Fullers Earth

    Fullers Earth

    Starting at: £6.30

    Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.

    Learn More
  21. Powdered Rosin

    Powdered Rosin

    Starting at: £13.90

    Rosin is the powdered form of colophony, which is a by-product of the distillation of turpentine. Its primary application is to create tonal areas on metal plates as an aquatint resist. It is also an additive in etching grounds, where it gives a hard surface to the otherwise soft wax. Learn More
  22. Green Earth Light Pigment

    Green Earth Light Pigment

    Starting at: £4.95

    Green Earth Light Pigment Learn More
  23. Parchment Clippings

    Parchment Clippings

    Starting at: £9.90

    Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More
  24. Raw Umber Greenish Pigment

    Raw Umber Greenish Pigment

    Starting at: £4.80

    PBr7

    Raw Umber Greenish is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.

    Toxicity: B

    Learn More
  25. Chrome Yellow Orange Pigment

    Chrome Yellow Orange Pigment

    Starting at: £14.00

    Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century. Toxicity D.

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  26. Cerulean Blue Pigment

    Cerulean Blue Pigment

    Starting at: £14.50

    PB35

    Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.

    Limeproof

    Toxicity: B

    Learn More
  27. London Pigment, Leominster Ochre Pigment

    London Pigment, Leominster Ochre Pigment

    £18.00

    Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour with a mixture of fine and coarse grains for a lively texture. Try this pigment if you like to experiment with materials that introduce an element of chance in your work. Presented in a 20 ml bottle with a wax seal and label. Learn More

  28. Spinel Black Pigment

    Spinel Black Pigment

    Starting at: £8.00

    Spinel Black, sometimes known as Manganese Ferrite Black, is a synthetic mixed-metal oxide pigment. It provides a deep, cool, transparent black, which dries quickly in oil.

    Toxicity: C

    Learn More
  29. Synthetic Malachite Pigment

    Synthetic Malachite Pigment

    Starting at: £4.20

    Synthetic Malachite is an artificial mineral pigment, copper carbonate, chemically based on Malachite. It has a medium tinting strength and good opacity. Larger sizes available on request Learn More
  30. Rottenstone Grey

    Rottenstone Grey

    Starting at: £7.00

    Fine abrasive powder used historically for polishing daguerreotype plates. Can be used to age wooden frames and object's d'art. Learn More

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