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  1. Charbonnel Oil Gold Size 3 hour

    Charbonnel Oil Gold Size 3 hour

    Starting at: £11.20

    High quality oil based gold size. Well known for its predictability and length of open time. Tacky in 3 hours, remains open for 6 hours. Learn More
  2. Roberson Improved Gold Body 15ml

    Roberson Improved Gold Body 15 ml

    £11.50

    Raising preparation for illumination. Yellow colour. Learn More
  3. Pre-lim Metal Cleaner 200 ml

    Pre-Lim Metal Burnisher

    Starting at: £9.85

    A gently abrasive paste for non-scratch cleaning of metals and many sensitive fine-art surfaces. Learn More
  4. Sinopia Clay Bole Bordeaux Red

    Sinopia Clay Bole 4oz (approx. 118ml)

    Starting at: £14.95

    High quality clay bole for water-gilding techniques. Use over traditional chalk gesso ground. Bole needs to be applied with a solution of rabbit skin glue. This Bole is manufactured by Sinopia. The formula was developed by working with master gilders to craft a rich creamy bole that burnishes to a beautiful, highly reflective lustre.

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  5. Shell Gold Watercolour 1/4 pan Palladium

    Shell Gold Watercolour 1/4 pan Palladium

    £41.00

    Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
    Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
    In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

  6. Treasure Gold

    Treasure Gold

    Starting at: £12.30

    Treasure Gold is a metallic wax which is unparalleled in restoring gold lead and the finishing touches for antiquing. Blend any of the colours together for just the right shade. Apply with the fingers or a cloth and buff lightly. The metal lustre won't fade or tarnish. It is ready to be polished in ten minutes. Treasure Gold is highly concentrated and is to be used sparingly. A 25g jar will cover approximately 2sq/m. Learn More

  7. Liquid Leaf Brush Bath Thinner and Cleaner

    Liquid Leaf Brush Bath Thinner and Cleaner

    Starting at: £9.90

    Brush Bath is a paint thinner and solvent especially formulated for the thinning or cleaning of Liquid Leaf. For spray application, use 15-20% Brush Bath with Liquid Leaf. For cleaning, apply to a soft cloth and wipe affected area. For thinning, mix a small amount of Brush Bath with Liquid Leaf, stirring or shaking container until desired consitency. To clean brushes, pour Brush Bath into a small container and let brushes soak.

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  8. Cornelissen Japanese & Chinese Gold Leaf Colour Chart

    Cornelissen Japanese & Chinese Gold Leaf Colour Chart

    £15.00

    Cornelissen Sample Chart for genuine Japanese & Chinese Gold Leaf Learn More
  9. Roberson Gum Ammoniac

    Roberson Gum Ammoniac

    Starting at: £14.00

    Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More
  10. Shell Gold Watercolour 1/4 pan Silver

    Shell Gold Watercolour 1/4 pan Silver

    £27.00

    Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
    Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
    In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

  11.  Liquid Metal Colour Chart

    Roberson Liquid Metal Colour Chart Hand Made

    £11.00

    Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are inter-mixable. This is a double sided and hand painted colour chart of the full range. Learn More

  12. Roberson Acrylic Gold Size

    Roberson Acrylic Gold Size

    Starting at: £8.60

    Easy to use acrylic gold size. Ready for gilding in 15-20 minutes. 1-2 days open time. Learn More
  13. Miniatum Ink

    Miniatum Ink

    Starting at: £23.10

    Miniatum size in ink form, for raised calligraphic illumination and fine lines in gold and silver leaf. Miniatum Ink can create high gloss gilding on paper, vellum (degreased), leather and flexible surfaces such as plastic foils. The elastic nature of the size assures a long-lasting gilded surface *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More
  14. Seccotine 30 ml

    Seccotine 30 ml

    £8.50

    Refined liquid fish glue for use as a size for gilding on paper. It can also be used as a glue for paper and as a binder in gesso for raised illumination. Seccotine is made from the skin of the Atlantic deep sea cod fish. It remains flexible after drying.

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  15. Miniatum

    Miniatum

    Starting at: £16.60

    Size for high gloss gilding on paper, degreased vellum, leather and flexible surfaces. *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More
  16. Kölner Permacoll, Red

    Permacoll

    Starting at: £9.10

    Permacoll size dries within 15 to 30 minutes, and metal leaf can be applied hours or even days later. This product is designed to achieve decorative metallic finishes on surfaces that are not exposed to weather or excessive wear. It has more adhesive strength than Instacoll and is therefore particularly well suited for gilding with imitation metal leaf. The final surface is not burnishable. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More
  17. Winsor & Newton Picture Cleaner

    Winsor & Newton Picture Cleaner

    Starting at: £9.20

    Winsor & Newton Picture Cleaner Learn More
  18. Microballoons Filler/Extender 100 g

    Microballoons Filler/Extender 100 g

    £9.80

    Used as a filler or extender. Learn More
  19. Vulpex

    Vulpex

    Starting at: £13.25

    Concentrated liquid soap. Mix with water or white spirit to clean surfaces such as gilt, stone or even paper. Learn More
  20. Roberson CRP Picture Cleaner

    Roberson CRP Picture Cleaner

    Starting at: £19.00

    Cleansing/Reviving/Preserving wax paste for oil paintings, sculptures, any painted & polished surfaces except drawings, water colours or pastels. Learn More
  21. Laponite ®

    Laponite ®

    Starting at: £34.40

    For cleaning marble. Mix with water to thick paste. LAPONITE® is a registered trademark of BYK Additives Ltd Learn More
  22. Schmincke Varnish Remover

    Schmincke Varnish Remover

    Starting at: £9.45

    Varnish remover. For softening old varnish and colour layers. Strong solvent should be used by experienced persons only. Learn More
  23. Gelatine Capsules

    Gelatine Capsules

    Starting at: £5.80

    Gelatine Capsules Learn More
  24. Gelatine Leaf

    Gelatine Leaf

    Starting at: £5.30

    A pure form of glue from animal tissue. Used for sizing paper. Used in gliding and for weak sizes in isolating layers in tempera painting. Learn More
  25. Roberson Crystal Shellac Varnish

    Roberson Crystal Shellac Varnish

    Starting at: £9.30

    Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More
  26. Whiting

    Whiting

    Starting at: £4.00

    Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More
  27. Gesso di Bologna

    Gesso di Bologna

    Starting at: £12.00

    Gesso di Bologna is a bright white Calcium Sulphate, or gypsum, from Italy, which can be used as a substitute for whiting in the preparation of gesso. It is ground to a particularly fine powder, which makes it a suitable ground for gilding, as the small size of the particles allows for greater compression when burnishing. Learn More
  28. Roberson Clear Shellac Varnish

    Roberson Clear Shellac Varnish

    Starting at: £11.50

    Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More
  29. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  30. Universal Lacquer in 60ml, 120ml and 1L.

    Universal Lacquer

    Starting at: £14.40

    Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More

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