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Japanese Calligraphy Paper

Starting at: £3.05

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Shoji: machine-made paper, 100% woodfree pulp, pH 6.2. Bright white, slightly smooth on one side. 48 gsm, size: 62 x 92 cm (24 x 36 inches). Pack of 25 sheets. Yuki: machine-made paper, 59% Rayon, 37 % woodfree 4% synthetic fibre, pH 6.2. size 64 x 94 cm (25 x 37 inches) Pack of 25 sheets. White, long Rayon fibres randomly on surface. slightly smooth on one side. Learn More

Lascaux Tusche Diluting Liquid 500ml

£36.50

A ready-to-use liquid for diluting Lascaux Tusches to alter their handling characteristics or to create delicate washes on positives. Learn More

Mars Black Pigment

Starting at: £5.70

PBk11

Mars Black is an artificial mineral pigment composed of hydrated ferric oxides. Like other Mars colours, it provides a very opaque, permanent colour, which is stable in all media. It has an average drying time in oil, forming a hard, fairly flexible film, making it more suitable for impasto application than carbon-based black pigments, which tend to be brittle. It also wets more easily than other black pigments, and possesses a warm, brownish undertone.

Toxicity: B

Limeproof

Larger quantities are available by request.

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Kaweco Ink Cartridges, Pack of 6

Starting at: £2.00

Kaweco ink cartridges are Standard International size. There are 6 cartridges per pack. Learn More

Japanese Classic Tool Set in Wooden Case

£34.00

Tool set with denim case. Set contains 7pcs, including; 7mm Aisuki (flat), 8mm Hangi-toh (knife), 4mm Aisuki (flat), 6mm Komasuki (U), 3mm Komasuki (U), 4mm Sankatu-toh (V), 10mm Komasuki (U). These pencil-style tools have imitation wooden handles that are longer than those of traditional tools, making them a perfect introduction to Mokuhanga printing. Learn More

Roberson Copperplate Reducing Oil

Starting at: £24.00

Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More

Winsor & Newton Drawing Inks

Starting at: £4.80

The Winsor & Newton Drawing Inks can be intermixed and diluted with distilled water. Not lightfast (except Black and White). All colours are transparent and water resistant once dry (except Gold & Silver). Learn More

Charbonnel Whites

Starting at: £19.85

Charbonnel Whites Learn More

Cerulean Blue Pigment

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Starting at: £14.50

PB35

Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.

Limeproof

Toxicity: B

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Yellow Ochre Pigment

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Starting at: £4.00

PY43

Yellow Ochre is a natural earth pigment that has been in use since prehistoric times. It is derived from iron-rich clay deposits that are present all over the world; our Yellow Ochre comes from the hilly regions around Verona, Italy. As a pigment, it is semi-opaque, extremely lightfast, and stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Yellow Ochre is similar in composition to Raw Sienna, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this compositional difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

Toxicity B

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da Vinci Maestro Kolinsky series 11

Starting at: £11.35

Made by hand with the highest quality Tobolsky Kolinsky sable. Has more belly than the da Vinci series 10 and therefore higher colour holding capacity. Suitable for all watercolour techniques. Learn More

Komasuki 6mm (U Shape)

£31.00

The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Calligraphy Cartridge Pad A3

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£17.50

Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More

Lascaux Tusche Wash 500ml

£42.90

This Tusche has handling qualities similar to ink and can be diluted to make gradated washes typical of stone lithography. By scratching into the dry marks, delicate non-printing lines can be created. Learn More

Cornelissen Historical Inks, Yellow Hawthorn Ink 30ml

£6.50

Made from organic hawthorn berries collected from Cambridgeshire, this bright, warm yellow ink can be layered in order to produce deeper shades. It is not fully lightfast or waterproof due to the presence of organic materials.

Not suitable for fountain pens. Learn More

Hing Clamps (per pair)

£16.00

Hinge clamps, these are zinc plated aluminium clamps for attaching screens to any surface to create printing bed. Clamp surface is 60mm wide, and will securely hold a frame depth of min: 12mm and max: 45mm. The clamps have counter sunk screw holes 6mm diameter and 30mm a part (centres). Clamp opens up to 90 degrees. Learn More

Hahnemuhle Etching Paper

Starting at: £4.55

300GSM, 53cm x 78cm, Mould Made, Natural White Shade, Alpha Cellulose, Acid Free, Soft Sized, Watermarked, 3 Deckle Edges, Textured Surface, 25 Sheets. Learn More

Terre Verte Pigment

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Starting at: £4.00

Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
Toxicity B Learn More

Schmincke Artists Watercolour Half Pan

Starting at: £6.05

Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in whole pans and tubes of 5 and 15ml. Learn More

Ultramarine Blue Limewash Pigment

Starting at: £6.30

PB29

Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B

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Sankaku-toh 1.5mm (V Shape)

£36.00

The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Schmincke Mussini Artists' Oil 35 ml

Starting at: £10.80

Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More

Traditional Sumi Baren

£46.50

Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More

Roberson Rhinds Stopping Out Varnish

Starting at: £8.60

Traditional strongly resistant SOV. Very dark and opaque finish. Appropriate for backing the plate as well as stopping out areas. Learn More

Daler-Rowney Georgian Oil Colour 225 ml

Starting at: £14.50

Georgian Oil colour offers artists high performance at an economical and uniform price across all colours in the range. All 55 colours have fine working qualities and a high degree of performance. Learn More

Gamblin Gamvar Varnish Gloss

Starting at: £15.20

Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More

Fabriano Watercolour Postcards

Starting at: £10.15

300GSM, 20 Sheets, 10.5cm x 14.8cm, Woodfree, Acid Free, Cold Pressed. Learn More

Mars Yellow Pigment

1 Review(s) | Add Your Review

Starting at: £4.50

PY42

Mars Yellow is an artificial mineral pigment, a synthetic iron oxide. Mars colours in general replace many natural earth colours to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil, creating a strong, flexible paint film.

Toxicity: B

Limeproof

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Somerset Enhanced Inkjet Paper

Starting at: £52.80

225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More

Essdee Lino Set

£43.40

5 x Lino Cutters Styles 1 to 5 1 x Safety Lino Cutter, Style A

Search results for 'the and'