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Schmincke Norma Professional 35ml

Starting at: £8.15

Professional grade artist's oil paints. High pigment concentration. High lightfastness. Learn More

Schmincke Gouache Binder 200 ml

£15.95

For velvety gouache colours. Ready to use Learn More

Liquid Glass Mediums

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Starting at: £19.50

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Renaissance Materials by Dr. David Cranswick.

A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.

Contains: Damar resin, linseed oil and beeswax (for Satin medium only)

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da Vinci series 5822 COLINEO Watercolour Brush, Flat

Starting at: £6.20

- Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption so-called silver ferrule - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More

Cornelissen Squirrel Mop

Starting at: £21.40

Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More

Fabriano 4 Cartridge Paper

Starting at: £31.30

Fabriano 4 Cartridge paper in bright white shade. Available in either smooth or not surfaces. Woodfree. Pack quantity 25 sheets. Learn More

Cornelissen Kolinsky Sable Watercolour Filbert

Starting at: £12.30

High quality Kolinsky sable with good spring and pointing characteristics. Very useful for detailed work. Learn More

da Vinci Series 5898 CASANEO Watercolour brush, flat

Starting at: £7.95

- Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished esagonal handles - Particularly suitable for watercolour and fluid acrylic colour - Extraordinary elasticity and extremely high colour absorption capacity - For watercolour and wash Learn More

Surrey Ivory Cartridge Paper

Starting at: £67.15

Surrey Ivory Cartridge paper with a cream shade and matt surface. Woodfree and acid free. Pack quantity 100 sheets. Learn More

da Vinci Series 5527 COLINEO Watercolour brush, slanted

Starting at: £16.70

COLINEO Watercolour brush, slanted edge, sword shape - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More

Sosaku Brush 15mm

£6.50

Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More

Schmincke Horadam Supergranulating Set Desert

Starting at: £69.90

Schmincke Horadam Supergranulating Set Desert, 5 x 15ml tubes. Learn More

Schmincke Horadam Supergranulating Set Deep Sea

Starting at: £69.90

Schmincke Horadam Supergranulating Set Deep Sea, 5 x 15ml tubes. Learn More

Roberson White Siccative

Starting at: £8.40

A strontium-based siccative, milder than cobalt driers. Add sparingly to oil colours to accelerate drying, particularly recommended for pale colours. Learn More

Schmincke Watercolour Binder 200 ml

£15.95

For translucent watercolours. Ready to use. Learn More

Parchment Clippings

Starting at: £9.90

Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More

Michael Harding Watercolours, Misty London Set, 6 x 15ml tubes

Starting at: £78.00

Michael Harding Watercolours, Misty London Set, 6 x 15ml tubes, including: Warm White, yellow Ochre, Yellow Ochre Deep, Lavender, Ultramarine Blue, and Forest Green. Learn More

Calf Vellum

Starting at: £16.75

Medium to thick. Both sides useable for writing. Whiter and less translucent than parchment.

Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

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Schmincke Mussini Limited Edition YInMn Blue 15 ml

£26.00

YInMn-Blue is a unique, bright blue Learn More

Fabriano Artist's Journal Black Square

Starting at: £21.15

Ideal for ink, pencil, charcoal, pastels, as well as for you every intellectual whim. Made of four elegant colours of Fabriano CMF Ingres 90 gsm (acid free and lightfast). Learn More

Shell Gold Watercolour 1/4 pan Silver

£27.00

Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

Roberson Beeswax Picture Varnish

Starting at: £10.20

A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More

Schmincke Mussini Limited Edition Lapis Lazuli 15 ml

£28.00

Schmincke Mussini Limited Edition Lapis Lazuli 15 ml Learn More

Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes

Starting at: £82.00

Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes, including: Quinacridone Gold, Yellow Lake, Moss Green, Hookers Green, Phthalo Blue Red Shade, and Quinacridone Rose. Learn More

Botanical Ultra Smooth Glued Pad

Starting at: £8.05

Mould-made, 50% cotton, surface sized and acid-free. 10 sheets per pad. Hot-pressed (HP) surface. 300 gsm. A4 and A3 pads are glued on the short edge, and A5 pads are glued on the long edge. Learn More

Rohrer & Klingner Black Drawing Ink

Starting at: £7.40

Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, black, sepia and bistre lightfast traditional tones in shellac binder. Learn More

Schmincke Mussini Limited Edition Topaz Orange 15 ml

£26.00

Topaz Orange Limited Edition 15 ml. is an opaque, richly coloured and sparkling brown orange, produced from the mineral phyllosilicate, one of the hardest naturally occurring minerals. Learn More

Roberson Poppy Oil

Starting at: £10.20

Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.

Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

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Isinglass

Starting at: £30.10

Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles. Learn More

Snowdon Cartridge Paper

Starting at: £1.50

Snowdon Cartridge paper with a white shade and matt surface. Designed for drawing and many printing processes including etching and waterbased silkscreen in 300gsm. Woodfree and acid free Learn More

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