Click to Hide Notification

Search results for 'de la'

Items 541 to 570 of 590 total

per page
Page:
  1. 16
  2. 17
  3. 18
  4. 19
  5. 20

Grid  List 

Set Ascending Direction
  1. Fabriano Medioevalis Cards and Envelopes

    Fabriano Medioevalis Cards and Envelopes

    Starting at: £4.05

    Hand torn, deckle-edged cards with matching envelopes for invitations and greetings. 260 gsm watercolour type paper. Portrait folded. *PLEASE NOTE: Cards and matching envelopes are grouped A, B, C. Select cards and envelopes from within the same group, A. B, C. The listed card dimensions are for unfolded, flat paper; once folded along the integrated score line, cards fit into corresponding group envelopes. Learn More
  2. Indigo Blue Genuine Pigment

    Indigo Blue Genuine Pigment

    Starting at: £8.00

    NB1

    Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.

    Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.

    Toxicity: B

    Learn More
  3. Japanese Gold 23,44ct

    Japanese Gold 23,44ct

    Starting at: £60.00

    Highest quality 23,44ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  4. Korns Litho Tusche Stick

    Korns Litho Tusche Stick

    £33.60

    108 x 29 x 10 mm. Prepare by mixing with distilled water to desired concentration. Can be used on aquatint as well as litho plates and stones. Recommended for higher quality results. Learn More
  5. Arches Aquarelle Block 640 gsm

    Arches Aquarelle Block 640 gsm

    Starting at: £56.56

    Mould-made, 100% cotton. Gelatine tub sized, neutral pH. Glued 4 edges, 10 sheets per block. Only available in Fin (NOT) surface. Learn More
  6. Roberson Gum Ammoniac

    Roberson Gum Ammoniac

    Starting at: £14.00

    Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More
  7. Cobalt Violet Dark Pigment

    Cobalt Violet Dark Pigment

    Starting at: £14.00

    Cobalt Violet Dark Pigment (PV14). Synthetic inorganic pigment. Semi-transparent. High tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. All media including ceramics. Used since late 19th Century.

    Limeproof

    Toxicity: C

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  8. Aisuki 1mm (Chisel Shape)

    Aisuki 1mm (Chisel Shape)

    £28.00

    The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  9. Chrome Yellow Middle Pigment

    Chrome Yellow Middle Pigment

    Starting at: £10.00

    Chrome Yellow Middle Pigment.

    Toxicity: D  Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  10. Cadmium Vermilion Pigment

    Cadmium Vermilion Pigment

    Starting at: £7.50

    PR108

    Cadmium Red is a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film. This shade has been formulated to imitate the bright hue of vermilion.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  11. Cornelissen Historical Inks,  Sir Isaac Newton Ink 30ml

    Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

    £10.50

    Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. 

    Not suitable for fountain pens. Learn More
  12. Gamblin Gloss Picture Varnish

    Gamblin Gamvar Varnish Gloss

    Starting at: £15.20

    Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More
  13. Cornelissen Iron Oak Gall Ink Set

    Cornelissen Iron Oak Gall Ink Set

    £30.00

    Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More
  14. Lascaux Studio Bronze Colours 250ml

    Lascaux Studio Bronze Colours 250ml

    Starting at: £34.40

    Call to Order

    Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  15. Lascaux Studio Bronze Colours 500ml

    Lascaux Studio Bronze Colours 500ml

    Starting at: £53.50

    Call to Order

    Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  16. Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black

    Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black

    Starting at: £55.00

    Call to Order

    The Flourish is precision machined from a solid Aluminium bar meaning that it will last a lifetime and give you just the right amount of weight without feeling too heavy. This unique design fits nibs as large as a Nikko G, all the way down to smaller nibs like the Brause 66EF, as well as 3.5mm pencil lead, so you can draft your creations before committing to ink. This holder is designed so that you can easily customise the angle of the nib to suit your calligraphy style. The balance of the pen has been refined so that the centre of gravity sits between your forefinger and your thumb joint, making it feel neither top nor bottom heavy. Learn More
  17. London Pigment, Purple Madder and Lac Ink, 20 ml

    London Pigment, Purple Madder and Lac Ink, 20 ml

    £12.50

    Call to Order

    Madder and Lac Ink ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  18. Lascaux Screenprinting Paste 500ml

    Lascaux Screenprinting Paste 500ml

    £29.00

    Call to Order

    Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More
  19. Lapis Lazuli Pigment

    Lapis Lazuli Pigment

    Call to Order

    PB29

    Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.

    [We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]

    Learn More
  20. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  21. Bone Folder

    Bone Folder

    £3.20

    Call to Order

    Bone Folder Plastic Learn More
  22. Asphaltum Powder

    Asphaltum Powder

    Starting at: £14.30

    Call to Order

    Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More
  23. Gamblin Burnt Plate Oils

    Gamblin Burnt Plate Oils

    Starting at: £10.50

    Call to Order

    Burnt Plate Oils are used to lower the viscosity of the ink. Burnt Plate Oil should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Burnt Plate Oil #000 has less tack and is a good match for use with Gamblin Relief Inks. Burnt Plate Oil #2 has a higher tack and is the primary oil binder for Gamblin Etching Inks. Learn More
  24. Porte-Crayon Brass Holder, Renaissance Workshop Materials

    Porte-Crayon Brass Holder, Renaissance Workshop Materials

    £48.50

    Call to Order

    Handmade Porte-Crayon in brass for holding chalk or charcoal. Commonly used by artists in the Renaissance for drawing, the piece of sharpened chalk or charcoal is inserted into the end of the holder and secured in place by a sliding ring. Learn More
  25. London Pigment, Madder Pigment Set

    London Pigment, Madder Pigment Set

    £40.00

    Call to Order

    Madder Red-Brown Rose Madder Madder Light Kaolin Learn More
  26. Gamblin Tom Huck's Outlaw Black Relief Ink 1 lb

    Gamblin Tom Huck's Outlaw Black Relief Ink 1 lb

    £25.00

    Call to Order

    Relief printing cool black for highly detailed woodblock printing on paper. Stiff bodied, cool black Intense ink for fine detail Pure burnt plate linseed oil base No fillers, additives, or modifiers Learn More
  27. Schmincke Mussini Limited Edition Lapis Lazuli 15 ml

    Schmincke Mussini Limited Edition Lapis Lazuli 15 ml

    £28.00

    Call to Order

    Schmincke Mussini Limited Edition Lapis Lazuli 15 ml Learn More
  28. Jemma Lewis Printed Marble Paper

    Printed Marble Papers

    Starting at: £3.00

    Call to Order

    Printed with UV ink the colours are sharper and brighter and better reflect the look and detail of real marbled papers. These are printed on 100gsm Munken that is FSC Certified and acid free. It is very tactile and of an excellent quality. Paper size is 500mm x 700mm. Minimum order of 10 assorted sheets. Learn More

  29. Cornelissen Gift Set, Ink

    Cornelissen Gift Set, Ink

    £50.00

    Call to Order

    Cornelissen Gift Set, Ink Cornelissen Gift Set, Ink contains : Cornelissen Black Sketchbook, Portrait A4 Cornelissen Bundle of 8 Pencils. 4H, 2H, HB, B, 2B, 3B, 4B, 6B Cornelissen Set of 3 Historical Inks: Brazilwood, Jane Austen Iron Oak Gall and Green Hawthorn Wooden Nib Holder 4 Nibs: Leonardt Nib Fine Drawing 700, William Mitchell Round Hand 1 ½, Brause Cito Fine, Leonardt 40 Gift wrapped in a box with Cornelissen wrapping paper. Learn More
  30. Japanese Coloured Sumi Ink

    Japanese Coloured Sumi Ink

    Starting at: £10.00

    Call to Order

    Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More

Items 541 to 570 of 590 total

per page
Page:
  1. 16
  2. 17
  3. 18
  4. 19
  5. 20

Grid  List 

Set Ascending Direction