Search results for 'al'
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Winsor & Newton Lightweight Box 12 x 5ml Tubes
Starting at: £105.00
Winsor & Newton Lightweight Box 12 x 5ml Tubes Learn More -
Saunders Waterford Block
Starting at: £47.20
Mould-made, 100% cotton. Gelatine tub sized, acid free. Glued 4 edges, 20 sheets per block. Learn More -
Ivory Black Genuine Pigment
Starting at: £38.00
PBk9
Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.
Larger quantities are available by request. While stocks last.
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Quill Pens
Starting at: £13.00
Traditional quill pen made from goose and turkey feathers. Cut by hand and cured in hot sand. Learn More -
Cornelissen Series 44 Hog Bristle Filbert
Starting at: £5.00
Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm depending on size. Size / A [width at ferrule]mm / B [visible hair / fibre length]mm / C [total length]mm 0 4 11 291 1 5 15 297 2 6 17 303 3 7 20 305 4 10 22 309 5 10 24 315 6 11 26 320 7 14 28 330 8 14 32 337 10 19 35 342 12 22 38 349 Learn More -
Daniel Smith Watercolour PrimaTek Set
£42.10Daniel Smith PrimaTek colours are unique paints made with pure, authentic mineral pigments that are mined directly from the earth and each one has a story. These colours have captured the imagination of artists for hundreds or even thousands of years. Their diversity is amazing. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Ultramarine Blue Dark Pigment
Starting at: £4.00
PB29
Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity: B
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Shell Gold Watercolour 1/4 pan Silver
£27.00Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More -
da Vinci Series 7406 Long Handle Hog Filbert
Starting at: £21.20
Finest quality bristle brushes with extra long 60 cm handle length. Learn More -
Michael Harding Watercolours, The Nocturne Set, 6 x 15ml tubes
Starting at: £84.00
Michael Harding Watercolours, The Nocturne Set, 6 x 15ml tubes, including: Moonlight, Purple Haze, Cosmic Blue, Indigo, Vine Black, and Phthalocyanine Blue Lake. Learn More -
Unison 8 Midnight Assorted Pastels
£45.60The Unison Midnight 8 set was created by the colour experts at Unison Colour. Unison Pastels partnered with Australian artist, Chris Blake, to create Dark 19 and 20, and with British artist, Robert Dutton, to create Dark 24. The set also includes Carbon Black 1 and 2. These two colours are their darkest ‘black’ pastels. The eight colours in the Midnight Set are unrivalled in the soft pastel format.
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Cornelissen Double Ended 6B/2B Lead Pencil
£2.00Double ended pencil, ideal for sketching en plein air and in the studio. Learn More -
Schmincke Soft Pastel Set, 18 Assorted Sticks, Cardboard Box
£62.00Schmincke Soft Pastel Set, 18 Assorted Sticks, Cardboard Box Learn More -
Schmincke Norma Set, 8 x 20 ml Tubes, Cardboard Box
£35.00Schmincke Norma Set, 8 x 35 ml Tubes, Cardboard Box Learn More -
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da Vinci Maestro Kolinsky series 11
Starting at: £11.35
Made by hand with the highest quality Tobolsky Kolinsky sable. Has more belly than the da Vinci series 10 and therefore higher colour holding capacity. Suitable for all watercolour techniques. Learn More -
Cornelissen 80 Light Green Gold Leaf 16 ct
Starting at: £59.20
Light Green Gold Leaf 16 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Cadmium Brown Pigment
Starting at: £10.00
PR108
Cadmium Brown is a shade of Cadmium Red, a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.
Larger quantities are available by request.
Limeproof
Toxicity: C
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Omega Series 1067 Lily Varnish
Starting at: £21.10
Thick hog hair brush or varnishing or painting on a large scale. 100% pure hog bristles. Learn More -
Fabriano Tiziano Pastel Pads
Starting at: £16.70
160GSM, A4 / A3, 30 Sheets, Flecked Colours, Cotton Content, Acid Free, Glued Short Edge. Learn More -
Cornelissen Miniature
Starting at: £8.90
Extra short haired brush for the discerning miniaturist. Learn More -
Japanese Coloured Sumi Ink
Starting at: £25.00
Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More -
Cornelissen 80 White Gold Leaf 12 ct
Starting at: £56.60
White Gold Leaf 12 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Winsor & Newton Aquapasto Medium
Starting at: £18.35
Gum Arabic/silica. Translucent jelly mixable with water. Gives impasto effect with water based colours. Learn More
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Cornelissen Squirrel Mop
Starting at: £23.10
Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More -
Sennelier Ink Medium 30 ml
£9.50Shellac based ink medium. Can also be mixed with pigment to create inks. Learn More -
da Vinci Series 122 Nova Flat
Starting at: £3.85
Fine golden synthetic fibre. More springy than da Vinci Cosmotop Spin (but with lower water absorption) making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Michael Harding Artists Oils Introductory Set of 6 40ml
Starting at: £55.50
INTRODUCTORY SET From Michael Harding: Artists unfamiliar with my paints should begin with the MH introductory set. Use this set to mix many colours in my range. Play, experiment, and enjoy true oil paints. 6 x 40ml tubes. The Introductory set contains: Titanium White No.1 Yellow Lake Ultramarine Blue Burnt Umber Scarlet Lake Learn More -
Lamp Black Pigment
Starting at: £6.70
PBk 6
Lamp Black is an inorganic, synthetic, pure carbon pigment. Originally made from soot collected from oil lamps and fireplaces, its modern equivalent is derived from partly combusted mineral and vegetable oil. It is a cool, transparent, bluish black, with a good tinting strength, and stable in all media. It requires a wetting agent, and in oil it has a very high absorption drying very slowly.
Larger quantities are available by request.
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