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  1. Caligo Safe Wash Etching Inks

    Caligo Safe Wash Etching Inks

    Starting at: £8.00

    Oil-based and washable - Artist quality etching inks for non-toxic printmaking. Solvent-free cleaning and lightfast, this unique range of etching inks can be washed away with liquid soap and water. Suitable for all types of intaglio printing e.g. etching, aquatint and line engraving. This range does not contain any driers. For faster drying rates, add a small amount of cobalt or manganese driers.

    Learn More
  2. Schmincke Soft Pastels

    Schmincke Soft Pastels

    Starting at: £3.95

    Working with Schmincke’s finest extra-soft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery. Multiple Discounts: 10+ Pastels 10% SAVING, 30+ Pastels 17% SAVING Learn More
  3. Sennelier Soft Pastels Standard

    Sennelier Soft Pastels Standard

    Starting at: £4.20

    A range of 525 shades including 25 iridescents. Prepared by hand without compression and air dried to prevent brittleness. 10% discount for 10+ pastels. 20% discount for 20+ pastels. Learn More
  4. Schmincke PRIMAcryl 250ml

    Schmincke PRIMAcryl 250ml

    Starting at: £25.30

    ONLY AVAILABLE ONLINE[]. Schmincke PRIMAcryl is a high viscosity premium acrylic range. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  5. Daler-Rowney Artists Watercolour 15ml Tube

    Daler-Rowney Artists Watercolour 15ml Tube

    Starting at: £15.00

    Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More
  6. Golden Heavy Body Acrylic 473ml

    Golden Heavy Body Acrylic 473ml

    Starting at: £47.30

    The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  7. Golden Fluid Acrylic 473ml

    Golden Fluid Acrylic 473ml

    Starting at: £38.60

    Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  8. Schmincke Mussini Artists' Oil 35 ml

    Schmincke Mussini Artists' Oil 35 ml

    Starting at: £10.80

    Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More
  9. Lascaux Studio Acrylic Colours 250ml

    Lascaux Studio Acrylic Colours 250ml

    Starting at: £25.70

    Great quality acrylic paints ideal to use in silkscreen printing. Mix the colours undiluted to obtain the desired hue and then add the Lascaux Screenprinting Paste. It is advisable to experiment initially, to determine satisfactory working mixes. To find a satisfactory working ratio, it is useful to first print colours using a 50/50 mixture of undiluted colour to paste and to then shift the ratio depending on the results. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  10. Daler-Rowney Cryla 75ml

    Daler-Rowney Cryla 75ml

    Starting at: £9.05

    Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More
  11. Sennelier Oil Pastels Large

    Sennelier Oil Pastels Large

    Starting at: £11.50

    Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 20% Discount for purchasing 4+ pastels. Learn More
  12. Sennelier Oil Sticks

    Sennelier Oil Sticks

    Starting at: £7.65

    Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More
  13. Raw Sienna Pigment

    Raw Sienna Pigment

    Starting at: £4.00

    PBr7

    Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

    Toxicity: B

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  14. Lilian May,  J.M.W. Turner Watercolours, Matchbox Set, 4 Wells

    Lilian May, J.M.W. Turner Watercolours, Matchbox Set, 4 Wells

    £20.00

    Matchbox Set Dimensions 5.5 cm x 3.5 cm Prussian Blue PB27 Yellow Ochre PY43 Vermilion PR4, PY1, W21 Genuine Madder NR9 Learn More
  15. Cornelissen Pigment Set of 30 Colours

    Cornelissen Pigment Set of 30 Colours

    £130.00

    The perfect introduction to working with pigment, this selection of thirty pigments provides a wide range of colours for the production of paint. Each colour is supplied in a 15ml plastic jar, and the set includes both natural and synthetic colours. Recipes can be found on our homepage, with instructions for making different paints, including watercolour, egg tempera and oil paint. Learn More

  16. Golden Heavy Body Acrylic 119ml

    Golden Heavy Body Acrylic 119ml

    Starting at: £16.20

    The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and light-fastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  17. Schmincke Horadam Naturals

    Schmincke Horadam Naturals

    Starting at: £13.00

    Schmincke have combined the unique properties of gouache and watercolour paint in a unique formulation, to create Horadam Naturals. Made using natural earths, plant-based pigments and resins, the resulting high-quality watercolours are environmentally friendly and vegan. The 16 matte colours are semi-/transparent with good lightfastness and can be mixed and combined with all water and gouache colours. Learn More
  18. Lilian May,  J.M.W. Turner Watercolour Box Set, 8 Wells

    Lilian May, J.M.W. Turner Watercolour Box Set, 8 Wells

    £40.00

    Box Set Dimensions 9 cm x 5.5 cm Utramarine PB29 Burnt Umber PBR6 Genuine Madder NR9 Vermilion PR4, PY1, W21 Mars Orange PY42, PR10 Indigo NB1 Yellow Ochre PY43 Prussian Blue PB27. Learn More
  19. ArtGraf Tailor Shape Set of 6

    ArtGraf Tailor Shape Set of 6

    £41.50

    Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, the set contains 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black Learn More
  20.  Cornelissen Iconographer's Pigment Set, with Aidan Hart

    Cornelissen Iconographer's Pigment Set, with Aidan Hart

    £38.50

    Nine pigments, especially selected for L. Cornelissen & Son by Aidan Hart, renowned icon painter, writer and lecturer. Learn More
  21. Schmincke Norma Artists' Oil 35ml

    Schmincke Norma Artists' Oil 35ml

    Starting at: £8.15

    Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More
  22. Schmincke Horadam Gouache

    Schmincke Horadam Gouache

    Starting at: £8.75

    Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet. 

    Schmincke recommends the following:

    "The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

    Learn More

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