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  1. London Pigment, Epping Forest Yellow Ochre Pigment

    London Pigment, Epping Forest Yellow Ochre Pigment

    £18.00

    Call to Order

    This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  2. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  3. London Pigment, Mediaeval Inks Set, 2

    London Pigment, Mediaeval Inks Set, 2

    £35.00

    Call to Order

    Purple and Brown Madder Ink Orange Madder Ink Oak Gall Ink Learn More
  4.  Japanese Woodcut Tool Set 7

    Japanese Woodcut Tool Set 7

    £205.00

    Call to Order

    Japanese Woodcut Tools Set of 7, in a wooden box. Cherrywood handles with hard, durable, High Speed Steel chisels. Sizes: Hangito (Knife) 6 mm Komasuki (U) 3 mm, 6 mm Aisuki (Flat) 1.5 mm, 3 mm, 6 mm V 4.5 mm Learn More
  5. STAEDTLER Mars Lumograph Pencil 6 Set

    STAEDTLER Mars Lumograph Pencil Set of 6 in Tin Box

    £11.00

    Call to Order

    This tin of STAEDTLER Mars Lumograph pencils holds a collection of premium-quality pencils that are perfect for writing, drawing and sketching on paper and on matt drafting film. The pencils have a special lead formulation that produces great results with a metallic lustre in a wide variety of grey tones. Learn More
  6. Schmincke Mussini Limited Edition YInMn Blue 15 ml

    Schmincke Mussini Limited Edition YInMn Blue 15 ml

    £26.00

    Call to Order

    YInMn-Blue is a unique, bright blue Learn More
  7. Cornelissen Historical Colours Ink Set

    Cornelissen Historical Colours Ink Set

    £18.50

    Call to Order

    Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More
  8. Empty Watercolour box for 36 half pans

    Empty Watercolour box for 36 half pans

    £17.00

    Call to Order

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.8 x 9.5 x 2cm Learn More
  9. Painter's Handbook

    Painter's Handbook

    £25.00

    Call to Order

    By Mark David Gottsegen. A guide to artists’ materials as well as a thorough resource presenting techniques for using them and recipes for making them. (355 pages) Learn More
  10. Gum Mastic

    Gum Mastic

    Starting at: £20.30

    Call to Order

    Gum Mastic is a tree resin, which dissolves into a clear varnish with alcohol or turpentine, but not with mineral spirits. Mastic varnishes are more prone to blooming and darkening with age than damar-based varnishes, and painting mediums that contain gum mastic can deteriorate in unpredictable ways. For this reason, it is primarily used in restoration, rather than in the production of artwork. Learn More
  11. Lascaux Screenprinting Paste 500ml

    Lascaux Screenprinting Paste 500ml

    £29.00

    Call to Order

    Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More
  12. London Pigment, Rotherhithe Orange Pigment

    London Pigment, Rotherhithe Orange Pigment

    £20.00

    Call to Order

    This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  13. 7

    London Pigment, English Green Earth

    £30.00

    Call to Order

    Prepared by hand and bottled in a rare, hand-blown laboratory glass Weighing Bottle. 20 ml. Gently twist the hand-formed, flame-like stopper and pull carefully to open. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  14. Lapis Lazuli Pigment

    Lapis Lazuli Pigment

    Call to Order

    PB29

    Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.

    [We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]

    Learn More
  15. Schmincke Mussini Limited Edition Lapis Lazuli 15 ml

    Schmincke Mussini Limited Edition Lapis Lazuli 15 ml

    £28.00

    Call to Order

    Schmincke Mussini Limited Edition Lapis Lazuli 15 ml Learn More
  16. London Pigment, Watercolour Paint Making Set

    London Pigment, Watercolour Paint Making Set

    £35.00

    Call to Order

    This watercolour paint making set includes a 30ml glass vial of gum Arabic crystals and another of Hampstead Orange, a pigment rich in iron oxide. A pamphlet detailing a a watercolour recipe and an introduction to London pigment is also included. The perfect gift for artists getting into making their own art materials or those interested in handmade British earth colours. The pigment itself has a fine to medium grain size and has been washed, levigated and ground to create a stable high quality artist’s pigment.

    Learn More
  17. London Pigment, Mediaeval Inks Set, 1

    London Pigment, Mediaeval Inks Set, 1

    £35.00

    Call to Order

    Verdigris Ink Purple Madder and Lac Ink Purple Lac Ink Learn More
  18. Gamblin Burnt Plate Oils

    Gamblin Burnt Plate Oils

    Starting at: £10.50

    Call to Order

    Burnt Plate Oils are used to lower the viscosity of the ink. Burnt Plate Oil should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Burnt Plate Oil #000 has less tack and is a good match for use with Gamblin Relief Inks. Burnt Plate Oil #2 has a higher tack and is the primary oil binder for Gamblin Etching Inks. Learn More
  19. Daler Rowney Wimbourne Table Easel

    Daler Rowney Wimbourne Table Easel

    £83.45

    Call to Order

    Wimbourne Table Easel Learn More
  20. Maimeri Retouching Varnish for Restoration 75 ml

    Maimeri Retouching Varnish for Restoration 75 ml

    £8.80

    Call to Order

    Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow (Ketonic resin 22% and White Spirit). Learn More
  21. Rohrer & Klingner Liquid Watercolour Inks

    Rohrer & Klingner Liquid Watercolour Inks

    Starting at: £9.30

    Call to Order

    Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More

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