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  1. London Pigment, Watercolour Paint Making Set

    London Pigment, Watercolour Paint Making Set

    £35.00

    Call to Order

    This watercolour paint making set includes a 30ml glass vial of gum Arabic crystals and another of Hampstead Orange, a pigment rich in iron oxide. A pamphlet detailing a a watercolour recipe and an introduction to London pigment is also included. The perfect gift for artists getting into making their own art materials or those interested in handmade British earth colours. The pigment itself has a fine to medium grain size and has been washed, levigated and ground to create a stable high quality artist’s pigment.

    Learn More
  2. STAEDTLER Mars Lumograph Pencil 6 Set

    STAEDTLER Mars Lumograph Pencil Set of 6 in Tin Box

    £11.00

    Call to Order

    This tin of STAEDTLER Mars Lumograph pencils holds a collection of premium-quality pencils that are perfect for writing, drawing and sketching on paper and on matt drafting film. The pencils have a special lead formulation that produces great results with a metallic lustre in a wide variety of grey tones. Learn More
  3. Cornelissen Historical Colours Ink Set

    Cornelissen Historical Colours Ink Set

    £18.50

    Call to Order

    Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More
  4. Cinnabar Pigment

    Cinnabar Pigment

    Starting at: £16.00

    Call to Order

    PR106

    Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes. Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe.

    Toxicity D

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  5. Rohrer & Klingner Liquid Watercolour Inks

    Rohrer & Klingner Liquid Watercolour Inks

    Starting at: £9.30

    Call to Order

    Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More
  6. Naples Yellow Light Pigment

    Naples Yellow Light Pigment

    Starting at: £7.40

    Call to Order

    Naples Yellow Light Pigment (PY41). Synthetic Inorganic pigment (Lead Antimoniate). Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. Suitable for all media except watercolours.

    Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  7. Cornelissen Iron Oak Gall Ink Set

    Cornelissen Iron Oak Gall Ink Set

    £30.00

    Call to Order

    Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More
  8. Gamblin Burnt Plate Oils

    Gamblin Burnt Plate Oils

    Starting at: £10.50

    Call to Order

    Burnt Plate Oils are used to lower the viscosity of the ink. Burnt Plate Oil should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Burnt Plate Oil #000 has less tack and is a good match for use with Gamblin Relief Inks. Burnt Plate Oil #2 has a higher tack and is the primary oil binder for Gamblin Etching Inks. Learn More
  9. Bockingford Inkjet Paper

    Bockingford Inkjet Paper

    Starting at: £26.35

    Call to Order

    190GSM, A4 / A3+, 20 Sheets, CP (NOT), pH Neutral, Acid Free, Archival, White. Learn More
  10. Gum Mastic

    Gum Mastic

    Starting at: £20.30

    Call to Order

    Gum Mastic is a tree resin, which dissolves into a clear varnish with alcohol or turpentine, but not with mineral spirits. Mastic varnishes are more prone to blooming and darkening with age than damar-based varnishes, and painting mediums that contain gum mastic can deteriorate in unpredictable ways. For this reason, it is primarily used in restoration, rather than in the production of artwork. Learn More
  11. Realgar Pigment

    Realgar Pigment

    Starting at: £12.75

    Call to Order

    Realgar, like Orpiment, is sulphide of arsenic, and these two substances are often found in close proximity to each other in nature. Realgar exists in small deposits throughout the world and has been used for its colour since ancient times, although its extreme toxicity means that it has been superseded by cadmiums in modern painting. It is an opaque pigment with poor tinting strength. Larger quantities are available by request.

    Toxicity D

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  12. Lemon Yellow Pigment

    Lemon Yellow Pigment

    Starting at: £7.00

    Call to Order

    Lemon Yellow Pigment (PY31). Synthetic Inorganic pigment (Barium Chromate). Opaque but transparent in a glaze. Low tinting strength. Excellent Lightfastness. Low oil absorption with medium drying rate. Recommended for oils but can turn slightly greenish when mixed with binder. Used since beginning of the 19th Century.

    Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  13. Schmincke Mussini Lapis Lazuli Limited Edition 15 ml

    Schmincke Mussini Lapis Lazuli Limited Edition 15 ml

    £30.00

    Call to Order

    Schmincke Mussini Limited Edition Lapis Lazuli 15 ml Learn More
  14. CHROMATOPIA: An Illustrated History of Colour

    CHROMATOPIA: An Illustrated History of Colour

    £18.95

    Call to Order

    Reverse Cover Text: Did you know that the Egyptians created the first synthetic colour; or that the noblest purple comes from a predatory sea snail? Throughout history, artist pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and serendipity, Chromatopia reveals the origin stories of over 50 of history's most extraordinary pigments. Spanning the ancient world to modern leaps in technology, this book for the artist, the history buff, the science lover an the design fanatic. "David has spent the entire life up to his elbows in this subject - he covers colour with beauty, depth and understanding. Anyone who has ever wondered about the origins of mummy brown, Tyrian purple or how manure makes the purest white need look no further." Narayan Khandejar, Director of the Straus Center for Conservation and Technical Studies, Harvard Art Museums

    Please note, the book is now only available in a paperback format.

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  15. Orpiment Pigment

    Orpiment Pigment

    Starting at: £12.75

    Call to Order

    PY39

    Orpiment, also called King's Yellow, is a mineral pigment containing naturally occurring sulphide of arsenic. Its high toxicity, and the prevalence of cadmium pigments, means that it is largely obsolete outside the field of restoration. It works best bound in oil or egg tempera, but it is not reliably permanent. Larger quantities are available by request.

    Toxicity D

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  16. Daler Rowney Wimbourne Table Easel

    Daler Rowney Wimbourne Table Easel

    £83.45

    Call to Order

    Wimbourne Table Easel Learn More
  17. Litharge Pigment

    Litharge Pigment

    Starting at: £8.00

    Call to Order

    PY46

    Litharge is lead monoxide, also known as Massicot. It is an opaque pigment, with a weak tinting strength. Its toxicity and fugitive nature means that it is rarely used as a pigment. Instead, its fast drying time means that it has been used as a siccative in oil mediums. The colour tends to darken in all media, and it is also unstable in its dry form, as the powder can lighten when exposed to air.

    Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  18. Lapis Lazuli Pigment

    Lapis Lazuli Pigment

    Call to Order

    PB29

    Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.

    [We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]

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  19. Lilian May,  J.M.W. Turner Watercolour Box Set, 8 Wells

    Lilian May, J.M.W. Turner Watercolour Box Set, 8 Wells

    £40.00

    Call to Order

    Box Set Dimensions 9 cm x 5.5 cm Ultramarine PB29 Burnt Umber PBR6 Genuine Madder NR9 Vermilion PR4, PY1, W21 Mars Orange PY42, PR10 Indigo NB1 Yellow Ochre PY43 Prussian Blue PB27. Learn More
  20. Empty Watercolour box for 36 half pans

    Empty Watercolour box for 36 half pans

    £17.00

    Call to Order

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.8 x 9.5 x 2cm Learn More
  21. Lead Tin Yellow Light Pigment

    Lead Tin Yellow Light Pigment

    Starting at: £4.80

    Call to Order

    Bright yellow first used in the Middle Ages as a replacement for Orpiment. Suitable for oil based media. Larger sizes available. Please ask for quotation.

    Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  22. Chrome Yellow Orange Pigment

    Chrome Yellow Orange Pigment

    Starting at: £14.00

    Call to Order

    Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.

    Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  23. Lascaux Screenprinting Paste 500ml

    Lascaux Screenprinting Paste 500ml

    £29.00

    Call to Order

    Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More
  24. London Pigment, Mediaeval Inks Set, 1

    London Pigment, Mediaeval Inks Set, 1

    £35.00

    Call to Order

    Verdigris Ink Purple Madder and Lac Ink Purple Lac Ink Learn More
  25. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  26. Chrome Yellow Light Pigment

    Chrome Yellow Light Pigment

    Starting at: £10.00

    Call to Order

    Chrome Yellow Light Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is moderately good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.

    Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

    Learn More
  27. Schmincke Horadam Naturals Set Earths

    Schmincke Horadam Naturals Set Earths

    £49.00

    Call to Order

    Schmincke Horadam Naturals Set Earth Pigments 5 x 15 ml Celadonite Yellow Ochre Lalvarit Violet Caucasus Earth Green Slate Learn More
  28. Roberson Interlon Series 64 Filbert

    Roberson Interlon Series 64 Filbert

    Starting at: £5.60

    Call to Order

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. *AWAITING ARRIVAL OF NEW STOCK* Learn More
  29. 7

    London Pigment, English Green Earth

    £30.00

    Call to Order

    Prepared by hand and bottled in a rare, hand-blown laboratory glass Weighing Bottle. 20 ml. Gently twist the hand-formed, flame-like stopper and pull carefully to open. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  30. STAEDTLER Double-Hole Tub Sharpener side view

    STAEDTLER Double-Hole Tub Sharpener

    £4.70

    Call to Order

    Double-hole tub sharpener for standard-sized coloured pencils up to 8.2 mm Ø, with a sharpening angle of 30° and thick graphite and coloured pencils up to 10.2 mm Ø, with a sharpening angle of 30°.

    Learn More

Items 901 to 930 of 940 total

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