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Items 901 to 930 of 1490 total

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  1. Chrome Yellow Orange Pigment

    Chrome Yellow Orange Pigment

    Starting at: £14.00

    Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.

    Toxicity: D  Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  2. Cornelissen Variegated Metal Leaf 236

    Cornelissen Variegated Metal Leaf 236

    Starting at: £17.00

    Cornelissen Variegated Metal Leaf 236 Learn More
  3. Yellow Ochre Pigment

    Yellow Ochre Pigment

    Starting at: £4.00

    PY43

    Yellow Ochre is a natural earth pigment that has been in use since prehistoric times. It is derived from iron-rich clay deposits that are present all over the world; our Yellow Ochre comes from the hilly regions around Verona, Italy. As a pigment, it is semi-opaque, extremely lightfast, and stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Yellow Ochre is similar in composition to Raw Sienna, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this compositional difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna. 

    Toxicity B

    Learn More
  4. Bockingford Fat Pad

    Bockingford Fat Pad

    Starting at: £25.90

    300GSM, 14.8cm x 42cm, 25 Sheets, Mould Made, Woodfree, Internally Sized, Acid free, Wire Bound. Learn More
  5. Schmincke Casein Binding Medium 500 ml

    Schmincke Casein Binding Medium 500 ml

    £24.10

    Casein Binding Medium 500 ml Learn More
  6. Schmincke Horadam Supergranulating Set Glacier

    Schmincke Horadam Supergranulating Set Glacier

    Starting at: £69.90

    Schmincke Horadam Supergranulating Set Glacier, 5 x 15ml tubes. Learn More
  7. Liquitex Acrylic Glazing Medium

    Liquitex Acrylic Glazing Medium

    Starting at: £20.40

    Creates brilliant glazes when mixed with transparent colour. Excellent brushing and self-leveling qualities. Dries quickly for rapid layering. Learn More
  8. Winsor & Newton Blending & Glazing Medium 75 ml

    Winsor & Newton Blending & Glazing Medium 75 ml

    £9.20

    From the Winsor & Newton website: This new medium slows drying & improves flow. Ideal for blending, glazing, stroke work, antiquing and staining. Improves transparency and depth. Dries to a durable gloss finish.

    Learn More
  9. Schmincke Horadam 8 Half Pans with Water Container

    Schmincke Horadam 8 Half Pans with Water Container

    £79.25

    Artist's pigments in the highest possible concentration. Integrated water carrying system, ideal for painting en plein air. Learn More
  10. Conte Fusain Charcoal Pencils

    Conte Fusain Charcoal Pencils

    Starting at: £2.00

    Conte Fusain Charcoal Pencils Learn More
  11. Schmincke Horadam 18 x 5ml Tubes

    Schmincke Horadam 18 x 5ml Tubes

    Starting at: £113.25

    Schmincke Horadam 18 x 5ml Tubes. Learn More
  12. Robersons Dragger 50mm

    Robersons Dragger 50mm

    £16.70

    Roberson Dragger 50mm Learn More
  13. Golden Fluid Acrylic 473ml

    Golden Fluid Acrylic 473ml

    Starting at: £46.70

    Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  14. Schmincke Liquid Charcoal 15 ml

    Schmincke Liquid Charcoal 15 ml

    Starting at: £18.30

    Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More
  15. Wire Wool Grade 0000 225gsm

    Wire Wool Grade 0000 225gsm

    £6.70

    Wire Wool Grade 0000 225gsm Learn More
  16. Irregular Roulette

    Irregular Roulette

    £72.00

    Roulette Angle Shaft Irregular Dot. Irregular roulette produces pebble effect. Learn More
  17. Bone White Pigment 100 grams, Renaissance Workshop Materials

    Bone White Pigment 100 grams, Renaissance Workshop Materials

    £38.00

    To make grounds for silverpoint drawing. Learn More
  18. Sennelier La Carte Pastel Pad

    Sennelier La Carte Pastel Pad

    Starting at: £26.40

    Sennelier La Carte Pastel Pad Learn More
  19. Roberson Refined Linseed Oil

    Roberson Refined Linseed Oil

    Starting at: £13.30

    Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.

    Alkali Refined Linseed Oil has been treated to reduce its acidity, and is a useful ingredient in mediums and varnishes.

    Learn More
  20. Roberson Pocket Sable Travel Brush

    Roberson Pocket Sable Travel Brush

    Starting at: £24.80

    Pure Kolinsky sable with a uniquely designed case to satisfy the travelling watercolourist. Double section handle protects the brush head in transit and unscrews to form a comfortable handle. Learn More
  21. Cornelissen Historical Inks, Walnut

    Cornelissen Historical Inks, Walnut

    Starting at: £9.00

    Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

    Not Suitable for fountain pens. Learn More
  22. Liquitex Acrylic Modeling Paste Medium

    Liquitex Acrylic Modeling Paste Medium

    Starting at: £20.20

    Creates dense texture which can be sanded or carved. Also available in Flexible or Light consistencies. Learn More
  23. Winsor & Newton Liquin Fine Detail

    Winsor & Newton Liquin Fine Detail

    Starting at: £9.20

    From the Winsor & Newton website: The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing and blending, or to produce a smooth surface picture. Speeds drying (touch dry in 1-6 days depending on colour and film thickness).Resists yellowing. Not suitable as a varnish or final coat.

    Learn More
  24. Pilot Erasers for Mechanical Pencil

    Pilot Erasers for Mechanical Pencil

    £2.75

    Pilot Erasers for Mechanical Pencil Learn More
  25. Gillott Drawing Pen Nib Holder

    Gillott Drawing Pen Nib Holder

    £3.50

    Gillot Drawing Pen Nib Holder, in plastic Learn More
  26. Winsor & Newton Lightweight Box 24

    Winsor & Newton Lightweight Box 24

    Starting at: £170.85

    This lightweight set contains a selection of 24 Artists’ Water Colour half pans. Includes: Winsor Yellow, Indian Red, Raw Umber, Burnt Umber, Payne's Grey, Ivory Black, Chinese White, Aureolin, Indian Yellow, Winsor Red, Permenant Alizarin Crimson, Permanent Rose, Winsor Dioxazine Purple, French Ultramarine, Cobalt Blue, Winsor Blue (Green hue), Cerulean Blue, Burnt Sienna, Raw Sienna, Lemon Yellow (Nickel Titanate), Winsor Orange, Prussian Blue, Viridian, Indigo. Actual contents may vary depending on availability at Winsor & Newton. Learn More

  27. Winsor & Newton Safflower Oil 75 ml

    Winsor & Newton Safflower Oil 75 ml

    £9.20

    From the Winsor & Newton website: A slow drying oil which improves flow, increases gloss and transparency. Particularly suitable for use with whites and pale colours.

    Learn More
  28. Unison 36 Standard Starter Pastels

    Unison 36 Standard Starter Pastels

    Starting at: £164.85

    Unison 36 Standard Assorted Pastels Learn More
  29. Holbein Metal Palette, Rectangular

    Holbein Metal Palette, Rectangular

    £4.50

    13 wells for watercolour paints 20 cm x 11 cm Learn More
  30. Chrome Yellow Light Pigment

    Chrome Yellow Light Pigment

    Starting at: £10.00

    Chrome Yellow Light Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.

    Toxicity: D  Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More

Items 901 to 930 of 1490 total

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