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Roberson Linseed Stand Oil
Starting at: £10.50
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.
Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.
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Burnt Green Earth Pigment
Starting at: £8.00
PG23 Burnt Green Earth is a semi-transparent pigment that is stable in all media, although it may be difficult to incorporate into an acrylic binder. A calcined form of Green Earth, it has a low tinting strength, long drying time, and is very lightfast. Toxicity: B Limeproof Learn More -
Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml
£10.50Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.
Not suitable for fountain pens. Learn More -
Zinc White Pigment
Starting at: £4.00
Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.
Toxicity: B
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Cornelissen Black Sketchbooks
Starting at: £5.40
Our Cornelissen-branded sketchbooks are a popular, durable, and versatile choice. The acid-free, 140gsm paper is perfect for drawing and all dry-media techniques. The standard sizes (A6, A5, A4 and A3, portrait and landscape) contain 46 pages, while the chunky square formats contains 95 pages. Learn More -
Liquitex Acrylic Gloss Heavy Gel Medium
Starting at: £20.40
Liquitex Acrylic Gloss Heavy Gel Medium Learn More -
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Schmincke Horadam 12 Whole Pans
Starting at: £90.80
Call to Order
Schmincke Horadam 12 Whole Pans. Learn More -
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Unison 18 Standard Landscape Pastels
Starting at: £86.65
Unison 18 Standard Landscape Pastels Learn More -
Schmincke Akademie Acrylic 120ml
Starting at: £7.60
Schmincke Akademie Acrylic 120ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Roberson Damar Varnish 5 lb Cut
Starting at: £9.00
Roberson Damar Varnish 5 lb Cut. Unable to send overseas. Learn More -
Chrome Yellow Orange Pigment
Starting at: £14.00
Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Cornelissen Variegated Metal Leaf 236
Starting at: £17.00
Cornelissen Variegated Metal Leaf 236 Learn More -
Yellow Ochre Pigment
Starting at: £4.00
PY43
Yellow Ochre is a natural earth pigment that has been in use since prehistoric times. It is derived from iron-rich clay deposits that are present all over the world; our Yellow Ochre comes from the hilly regions around Verona, Italy. As a pigment, it is semi-opaque, extremely lightfast, and stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Yellow Ochre is similar in composition to Raw Sienna, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this compositional difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity B
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Schmincke AQUA Watercolour Ground, Coarse
Starting at: £17.15
White, lightfast and age-resistant, ideal for structures with coarse surfaces. Learn More -
Bockingford Fat Pad
Starting at: £25.90
300GSM, 14.8cm x 42cm, 25 Sheets, Mould Made, Woodfree, Internally Sized, Acid free, Wire Bound. Learn More -
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Schmincke Horadam Supergranulating Set Glacier
Starting at: £69.90
Schmincke Horadam Supergranulating Set Glacier, 5 x 15ml tubes. Learn More -
Liquitex Acrylic Gloss Medium and Varnish
Starting at: £20.40
Liquitex Acrylic Gloss Medium and Varnish Learn More -
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Liquitex Acrylic Varnish Matt
Starting at: £20.40
Use as varnish over finished paintings. Learn More -
Unison 72 Standard Portrait Pastels
Starting at: £303.50
Unison 72 Standard Portrait Pastels Learn More -
Schmincke Liquid Charcoal 15 ml
Starting at: £18.30
Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More -
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Irregular Roulette
£72.00Roulette Angle Shaft Irregular Dot. Irregular roulette produces pebble effect. Learn More -
Bone White Pigment 100 grams, Renaissance Workshop Materials
£38.00To make grounds for silverpoint drawing. Learn More -
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