Search results for: 'The And'

Roberson Metallic Oil Sticks

Starting at: £16.40

Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More

Renaissance Workshop Materials, Silverpoint Stylus Maestro

£299.00

Length 220 mm. For use on prepared paper. Hand-forged in London from silver bullion. Learn More

Schmincke Mussini Special Edition Cobalt Violet 15 ml

£17.10

Schmincke Mussini Special Edition Cobalt Violet15 ml Learn More

Renaissance Workshop Materials, Silverpoint Stylus, Artisan

£169.00

Length 190 mm. For use on prepared paper. Hand-forged in London from silver bullion. Learn More

Winsor & Newton Griffin Alkyd Oil Colour

Starting at: £7.15

Artist quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin Alkyd range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Learn More

Japanese Easy Grip Tento Carving Set

£21.00

Tento easy grip carving set. This set comes in a plastic box and contains 5pcs, including; 7.5mm Hangi-toh (knife), 7.5mm Aisuki (flat), 6mm Komasuki (U), 3mm Komasuki (U), 3mm Sankatu-toh (V). These are pencil style tools with a soft easy grip, non-slip rubber ferrule and plastic handle. The handle is longer when compared to the traditional tools, perfect as an introduction to Mokuhanga printing. Learn More

Daler-Rowney Georgian Oil Colour 225 ml

Starting at: £14.50

Georgian Oil colour offers artists high performance at an economical and uniform price across all colours in the range. All 55 colours have fine working qualities and a high degree of performance. Learn More

Gamblin Gamvar Varnish Gloss

Starting at: £15.20

Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More

Kaweco Brass Sport Fountain Pen

Starting at: £80.00

The Kaweco Sport was first designed in 1911 as a pocket fountain pen which could be carried everywhere. It has an octagonal design and an oversized cap. Kaweco Sport fountain pens measure only 10.5 cm when closed, but when the cap is mounted on top of the barrel they become a 13 cm-long, standard-sized pen, hence the slogan: "small in the pocket, large in the hand". The Kaweco BRASS Sport fountain pen is made of solid, untreated, CNC-machined brass, which will age and develop its own unique patina over time unless polished. It is hand assembled in Germany and comes in a Kaweco gift tin. The nib is made in Germany. A standard international ink cartridge is included. Learn More

ArtGraf Watersoluble Graphite Stick 250g

£26.00

Extra-large hand made water-soluble graphite stick for large mark making. Draw and then use water to paint into the marks for blending. Learn More

Cobalt Green Light Pigment

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Starting at: £8.70

PG19

Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

Toxicity: B

Please note, unfortunately we are not able to send this product outside the UK.

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Prussian Blue Pigment

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Starting at: £5.20

PB27

Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.

It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.

Toxicity: B

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Mars Violet Pigment

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Starting at: £4.50

PR101

Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.

Toxicity: B

Limeproof

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Korns Litho Pencil Core

Starting at: £7.90

For litho on stone, plate and aquatint. Can be mixed with water. For aquatint applications. No.1, 2 and 3 are the most suitable for creating fine tonal effects. Acid resistant. Pencil core fits in our classic 5.5mm clutch pencil. Learn More

Komasuki 3mm (U Shape)

£31.00

The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when the ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Calligraphy Cartridge Pad A3

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£17.50

Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More

Winsor & Newton Series 7 Kolinsky Sable

Starting at: £24.80

Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation. Learn More

Chrome Yellow Light Pigment

Starting at: £10.00

Chrome Yellow Light Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century. Toxicity D.

Please note, unfortunately we are not able to send this product outside the UK.

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Cornelissen Historical Inks, Yellow Hawthorn Ink 30ml

£6.50

Made from organic hawthorn berries collected from Cambridgeshire, this bright, warm yellow ink can be layered in order to produce deeper shades. It is not fully lightfast or waterproof due to the presence of organic materials.

Not suitable for fountain pens. Learn More

Cornelissen Iron Oak Gall Ink Set

£30.00

Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More

Daler Rowney Ivory Artist's Sketchbooks

Starting at: £13.25

The Daler-Rowney Ivory Artists' Sketchbooks with their smooth creamy coloured lighter weight paper and micro-perforated pages remain ever popular sketchbooks for those who sketch with graphite pencils, charcoal or ink & pen technique. Ivory Sketchbooks are available in hardback and softback. - High-quality smooth texture cartridge paper. - 90gsm. Available in sketchbooks. - Ivory colour. - FSC® (FSC-C111372) certified paper. - Microperforated pages. - Ideal for graphite pencils, charcoal or pen & ink technique. Learn More

Hahnemuhle Etching Paper

Starting at: £4.55

300GSM, 53cm x 78cm, Mould Made, Natural White Shade, Alpha Cellulose, Acid Free, Soft Sized, Watermarked, 3 Deckle Edges, Textured Surface, 25 Sheets. Learn More

Cornelissen Oil Sable Round

Starting at: £5.55

Finest quality red sable to all types of oil techniques. This brush has good sping even in the smaller sizes and retains its point well. Learn More

Sosaku Brush 60mm

£18.60

Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More

Hardback Book of Drawing Paper

£25.00

This landscape book contains 48 sheets of 200 gsm Fabriano Accademia drawing paper. White, smooth surfaced, acid free paper in a hardbacked cover featuring a 19th-Century design advocating drawing as "a necessary part of the education of all". Sheet size 19cm x 24cm (7.5 x 9.5in). Learn More

Traditional Sumi Baren

£46.50

Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More

Roberson Pocket Sable Travel Brush

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Starting at: £24.80

Pure Kolinsky sable with a uniquely designed case to satisfy the travelling watercolourist. Double section handle protects the brush head in transit and unscrews to form a comfortable handle. Learn More

Schmincke Norma Professional 35ml

Starting at: £8.15

Professional grade artist's oil paints. High pigment concentration. High lightfastness. Learn More

Ferric Chloride

Starting at: £15.00

For the etching of plates for printing fine art images in intaglio. Ferric Chloride can be used as a non toxic alternative to nitric acid in the etching process. Suitable for etching most types of metals including copper, zinc, mild steel, aluminium, iron and brass. Learn More

Indigo Blue Genuine Pigment

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Starting at: £8.00

NB1

Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.

Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.

Toxicity: B

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Search results for 'The And'