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Items 91 to 106 of 106 total

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  1. Schmincke Varnish Remover

    Schmincke Varnish Remover

    Starting at: £10.40

    Varnish remover. For softening old varnish and colour layers. Strong solvent should be used by experienced persons only. Learn More
  2. Roberson Liquid Metal 1Ltr

    Roberson Liquid Metal 1Ltr

    Starting at: £60.30

    Roberson Liquid Metal 1Ltr. Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More
  3. Winsor & Newton Liquin Original

    Winsor & Newton Liquin Original

    Starting at: £9.20

    From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More
  4. da Vinci Series 5073 Synthetic Mottler

    da Vinci Series 5073 Synthetic Mottler

    Starting at: £6.70

    Very soft synthetic bristles, excellent for all-round use. Bright green handle, dark fading to pale grey bristles. Learn More
  5. Dragon's Blood Powder

    Dragon's Blood Powder

    Starting at: £28.10

    Dragon's Blood is a natural, resin, mentioned by Pliny in his Natural History. It has a weak tinting strength, and its rich red-colour can be fugitive in direct sunlight. It is fully soluble in alcohol, and can be used to add a warm, transparent tone to spirit varnishes. Also available in lump form.

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  6. Roberson 1810 Medium

    Roberson 1810 Medium

    Starting at: £34.20

    This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.

    Contains: Stand oil, Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.

    Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.

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  7. Charbonnel Lamour Black

    Charbonnel Lamour Black

    Starting at: £30.20

    Bitumen, turpentine. Covering varnish with hard finish. Recommended for aquatint techniques. Learn More
  8. Gum Benzoin

    Gum Benzoin

    Starting at: £14.70

    Gum Benzoin is used as a fixative, slowing the dispersion of essential oils and other materials into the air. Is occasionally called for in some old varnish recipes where it was employed primarily for its odour. Learn More
  9. Michael Harding Miracle Medium

    Michael Harding Miracle Medium

    Starting at: £12.00

    MM0 Miracle Medium is a solvent-free, odourless, vegan, and plant-based Medium that serves as an alternative to traditional turpentine. This medium offers artists a natural and sustainable option for thinning oil paints, cleaning brushes, and glazing (see our MM2 Quick Dry Dammar Varnish Miracle Medium) without the use of harsh chemicals or toxic fumes. CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. Oil paint artists use MM0 Miracle Medium in several ways: Artists may dip their brush in MM0 Miracle Medium before applying it to the paint to achieve the desired consistency. Clean brushes: MM0 Miracle Medium can be used to clean oil paint brushes. After painting, artists may rinse their brushes in MM0 Miracle Medium to remove excess paint and then wash the brushes with soap and water – Use as a painting medium to mix with oil paints, enhancing flow and transparency – Clean brushes by dipping them in the medium and wiping them clean. – Dilute or thin oil paints without the use of traditional solvents. – CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. – Available in 100ml, 250ml and 1 Litre. Learn More
  10. Winsor & Newton Liquin Fine Detail

    Winsor & Newton Liquin Fine Detail

    Starting at: £9.20

    From the Winsor & Newton website: The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing and blending, or to produce a smooth surface picture. Speeds drying (touch dry in 1-6 days depending on colour and film thickness).Resists yellowing. Not suitable as a varnish or final coat.

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  11. Omega Series 1031 Spalter Varnish

    Omega Series 1031 Spalter Varnish

    Starting at: £19.40

    Lily bristle brush for dragging or varnish walls and large surfaces. 100% pure hog bristles. Learn More
  12. Maimeri Retouching Varnish for Restoration 75 ml

    Maimeri Retouching Varnish for Restoration 75 ml

    £8.80

    Call to Order

    Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow (Ketonic resin 22% and White Spirit). Learn More
  13. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.

    SHIPPING Please note, we are not able to send this product outside the UK.

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  14. Asphaltum Powder

    Asphaltum Powder

    Starting at: £14.30

    Call to Order

    Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More
  15. Lascaux Screenprinting Paste 500ml

    Lascaux Screenprinting Paste 500ml

    £29.00

    Call to Order

    Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More
  16. Gum Mastic

    Gum Mastic

    Starting at: £20.30

    Call to Order

    Gum Mastic is a tree resin, which dissolves into a clear varnish with alcohol or turpentine, but not with mineral spirits. Mastic varnishes are more prone to blooming and darkening with age than damar-based varnishes, and painting mediums that contain gum mastic can deteriorate in unpredictable ways. For this reason, it is primarily used in restoration, rather than in the production of artwork. Learn More

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