Search results for 'Mediums'
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Roberson Gum Arabic
Starting at: £10.30
A high quality gum Arabic solution used for binding watercolours. Increases gloss and brilliance. Learn More -
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Roberson Glaze Medium
Starting at: £9.60
Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork.
Contains: Turpentine, Damar Resin, Stand Oil, Cobalt Dryers.
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Daler-Rowney Alkyd Flow Oil Medium
Starting at: £9.20
Slightly thinner than Alkyd Gel, Daler Rowney Alkyd Flow Medium increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time. Learn More -
Schmincke Aqua-Bronze
Starting at: £10.90
Formerly Tro Col, Schmincke Aqua-Bronze is a range of metallic gouache in dry powder form. Mix with distilled water. May also be mixed with acrylic mediums to give a rich colour. Light resistant, but not resistant to humidity. Learn More -
Phthalo Green Pigment
Starting at: £8.10
Phthalo (Mona) Green Pigment (PG7). Organic pigment (Chlorinated Copper Phthalocyanine). Transparent. Very high tinting strength. Excellent Lightfastness. Medium to slow drying rate. Requires wetting agent. Suitable for all media. Developed in 1927. Toxicity B Learn More -
Phthalo Blue Pigment
Starting at: £8.00
PB15:3
Phthalo (Mona) Blue is a synthetic organic pigment, Copper Phthalocyanine, that has been in use since the 1930s. It has an extremely high tinting strength and is a staining colour, so cannot successfully be lifted in watercolour. It requires a wetting agent to fully disperse into a medium, and, when used at full strength, a copper sheen is visible in dried paint film. It is transparent, very lightfast, and has a medium-to-slow drying rate in oil.
Toxicity: C
While stocks last
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London Pigment, Georgian Yellow Brick Pigment
£18.00This warm earthy yellow is made from the quintessential London ‘stock brick’ of the 18th and 19th centuries. This pigment has a medium grain size and is transparent. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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Pro Arte Series F Prolene Fan
Starting at: £7.15
Soft synthetic haired fan used for blending and softening adjacent areas of oil and acrylic colour. Learn More -
Liquitex Heavy Body 59ml
Starting at: £10.30
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More -
Schmincke Artists Watercolour 5 ml Tube
Starting at: £6.35
Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 15ml tubes. Learn More -
Golden Fluid Acrylic 473ml
Starting at: £46.70
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Cornelissen Cotton Tote Bags
Starting at: £3.00
Cornelissen cotton tote bags. Medium 34 x 36 cm. Large 34 x 47 cm. Learn More -
Roberson Pigment Binding Medium
Starting at: £10.70
Add Pigment Binding medium to dry or aqueously dispersed pigment to create acrylic colour. Learn More -
W&N Professional Watercolour 14ml Tube
Starting at: £16.00
Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More
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Translucent Yellow Oxide Pigment
Starting at: £7.00
Translucent Yellow Oxide (PY42). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More -
Korns Litho Pencil Core
Starting at: £7.90
For litho on stone, plate and aquatint. Can be mixed with water. For aquatint applications. No.1, 2 and 3 are the most suitable for creating fine tonal effects. Acid resistant. Pencil core fits in our classic 5.5mm clutch pencil. Learn More -
Faber-Castell Pitt Oil Based Pencils
Starting at: £2.60
Faber-Castell Pitt Oil Based Pencils Learn More -
Carborundum Powder
Starting at: £11.50
Carborundum Powder. Grid of coarseness: Fine 120/220, Medium 80/120, Coarse 60/80 Learn More -
London Pigment, London Red Brick
£18.00Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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Marble Dust
Starting at: £4.70
Imparts textue when added to acrylic mediums and primers. Used in lime mortar. Meets paint pigment specificitions in its fine form. Mesh size: Course (Irregular granules), Medium (16) and Fine (100). Learn More -
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Cornelissen Copaiba Balsam
Starting at: £20.80
Copaiba Balsam comes from the South American tree Copaifera landsdorfii. Its primary function is to improve the appearance of paint layers that may have become dull, brittle or sunken upon drying. It is a viscous liquid that may be diluted with turpentine, but which should not be used in painting mediums.
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Michael Harding Watercolour 15 ml Tube
Starting at: £13.60
Michael Harding's new range of Professional Watercolours are formulated with the highest pigment concentration possible. A comprehensive range of 136 colours, including historical colours such as Lapis Lazuli and Rose Madder. These watercolours have impressive colour strength, vibrance, clarity, and longevity. Learn More -
Golden Heavy Body Acrylic 473ml
Starting at: £47.30
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Khadi White Rag Paper Packs 150gsm
Starting at: £2.85
Handmade Paper, 100% Long Fibred Cotton Rag, Acid free, Medium-Rough surface, Deckle Edged. All papers are internally sized with neutral pH size. Learn More -
Cerulean Blue Pigment
Starting at: £14.50
PB35
Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.
Limeproof
Toxicity: B
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One Shot Lettering Enamel Paint
Starting at: £20.55
Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More -
Pro Arte Series 9 Liner
Starting at: £4.80
Extra long haired synthetic brush for signwriting or lining. Square tip. Learn More -
Schmincke Artists Watercolour Whole Pan
Starting at: £7.95
Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half pans and tubes of 5 and 15ml. Learn More